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Category: Film Reviews

Im Westen etwas Neues: The Modernisation of All Quiet on the Western Front

Written by Helena Power

One of the legacies of the Great War Centenary is that there is a plethora of ‘forgotten’ stories about the war that remain to be explored. It is therefore somewhat ironic that the latest film about the conflict is a new adaptation of Erich Maria Remarque’s 1929 novel, All Quiet on the Western Front (Im Westen nichts Neues). The original film adaptation was released in 1930, so this presents an interesting opportunity to look at the retelling of an adaptation almost a century later. By comparing and contrasting the 2022 remake with the 1930 film, we can observe how modern filmography trends have changed the ways we tell stories about the past. For brevity, I will avoid the 1979 film adaptation. For ease of reference, the 2022 film will be referred to by its German title of Im Westen nichts Neues (or Im Westen), and the 1930 film as All Quiet on the Western Front (or All Quiet).

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The Dig (Netflix, 2021)

Reviewed by Oliver Parken

The sleepy Suffolk village of Sutton seems an unlikely backdrop for a major feature film. The Dig, starring Carey Mulligan, Ralph Fiennes and Lily James brings a true story well known to Sutton’s locals to the big screen for the first time. Based on John Preston’s literary adaptation of the same name (2007), The Dig recasts one of the most significant archaeological discoveries of the twentieth century on British and European soil––the excavation of a Dark Age ship, packed with a priceless collection of treasure, in the late-1930s.

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The Guernsey Literary and Potato Peel Pie Society and the 2018 Guernsey Heritage Festival

Written by Richard Guille.

The Guernsey Literary and Potato Peel Pie Society (2018) is a Studio Canal film directed by Mike Newell (Four Weddings and a Funeral), based on the award-winning 2008 novel by Mary Ann Shaffer and Annie Barrows. It follows a young English writer, Juliet Ashton (Lily James), who is contacted in 1946 by Dawsey Adams, a Guernsey pig farmer (Michiel Huisman). Learning of his membership of a unique book club formed during the German occupation of Guernsey, 1940-45, Ashton visits Guernsey to discover more. In the process, she learns about the occupation and the experiences of islanders during the war, notably the tragic story of one woman, Elizabeth McKenna (Jessica Brown Findlay). Whilst the film downplays the grittier parts of the book in favour of the story’s romantic dimension, a number of controversial and marginalised aspects of Guernsey’s occupation are portrayed. This article teases out the themes presented by the film and the implications of these for public occupation memory in Guernsey. It considers the films’ promotion in Guernsey, with this years’ Guernsey Heritage Festival (30 March to 10 May 2018) focusing solely on the occupation. This latest foray into presenting the public history of Guernsey’s occupation retains a focus on well-trodden ground at the expense of marginalised areas in occupation memory depicted in the film.

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