Written by Laura Waters
People have been drawing people for millennia. Art is crucial to how we perceive ourselves, it both forms us and we form it. So when we think about identity during wartime, especially masculine identity as it relates to the male body, art is a vital source, often giving us as much information as written primary documents. Going into the Great War, we know that masculinity and gender expression were sometimes hotly contested in British society. The rise of eugenics, the classical body aesthetic, and the numerous debates over sports and exercise in schools all pushed and pulled at an ideal image of the male body, cementing its importance to one’s masculinity. As an added concern, men were expected to fulfil the role of heterosexual patriarch, to be domestic, to emote (but only within specific parameters).