As we prepare for this Saturday’s concert in Canterbury Cathedral, here are Chorus and Orchestra rehearsing together last weekend, preparing Ola Gjeilo’s Sunrise Mass.
Images: © University of Kent / Chris Wenham
Tag Archives: Orchestra
Winter Nights weekend premiere
It’s always both exciting and a little bit daunting, taking on a contemporary piece of music to give the UK premiere – and even more so when the composer herself is in the audience!
Last weekend saw the Music department’s combination of concerts, ‘Winter Journeys, Winter Nights‘ featuring the String Sinfonia, Concert Band, Chorus, Orchestra, Cecilian Choir and Flute Choir coming together over two nights to perform seasonal works, the centrepiece of which was a marvellously colourful seasonal cantata, Winter Nights, by the Canadian composer, Stephanie Martin. This five-movement work sets a variety of poems focusing on different aspects of the winter season, from the anonymous ‘Cold is the night when when stars shine bright,’ through the fierce drama of ‘Loud rings the frozen earth’ by James Thompson, to the wonder and mystery of Cori Martin’s ‘Could it be true / Old Thomas Hardy’s tale,’ all culminating in Thomas Campion’s ‘Now winter nights enlarge.’
The piece distils a variety of colours, textures and vivid images from the cast of voices, strings and percussion, reflecting the manifold aspects of the season, and the whole cantata captures the full range of the season’s contrasts – its warmth, magic, wonder, jollity, bitterness, wildness, and revelry – bringing the different scenes to vivid life with a vibrant energy.
We were delighted to welcome Stephanie to the afternoon rehearsal – always a slightly scary moment, the first time performing a piece in front of the composer – and then to the evening performance. With warmth and generosity, Stephanie talked with the performers in the afternoon about the piece, including the three students singing the solo trio heralding the arrival of Winter; and she received a hugely enthusiastic round of applause following the performance later that evening.
Congratulations to all the performers involved across the entire weekend, and our thanks in particular to Stephanie for taking the time to stop over in Canterbury on her flight from Europe to Canada, to come to Colyer-Fergusson and be part of the event.
Here is the performance in full, filmed and used with kind permission from Stephanie Martin.
Read the full weekend programme here (PDF).
Music at Kent as an Exchange Student: Anna Jurgan reflects
This term, visiting student from Germany Anna Jurgan has been part of the Music department; here, she reflects on the opportunities afforded by becoming involved.
Many of my most beautiful experiences during my time as an exchange student at Kent were in the music groups.
I joined the Chorus and the Symphony Orchestra – the latter rather by chance: Not expecting the orchestra to have a vacancy for a percussionist, I contacted Sophie, the Music Administrator, to ask about opportunities to practise privately on university instruments. She not only offered me access to percussion instruments, but also encouraged me to join the orchestra. A bit of encouragement was needed, as it had been several years since I had played timpani or other percussion instruments in an orchestra. But the conductor Dan, my fellow percussionists Chris and Molly, and the rest of the orchestra where most welcoming and made my experience with them a pleasant one from the beginning of the term to the concert. I am very grateful to have had the opportunity to make music with this group and to have found my way back to orchestral percussion through them.
Even more than the orchestra, I enjoyed being part of the choir. There I got to know other (mostly alto) singers, many belonging to other generations and living in and around Canterbury. Therefore, I experienced the weekly rehearsals as moments in which I could leave the ‘student bubble’ for a bit and meet persons I would hardly have met otherwise as a short-term exchange student. Another aspect that made me look forward to each rehearsal was the music itself: We were rehearsing Stephanie Martin’s Winter Nights for its UK premiere at the December concert. I had never heard this wonderful piece before, and I doubt I would have come to know and love it if it hadn’t been for the choir.
So now, as I leave Kent and its music groups after the exchange term, I take with me many fond memories of my fellow musicians and the music we have made together.
Anna Jurgan
Overseas student Ricky Chan on joining musical life at Kent
Thanks to the support of the Barry Wright Legacy, a generous bequest left to the Music department specifically to support international students and their involvement in extra-curricular music, we have welcomed Biochemistry student and cellist Ricky Chan into the musical life of the University. Here, Ricky reflects on what music means to him and the opportunity to get involved.
I joined the Symphony Orchestra and the String Sinfonia in the Music Department during my second year in the University of Kent. At first, I did not know there would be a big presence of classical music in the university.
I had always been an enthusiastic listener of all types of music, including classical, which started when I was young when my parents would play classical music from CDs. At school I learned to play the cello and joined the school orchestra. I liked the cello because its range is so similar to that of the human voice, which makes it sound more expressive and rich.
When I was chatting with some members of the Music Society, I was thrilled to hear that I can participate in the Orchestra and String Sinfonia through the support of hiring a cello by the Music Society. This meant that I could continue my hobby even though I could not bring my instrument which was kept far away at home. I thank Sophie and Dan for this opportunity which was enabled by a dedicated music fund, enabling me to have an opportunity to do something musical outside of my Biochemistry degree.
Playing in the Orchestra and the String Sinfonia feels challenging but enjoyable. I became immersed in the music when playing, even though sometimes I find myself struggling during practice as some of the pieces had tricky bits (but it was good fun!). Some memorable highlights last year were the String Sinfonia concert in Folkestone and in Faversham, as well as the annual concert with the University Chorus in Canterbury Cathedral.
I thank Flo Peycelon for bringing so much enthusiasm and life in the Strings Sinfonia, and Dan Harding, the conductor and Head of Music Performance at Kent for the passion he brings to the Orchestra. I look forward to the rest of my final year with Kent Music Society.
Ricky Chan
Chorus and Orchestra to give UK premiere in December
As part of our December concert season, the University Chorus and Orchestra will be giving the UK premiere of Winter Nights, a marvellously-colourful seasonal cantata by the Canadian composer, Stephanie Martin.
Associate professor of music at York University’s School of the Arts, Media, Performance, and Design in Toronto, Stephanie also directs Schola Magdalena, a women’s ensemble for chant, medieval and modern music, and is also conductor emeritus of Pax Christi Chorale, and former director of music at the historic church of Saint Mary Magdalene in Toronto. We’re delighted that Stephanie will be flying in for the performance – so no pressure at all…!
Winter Nights sets a series of poems including a vivacious setting of Tennyson’s ‘Ring Out, Wild Bells’ and Thomas Campion’s ‘Now Winter Nights Enlarge’ as part of an evocative sequence supported by string orchestra. The piece revels in a richly-colourful harmonic landscape, with contrasting rhythmic energy, closing with a wonderfully pastoral-like setting of the lines
The summer hath his joys
And winter his delights;
Though love and all his pleasures are but toys,
They shorten tedious nights.
Alongside the cantata, the orchestra will be performing a seasonal pot pourri of works including movements from Tchaikovsky’s glittering Nutcracker Suite, Prokofiev’s Troika, Delius’ Sleigh Ride and the concert-suite from Polar Express to reflect the Christmas spirit.
More details and tickets online here.
Building a community: it’s what we do.
A question I’m often asked, whether from colleagues, friends, my neighbours’ endlessly curious granddaughter: What do you do, Dan ? What does the extra-curricular music department do; what’s it all about ?
I would usually start by saying, well, we get lots of musicians together from both within the University and beyond, create ensembles, have a weekly rehearsal schedule, and give public performances each term. We have a small group of Music Scholars and Award Holders who take a prominent role amongst the ensembles, and it all comes to a glorious flourishing conclusion with our annual Summer Music Week festival, bringing many of the ensembles and performers together for a final time before the end of the year.
And that’s all true.
But it’s not quite everything.
And it’s not perhaps what’s the most important aspect of what we do.
What I’ve started saying instead, is that we build a community. Every year. From scratch. We’re an extra-curricular provision, so entirely dependent on who walks through the doors of Colyer-Fergusson each September – students and staff alike. And some of our ensembles are also open to alumni and members of the local community, too. And our job – perhaps the most vital aspect of our activity – is to bring all these musicians together and build a community to which they can belong, in which they can participate.
This is especially important when it comes to welcoming first-year and international students, people who might be anxious about being away from home, wondering how they will find a group of friends, how they are going to fit in – and for overseas students, even more so. For those who are worried about making social connections, about finding their feet, the music-making community here at Kent offers a ready-made opportunity to do all those things.
And for students returning in their second or third year, who were involved the year before, it’s a chance to get back to rehearsing and performing with the group of friends they made last year, and meet new ones. Music is open to staff, too; you’ll find members of administrative staff or heads of departments sitting alongside students amongst the strings or woodwind sections in the Orchestra, or sat alongside them on the choral-risers each Monday night when Chorus meets. Along with external members of the community, who come from Folkestone to Faversham, from Whitstable to Wye, and elsewhere, all these musicians come together in the shared endeavour of rehearsing and performing, that creative odyssey that impacts so much on people’s wellbeing.
On my desk as I write, I have all the thank-you cards that we received a few weeks ago, from students who are graduating, for whom the recent Summer Music Week has been the final opportunity to be part of it all. Similar sentiments echo throughout: ‘Thank you for making me so welcome;’ ‘the experience of making music here has changed my life;’ ‘being part of the musical community has been a rewarding experience for me;’ ‘thank you for creating such a nurturing environment;’ ‘thank you for making a safe space for everyone.’ They talk of transformative experiences, opportunities that will stay with them for the rest of their lives, memories they will value, friendships formed.
So, yes; thanks to the marvellous generosity of the Music donors and benefactors, we bring musicians together to rehearse and perform; we offer a Music Scholarship programme to support and develop particularly talented students; and we have regular performances throughout the academic year, both on and off-campus. But that doesn’t reflect the true essence of community-building that lies at the centre of it all, and what is really the beating heart of the vibrant provision we create each year that energises the University community, its campus, its region, and beyond.
Image Gallery: Summer Music Week 2024 in pictures
A marvellous end to the academic year at the University, our annual Summer Music Week festival saw a packed programme of events bidding a musical adieu to the year.
From the opening Bond and Beyond with the Big Band, String Sinfonia and Festival Voices, through the Big Band gigging at Deal Bandstand, two student lunchtime recitals, Minerva Voices and Consort at the Cathedral Crypt, and concluding with Chorus, Orchestra, Cecilian Choir, Concert Band and student soloists in the closing gala, it’s been an action-packed week showcasing the extra-curricular music provision here at Kent in vibrant, robust form.
(Here’s a small snapshot of the events over the course of the festival; many more can be found on our Facebook Group).
Congratulations and huge thanks to everyone who took part, to all the performers, to the various donors and music supporters, and to the audiences who came to support the concerts. It’s been a great year of music-making – we’re already looking forward to the next!
Standing ovation for this year’s Cathedral performance
Many congratulations to everyone in the University Chorus and Orchestra, who received a standing ovation at the end of Saturday’s epic performance in Canterbury Cathedral.
This year’s annual Colyer-Fergusson concert, in honour of Sir James Colyer-Fergusson, saw the combined ranks of students, staff, alumni and members of the local community coming together to present Brahms’ inventive Symphony no.4, alongside Fauré’s Requiem, performed to the mark the centenary this year of the composer’s death.
Conducted by Your Local Correspondent, and joined by soprano soloist Julie Bale and baritone soloist Ben Bevan, the concert was a resounding success, greeted with an enthusiastic ovation from the audience who stood and applauded as the final notes of the Requiem receded down the Nave.
Plenty of happy faces in the Chapter House, which functioned as the dressing-room on the night, as evidenced in these images of some of the choir and orchestra.
Formal photographs to follow; thank you to everyone who took part.