The walls of the Colyer-Fergusson Gallery are currently inviting visitors into a world of darkness, as the space presents for the first time some of the designs and the artwork leading into (and forming part of) a reimagining of the tale of Hansel and Gretel, which Goldfield Productions brings to Colyer-Fergusson in a few weeks’ time. A unique combination of live music, puppetry, projection and shadow-play, the performance brings to life a new take on the classic Brothers Grimm tale by the poet Simon Armitage, with a score by composer Matthew Kaner; the exhibition offers an evocative glimpse into the visual world in which the production takes place.

The display presents the work of artists Clive Hicks-Jenkins, Phil Cooper and Peter Lloyd, which charts the development of the design of the stage presentation, and includes some of the original drawings for a picture-book commissioned from Hicks-Jenkins by Random Spectacular, which turned out to be the starting-point for the whole project. Hicks-Jenkins also designed a cut-out-and-assemble toy theatre on the theme of Hansel & Gretel for Pollock’s Toy Shop in Covent Garden, and original gouache paintings for the toy theatre also feature in the exhibition.
The artworks occupy a wide range of media, from photography, drawing and painting, collage and paper cut-outs, including work by the Whitstable-based painter, Phil Cooper, reflecting his contributions as model-maker and scenic artist to the production.

The exhibition also features the work of paper-cut artist Peter Lloyd, who made the silhouette animation puppets of the Witch.

For the first and only time during the touring production, both the performance and the artwork which informs it are presented together on the University’s Canterbury campus, an enticing visual odyssey which hints at a fascinating performance which will fill the concert-hall on Sunday 21 October.

You can find out more about Hicks-Jenkins’ four-year project on Hansel and Gretel over the artist’s blog here. In the meantime, the gallery is open during normal working hours including at weekend; admission is free, and there is disabled access.
Hansel and Gretel (a nightmare in eight scenes) is presented by the Music Department in partnership with the Canterbury Festival; find out more about the performance here.
Clive Hicks-Jenkins : www.hicks-jenkins.com
Phil Cooper : www.phil-cooper.com
Amongst the hordes can be spotted members of the Music Society, who over the past two days have been spreading the word about the profusion of extra-curricular music-making opportunities afforded to students (and staff!) in the University community; yesterday the committee was based in the foyer in Colyer-Fergusson, where the live stage also hosted live chamber music; today, the committee is in the Eliot marquee.


I mentioned in my last diary entry that I was going to be the Musical Director and play piano in the pit band for the show Junie B Jones. Well, only 50% of that turned out to be true; I was the Musical Director for the show, but since we ended up using a drummer for the show as well, I decided to conduct and somebody else stepped in, to fill my shoes as pianist. It was a real learning experience to conduct both the musicians and the performers together, especially seeing as the performers were so young – the youngest was nine years old! Myself and my Co-MD, Nicole, taught the full score in what was effectively 24 hours (12 days of 2 hour rehearsals) and the show was a huge hit with parents, staff and campers alike. Definitely a highlight from my time at French Woods.
Again, I taught a lot of voice lessons and it was great to see how much the students learnt in just three, half-hour sessions.










Percussionist and former Music Scholar, Cory Adams, talks about his experience, playing with the Concert and Big Bands, Orchestra, General Harding’s Tomfoolery and other ensembles:
Reporting in from the French Woods Festival of the Performing Arts as part of Camp America, the second entry in the diary of Music Scholar Hannah Ost…

Moving onto this session, I am the Musical Director for a show called Junie B Jones and along with my other MD, we have taught just over half the show in twelve one-hour rehearsals! Our dress rehearsal is next week; I am busy learning the piano score for the show as I will be playing in the pit for that show too.
It’s been almost a month since I landed in the US so I thought I would update you on what I have been doing at French Woods Festival here in New York!