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Tag: Germany

Monarchies and the Great War

Reviewed by Mario Draper.

The First World War has frequently been described as a watershed moment. Arthur Marwick, for instance, famously put forward the notion that the resultant social, economic, and political change qualified it as the first total war. The impact on the institution of monarchy was no less dramatic, with the abrupt demise of the Romanovs, the Hohenzollerns, and the Habsburgs, as well as the resultant fall of the Ottoman dynasty a few years later. Nevertheless, a systematic study of monarchy’s role and influence during the First World War has received relatively little attention. This is all the more evident in terms of comparative history, where even The Cambridge History of the First World War only tackles the question of monarchy within the framework of civil-military relations (the autocracy vs democracy debate), which naturally extends its scope to include a study of the participating republics. To this end, Matthew Glencross and Judith Rowbotham’s conference and ensuing published proceedings, Monarchies and the Great War, provides a useful addition to the plethora of publications that have accompanied the Centenary of the First World War.

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Ypres: Great Battles.

Reviewed by Matthew Haultain-Gall.

Ypres. For well over one hundred years now, the name of this Belgian town has become shorthand for the death and destruction wrought by the First World War. But why? For whom? And which Ypres? After all, hundreds of thousands of combatants from dozens of nations fought several major battles in the ‘immortal salient’, each of which generated their own distinctive narratives. These questions are at the heart of Mark Connelly and Stefan Goebel’s fantastic Ypres, which painstakingly strips back the layers of this dense, multifaceted lieu de mémoirefrom the turn of the twentieth century to the First World War centenary.

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Fighting the People’s War

Reviewed by Oliver Parken. The notion of the Second World War as a ‘people’s war’ remains an established, and highly contested, tool for understanding the experience and representation of the conflict. Transmitted through wartime propaganda and cultural codes, scholars have tended to assess its workings in the home front context. In the British case, citizens were, after all, drawn into the front-lines of war as targets of enemy bombardment as well as forming the back-bone…

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Belgian Neutrality and its Reinterpretation ahead of the First World War

Written by Mario Draper.

Léon Arendt will not be a familiar name to most readers. His role as the Political Director at the Belgian Ministry of Foreign Affairs from 1896 to 1912 was hardly likely to make him a household name beyond Belgium’s borders. Yet, his conceptualisation of these borders and of Belgium’s wider relationship with neutrality – imposed in perpetuity by the Great Powers (Britain, France, Russia, Austria-Hungary, and Prussia) in 1839 – marks him out as a singularly important figure in defining the strategic paradigm at the outbreak of the First World War. For here was a man who proposed the controversial view in 1911 that neutrality was but a tool of independence and not an end in itself. In other words, were neutrality to jeopardize continued independence, Belgium was within its rights to reinterpret its duties and forgo its strict adherence to the 1839 Treaty of London. 

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(Re-)Visiting Ypres

Written by Mark Connelly and Stefan Goebel.

Visiting Ypres, or Ieper to use its modern name, is an amazing experience. First, there is the sheer wonder of wandering around a seemingly historic city which, on closer inspection, proves to be of very recent completion. Then, there is the impressive scale of the massive Cloth Hall, the great medieval trading market which attracted merchants from across Europe. But, that too proves to be a bit of curiosity when stared at, as the mix of very smooth, sharply cut stone merges with the pock-marked, scarred and worn pillars along the ground floor. Next to the Cloth Hall is a soaring medieval cathedral, but enter inside and it feels so new you almost expect it to squeak as it comes out of the shrink-wrap. Finally, there is the Menin Gate, a huge memorial to the British and Commonwealth missing of ‘the salient’. Tucked into the ramparts, the Menin Gate almost leaps out on the visitor walking along the street from the central square (the Grote Markt). Of course, it is the Menin Gate that provides the key to the rest of the mystery, for it commemorates the fact that this charming West Flanders city witnessed some of the most intense and prolonged fighting on the Western Front between 1914 and 1918. During that fighting, Ypres was reduced to rubble and ashes only to rise again in replica form. And that is an underlying theme of our new book, Ypres: the recycling, rebuilding, reconstruction of images, stories, and histories of Ypres which stands alongside the physical construction of memorials, monuments and cemeteries in a reconstructed landscape. It is about construction and reconstruction; the encoding and reinterpreting of a major historical event within its original space, and how the battlefield of Ypres could be brought home.

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Preaching to the Converted?: Boys’ and Girls’ Fiction as Propaganda, 1914-18

Written by David Budgen.

Children growing up in the era of the First World War were encouraged to help with the war effort in a number of ways; between 1914 and 1918 they collected conkers and wool from hedgerows, gathered salvage, and worked in war industries and on the land.  Much of their leisure time too would also have been taken up with the war.  In particular, a wealth of fiction – novels and story papers – utilised the war as a setting.  ‘Perhaps,’ argues Niall Ferguson, ‘the grim truth about war propaganda was that it had the greatest influence on the social group which mattered least to the war effort: children’.  This influence can be seen in the aforementioned ways in which children partook in the war effort.  And yet, although children’s books were undoubtedly topical responses to relatively contemporary events, the extent to which these works functioned as propaganda is worthy of some discussion.

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