As part of the continuing ten-year anniversary of Colyer-Fergusson, the Music department continues to explore new musical frontiers in commissioning a piece from composer Russell Hepplewhite; an innovative take on the Magnificat, written for the University Cecilian Choir and string orchestra.
Bringing the Song of Mary together with new poetry by Nancy Gaffield, Emeritus Professor in the School of Creative Writing, the choir has been working on the piece in rehearsals, and we were delighted to welcome the composer to the concert-hall this week as the choir worked together with Russell.
It’s always a nervous experience to rehearse a piece with the composer present, but there was a tremendous rapport between the choir of students and staff and Russell, as the group continued to develop the piece with direct Composer Input. Heroically, Russell volunteered to be the repetiteur for the rehearsal, and choir, composer and poet spent a lively session bringing the piece to life.
Before the rehearsal, Russell and Your Loyal Correspondent filmed a conversation about the commission, about the process of writing a piece that combines a well-known sacred text with contemporary poetry, and techniques of writing for voices and strings – the interview will appear soon!
Pictured are Russell and Nancy with the Cecilian Choir; the piece receives its premiere performance in Colyer-Fergusson on Friday 31 March; tickets here.
The piece, written for mixed-voice choir and string orchestra, is a setting of the Magnificat interspersed with four new poems written by Nancy Gaffield in the School of Creative Writing. Each poem, inspired by an historic painting, responds to the canticle, the ‘Song of Mary,’ in which Mary rejoices that she will give birth to the Christ-child and the positive changes which will be wrought in the world.
Recently named one of the Evening Standard’s 1000 Most Influential People in London, Russell Hepplewhite has won critical acclaim for his ground-breaking operas for children including Shackleton’s Cat, Silver Electra and Laika the Spacedog, written for English Touring Opera. His music appears on CD releases for labels including Regent Records and has been featured on BBC Television and Radio, as well as being performed at venues including the Royal Albert Hall, the Wigmore Hall, the Library Theatre Luton, the Purcell Room and the Queen Elizabeth Hall. Most recently, his collaboration with the poet Michael Rosen, a set of children’s songs entitled Everything, is included in the Friday Afternoons song bank project, inspired by Britten’s song-cycle of the same name.
This year’s Chamber Choir, Minerva Voices, returned to the Cathedral on Monday 6 December, for the first time since December 2019, to sing for the University Carol Service; always a special event in the university calendar, drawing its community together in a modified, COVID-safe manner that was nonetheless a very welcome opportunity to come together at this time of the year. Congratulations to final-year Psychology student and Music Award Holder, Felicity Bourdillon (above, fifth from the right), whose solo verse to open ‘Once in royal David’s city’ lifted clear into the Cathedral Nave at the start of the service.
And last night, members of the String Sinfonia were in action in a fearless concert showcasing the versatility of music for string orchestra, including Elgar’s Introduction and Allegro and some light-footed folksong arrangements by John Rutter.
This live performance, recreating a musical adaptation first written for the Victorian stage in 1886, was filmed in Colyer-Fergusson Hall back in February, given by the University Cecilian Choir, soloists and instrumental ensemble; students and staff from across the University community bringing Carroll’s much-loved tale to life for the first time since 1927. Carroll himself was closely involved in the original adaptation, writing verses especially for the production. The film will be premiered on the University’s 
Gather your family, friends, housemates, and take a trip into Alice’s world in an adventure for all ages.