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Category: Book Reviews

British First World War Propaganda: From A to Z

Reviewed by Edward Corse

 

David Monger’s British First World War Propaganda: From A to Z is an interesting and innovative way of constructing an analysis of an important historical subject and demonstrates that propaganda in this period went beyond the ‘falsehood in war-time’ that sometimes shrouds study of the topic. He divides the book into 26 main chapters, one for each letter of the English alphabet, devoting each chapter to a short study guided by a word or phrase he has chosen. The benefit of such an approach is that it can draw in new readers to a topic with bite-sized summaries of a variety of different issues relating to the topic who might be attracted to this style of book compared with a lengthy academic monograph, such as Eberhard Demm’s Censorship and Propaganda in World War I: A Comprehensive History (2019). Other historians of propaganda have also navigated similar innovative approaches in recent years with David Welch completing his The Story of Propaganda in 50 images (2022) a few years ago – although Welch’s method with 50 images is naturally more flexible than an A–Z approach. Whilst Monger restricts himself to one word or phrase per chapter (with one exception), other approaches such as the Imperial War Museum’s The First World War A-Z: From Assassination to Zeppelin – Everything You Need to Know (2014), allows itself multiple entries for each letter. Monger’s book is in this sense, therefore, if not unique, certainly more restricting than other comparable titles.

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The Age of the Gas Mask: How British Civilians Faced the Terrors of Total War

Reviewed by Daniel Schuster

Susan R. Grayzel’s The Age of the Gas Mask offers a compelling material history of one of the twentieth century’s most unsettling objects. Tracing the civilian gas mask from the ‘weaponisation of the air’ in the First World War through to its ubiquitous presence during the Second, Grayzel demonstrates how the advent of chemical warfare fundamentally altered the relationship between civilians and the state. The book is at its strongest in showing how, during the interwar period, the expected horror of renewed use of chemical weapons permeated cultural life, with novels, political debates, and visual culture repeatedly returning to nightmarish scenes of women and children suffocating in poisoned air.

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Mosquito: The RAF’s Legendary Wooden Wonder and Its Most Extraordinary Mission

Reviewed by Tony Pratley.

According to my well-thumbed copy of ‘Popular History for Dummies’, there are a few basic rules to follow. A potential blockbuster must be long enough for the summer holiday and short enough for the beach. Five hundred divided by 50 is a publisher’s basic rule of thumb. Five hundred pages divided into 50 easily digestible chapters. Unremitting action and a host of compelling characters, good but better bad, is also to be encouraged.  As for prose style, a breathless simplicity is best with an occasional authorial nod and a wink.  The reader ought to be left in no doubt about the happy ending.

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Postcards from the Western Front: Pilgrims, Veterans, and Tourists after the Great War

Reviewed by Alison Fell

Mark Connelly’s wonderful new book would make a great companion for a tramp across the Western Front battlefields. It draws on an impressive range of primary sources: maps, letters, diaries, novels, press articles, battlefield guides and, of course, postcards, to evoke the landscapes of Northern France and Belgium that had been so devastated by the war. The landscape constitutes the point of connection between past and present, and makes you aware not only of the ghosts of soldiers who tramped the same battlefields, but of the thousands of ‘pilgrims’ – mourners, veterans and tourists – who followed in their footsteps.

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Australian War Graves Workers and World War One: Devoted Labour for the Lost, the Unknown but not Forgotten Dead

Reviewed by Christopher Kreuzer

Published in 2019 by Palgrave Macmillan, Australian War Graves Workers and World War One: Devoted Labour for the Lost, the Unknown but not Forgotten Dead, is a multi-author collaborative work between two university academics (Fred Cahir and Sara Weuffen) and three other authors (Matt Smith, Peter Bakker and Jo Caminiti). As such, it spans the academic and public history fields, with well-chosen archival photographs, biographical vignettes, and moving personal accounts giving an insight into the gruesome nature and psychological impact of this post-war work.

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The Peoples’ War? The Second World War in Sociopolitical Perspective

Reviewed by Charlie Hall

It is a good time to be a historian of the Second World War. Amid the upsurge of public interest generated by the 75th and 80th anniversaries of that conflict, scholars have seemingly endless opportunities to engage with the period. Even just within Britain, and just within the last few years, there has been the launch of entirely new Second World War and Holocaust galleries at the Imperial War Museum, a range of dedicated conferences and events (most notably ‘From the Personal to the Global: Lived Experiences of the Second World War’ at the University of Edinburgh), and a whole host of new publications.

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Red Cross Rose: An Aussie Civilian in France, 1916-1920

Reviewed by Emma Hanna

In recent years, the wartime service of civilians near the battlefields of the Great War has been highlighted by histories of the organisations with whom they worked. Historians such as Geoffrey Reznick and Michael Snape have worked to explain how and why voluntary-aid organisations such as the Young Men’s Christian Association (YMCA) sought to care for servicemen’s well-being wherever they were fighting. The service of hundreds of men and women who worked along the lines of communication, in camps, ports, hospitals and by prisoner of war camps, should be more visible in the war’s histories. These workers fulfilled the roles which military authorities were unable or unwilling to do. They were proud to have shared similar dangers and deprivations to those bearing arms, although they were not permitted to wear any uniform or identifying insignia until late 1917.

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Nordic Media Histories of Propaganda and Persuasion

Reviewed by Edward Corse

Nordic Media Histories of Propaganda and Persuasion, edited by Fredrik Norén, Emil Stjernholm and C. Claire Thomson, is a welcome addition to the historical literature on the topic of propaganda. The book, published by Palgrave Macmillan, is Open Access and well worth downloading here to explore issues around propaganda and persuasion in a Nordic setting. The book stems from a conference held in the summer of 2020 in hybrid format hosted by Lund University. I attended this fascinating conference virtually and I am excited to see the final result of the work the convenors and contributors have compiled over the past couple of years. Written in English, the 18 authors are largely based in the Nordic countries themselves, with two exceptions: Nicholas J. Cull (University of Southern California, USA), who has written one of the afterwords; and one of the editors, C. Claire Thomson (UCL, UK).

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The Story of Propaganda in 50 Images

Reviewed by Tim Luckhurst

It was his genius in war, not propaganda, that ensured King Alexander III of Macedon (356-323 BC) would be remembered as Alexander the Great. But Alexander appreciated the power of reputation. He had himself depicted on coins as the son of Zeus and his image was replicated on statues, buildings and pottery. If Boris Johnson’s study of Classics twenty-three centuries later included focus on Alexander’s use of propaganda, Mr Johnson’s approach certainly lacks the ancient Macedonian’s precision.

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Culture in the Third Reich

Reviewed by Kate Docking

‘Culture’ is not something that instantly springs to mind when one thinks of the National Socialist regime. Indeed, images of relentless barbarism dominate our perceptions, and rightly so, for extreme cruelty was perpetuated during the Third Reich. However, the violence committed by the Nazis does not mean that there was a total dearth of culture. In fact, as Moritz Föllmer adeptly shows in his significant book, Culture in the Third Reich, ‘culture’ – which Föllmer defines in broad terms, encompassing not only ‘high culture’ such as opera but also ‘popular’ leisure pursuits including film, radio and light fiction – actually abounded under Nazism. Building on the work of historians such as George Mosse and Fritz Stern, Föllmer has produced the most insightful and comprehensive history of National Socialist culture to date. The broader scholarly importance of the book lies in Föllmer’s powerful argument that the ‘cultural attractiveness’ (p. 25) of Nazism significantly enabled the movement’s success.

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