Charlotte Jeanneret, who studied at Kent last year in the School of English as an exchange student and played the flute in Concert Band and sang in Chorus in the Music department, looks back on her experience.
Music has been the highlight of my experience as an exchange student at the University of Kent.
I must say the many extracurricular opportunities are what made me choose Canterbury in the first place, but I never thought it would bring me so much joy and discoveries. Indeed, for example, I used to be stuck with the idea that I could not sing… But the openness of the University Chorus convinced me to take it up and I loved it so much that I am now considering joining the choir of my home university, here in Switzerland!
Although I still have nightmares about Goodwin’s Freefall [who chose that ?! Ed] Wednesday evenings with the Concert Band were always very entertaining and spurred me on musically more than any other ensemble I have ever been part of. I left for England with just one flute and came back with a piccolo also!
Finally, music at Kent has allowed me to meet beautiful people with whom I have loved practising, sharing stands and scores, and who have become awesome friends.
I already look forward to coming back.
I arrived in England last September for the autumn term, I joined different societies, met new people and overall enjoyed my time abroad. But two weeks into the term I already missed playing music. So I decided to get into contact with the Music Administrator of Kent, Sophie Meikle, and asked if I could rent an oboe for myself. She immediately answered me and told me that the music department would like to rent it for me. A few weeks later they also offered to rent the cor anglais!
Filmed and edited by Thomas Connor, Luke McCann and George Morris.
A keen enthusiast of Beethoven’s rich repertoire for piano, the performance, which was filmed in Colyer-Fergusson Hall earlier today on the University’s Steinway piano, will be Premiered on the Music Department’s YouTube channel as part of this year’s Beethoven anniversary celebrations.
Michael’s performance will be a continuous, unedited take, of the first of Beethoven’s Late Period piano sonatas, rich in complexity and a formidable challenge to pianists everywhere.