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Leaving your comfort zone: Corinna Jung on her musical year at Kent

Corinna Jung came to the University in September from Germany to study International Criminal Justice as a postgraduate. Here, she reflects on her musical time at Kent and the importance of music to her life alongside her legal studies.


When I was considering universities to apply for my postgraduate studies, not only was I trying to find one, which mirrors my academic interests best, but also it has been equally important for me to choose a place, where I can make music and play the violin in an orchestra again.

During the six years of my undergraduate degree in Germany, I was a member of the University Symphony Orchestra, and as I look back, many of my best memories of my study time in Germany have a musical background: I enjoyed making music with people, who share the same passion for music as I do and I met wonderful colleagues who have become my best friends over the years. In addition to that, I am sure I wouldn´t have managed to deal with all my exams and assignments without that kind of support and balance. Therefore, I was more than happy to realise that the University of Kent not only has a fantastic law school, but also a strong music department with plenty of opportunities for students to get involved in. Regardless of
whether you play the violin, the trumpet or sing – there are so many different student ensembles to join!

Corinna (fourth from left) with members of the String Sinfonia after performing Vivaldi’s ‘Gloria’

After last week’s wonderful Summer Music Week, I reflect upon
my time at Kent and can say: what an incredible year full of music it has been! When I joined the first rehearsal of the Symphony Orchestra in September, I was excited to see how they would rehearse and what kind of pieces would be played. The concert in December has been my first one with this orchestra and I enjoyed performing in the wonderful Colyer-Fergusson hall as well as playing a wide range of pieces, both with and without chorus.

Strings attached: Melody, Zaneta (leader), Corinna, Millie, Molly and Rosie after the Cathedral Concert

After the concert, the director of the String Sinfonia, Floriane Peycelon, asked me if I would like to join the Sinfonia from the next term on and all I can say is it turned out to be one of the greatest musical opportunities I have had so far! As a string ensemble, we have been involved in many different concerts over the year, including lunchtime concerts, the Dido and Aeneas performance in February in which we performed Purcell’s opera with the University Cecilian Choir, the premiere of Between Worlds with the amazingly talented violinist Anna Phoebe last week and – last but not least! – our ‘own’ Sinfonia concerts in which we played wonderful – and quite challenging – compositions for strings, such as Tchaikovsky’s Serenade and Britten’s Simple Symphony.

Bows at the end of the production of ‘Dido and Aeneas’ in Colyer-Fergusson Hall, Feb 2019.
The String Sinfonia rehearsing in Colyer-Fergusson Hall

‘Between Worlds’ by Anna Phoebe

One of the highlights of the academic year for me has definitely been the concert in Canterbury Cathedral in March and performing in this unique location was a special experience for me. Beyond that, the Summer Music Week, comprising of a series of concerts with different themes, from an easy-going summery concert with McMozart and ‘Dance of the Comedians’ to a more serious and formal Between Worlds concert. And finally, the Gala concert, featuring Symphony Orchestra and University of Kent Chorus and Chamber Choir. It was a fantastic way to end my musical year at Kent.

I would like to say a huge thank you to Susan Wanless, Daniel Harding and Flo Peycelon – you’ve always made me feel very welcome and appreciated as part of the ‘team’ and you put tremendous effort and energy in creating all these opportunities
for students who want to make music to a high standard and who want to find an important balance alongside their studies. The same applies to my Sinfonia colleagues; you have been so lovely and open-minded!

You can just glimpse Corinna in the crook of Anna’s arm…

Therefore I encourage every (overseas) student to get involved in the musical life at Kent, no matter how awkward it will be at the beginning to leave one´s own comfort zone. And even if it might just be for a year, make the most of your time here and do what you enjoy. I have had a wonderful year with the music department, and I am sure that whenever I will look back at my time in Canterbury, these happy memories will be a huge part of it.

Scholars’ Spotlight: Eloise Jack

Continuing the series profiling the year’s new crop of Music Performance Scholars and Music Award Holders. This week, first-year Bioscience student Eloise Jack pipes us all aboard…


I was encouraged to explore music from an early age and initially started playing the piano when I was six, as well as singing in a local choir. On changing schools, a year later, I was lucky enough to receive cello lessons, which got me interested in strings and I took up the violin soon after. There is a family connection here too, because my great, great grandfather made violins and I feel very privileged to own a violin that was made by him.

My family live in Salisbury, which offers fantastic opportunities for young musicians and as well as taking lessons, I was able to pursue my musical interests by joining Salisbury Area Young Musicians (SAYM). This organisation is run by dedicated volunteers and music teachers and holds weekly rehearsals offering the opportunity for young musicians of all abilities to play alongside others. Over the years I progressed and developed, participating in regular public performances with the orchestras and choirs, which included singing at the Royal Albert Hall in London. In addition to playing at SAYM, I also played the violin in my school orchestra, and sang in the school’s chamber and concert choirs.

My passion for bagpiping began when I was 12. On a family trip to Scotland to visit my grandparents, they took me to see the Royal Military Tattoo in Edinburgh. Pipe bands play a significant role in this event and when the massed bands paraded in front of Edinburgh Castle it was an amazing feeling and it was great to listen to the different bands playing together. It was a musical experience far removed from what I did with SAYM and I rather fancied having a go for myself.

On returning home and watching the repeat on television, I commented that I would like to learn to play the bagpipes, and in September 2012 my brother and I started lessons on the chanter. As soon as we had reached a level of basic proficiency, we were introduced to the bagpipes and joined the Southern Jacobites Pipe Band.

The Southern Jacobites is an active band and my first performance with them was in December 2013, at the Salisbury Christmas market. Since then, I have regularly taken part in band performances at carnivals, supporting parades and at private events. I have also been privileged enough to play with them at some unique events. In September 2014, the band performed with massed military musicians at the Tidworth Military Musical Pageant. In 2016 we supported the Treorchy Male Voice Choir and in 2017 we played alongside the National Symphonic Orchestra at the Great British Prom at Bowood House. Each performance was very different and gave me an opportunity to play tunes alongside other instruments that weren’t just pipes and drums.

That said, it is the traditional aspects of pipe music that has provided perhaps my most memorable experiences.

The ’Big Bang and Blow’ is an event that takes place in London, in support of the Royal British Legion Poppy Appeal. Pipers and drummers from all over the country converge on London and perform together at various locations throughout the day. I have participated in this event twice, the second time travelling up after lectures here at the University.

In a similar vein, but on a larger scale, in 2018 I travelled to Amiens in France to commemorate the centenary of the end of the First World War. Pipe Bands from all over Europe attended the weekend, but I was one of many who attended as an individual and joined an international band, ‘The Lone Pipers’, which is formed of pipers and drummers from all around the world. This was a completely new experience for me, as there was no common language spoken and the only way to communicate was through the power of music. To be able to visit the grave of a relative killed at the Battle of the Somme before performing, as well as visiting the graves of many others gave the performance a more meaningful feeling and playing alongside all the other bands in front of Amiens Cathedral is a memory I will never forget.

As well as performing as part of a band, I regularly perform both as a duet with my brother Hamish and as a soloist at weddings, parties, Burns’ Suppers and village fetes. Perhaps my most prestigious engagement as a soloist, was playing at Devizes Castle for the 50th Birthday of the vice-president of HSBC America, which was attended by guests from as far afield as Australia.

As well as playing traditional tunes, in my spare time I like to experiment playing styles of music that are not normally associated with the bagpipes. My inspiration for this came after seeing the ‘Red Hot Chilli Pipers’, a bagpipe rock band that plays contemporary pop and rock tunes, blending together pipes, drums, percussion and electric guitars. I have performed a rendition of ‘We Will Rock You’ at an Explorer Scout music festival and I am now learning some tunes by Queen.

Since joining the University of Kent as a Bioscientist undergraduate student, I have performed outside the Gulbenkian for Burns’ Night (pictured, right) and I have joined the Glenduart Pipes and Drums, a competition pipe-band based in Folkestone. This is another new experience, as this band plays in a different style to the marching performances that I am used to doing with The Southern Jacobites.
I am very grateful to be a recipient of the Music Scholarship, as it has allowed me to purchase a new bag for my bagpipes and has covered the travel and membership that I pay to practice with the Glenduart Pipes and Drum Band. I hope to continue to showcase my performance as a soloist whilst here at the University of Kent, but also in the future play alongside some of the other musicians who are here at the University.

Added value: University Music Performance Scholarships

Musicians are versatile people. They are used to the discipline of rehearsing and practising, to the expectations of conductors and collaborators that they will arrive for an event prepared and able to deliver. They are organised (hopefully, anyway), accustomed to setting aside time to practice and juggling rehearsals and performances alongside other demands of life – shopping, studying, going to school, taking exams, doing the laundry, filling out forms (oh the heady glamour…). They are used to working under pressure, performing in the white-heat of the public eye (and ear) in concerts. And they are usually skilled at working with others, at establishing working relationships quickly and confidently.

Here at Kent, the University recognises that all these qualities are immensely valuable in its students, and that potential students looking for a suitable university at which to pursue their degree may often be trained musicians, who have combined their school life with musical commitments for many years, and who want to continue with their musical interests alongside their course of study. If you’ve spent many years learning an instrument or taking singing lessons, putting in endless hours of practice and performance, then music forms a large, rewarding, part of your life that you don’t necessarily want wholly to rescind when you go to university, and it can be a challenge adjusting to the gaping chasm left in your life that was previously occupied by music; listening to it, practising it, performing it.

So we offer Music Performance Scholarships to those who are keen to continue with their musical pursuits whilst studying at Kent. Our Music Scholars (usually numbering between ten and fifteen each year) come from across the university community, studying all manner of subjects from Law to Biosciences, Wildlife Conservation to Politics and International Relations, History to Drama. There are Scholars from across the country; from far-flung corners of the world (Malaysia, South Africa, India, Canada to name a few); and from across the county of Kent itself. All of them, however, united in their enthusiasm for, and commitment to continue making, music for the three years during which they take up residency in Canterbury. Whether attending lectures in Woolf College, drama rehearsals in Jarman, mock sessions in the Moot building as part of Kent Law School, or maths seminars in the Sibson Building, they will all, at various points during the week, make their way in to the Colyer-Fergusson Building to rehearse in the concert-hall or practice in the practice-rooms. And throughout the year, they will perform not only in Colyer-Fergusson Hall, but in Canterbury Cathedral, Deal Memorial Bandstand, and churches and venues around the county, making lifelong friends with others along the way.
Percussionist and former Music Scholar, Cory Adams, talks about his experience, playing with the Concert and Big Bands, Orchestra, General Harding’s Tomfoolery and other ensembles:

And here’s brief excerpts from the Music Scholars’ Lunchtime Recital given as part of Summer Music Week in June this year:

Blond ambition: clarinettist Rianna Carr

The university recognises and values the skills and abilities that musicians can bring to its community when they come to Kent to study; the phrase ‘Good musicians make good students’ is often quoted, with Scholars often going on to graduate with first-class degrees. If that includes you, then take a look at our Scholarships page online here, and see how you could become involved in a rich musical life alongside whatever course you may be looking to study.