Fresh out on Bandcamp is a reflective album, The Circle of Remembrance, by singer-songwriter Jeska Onderwater, which also features the cello-playing of Kent alumna, Aisha Bové.
Aisha graduated in 2013 with a BA in English & American Literature and English Language and Linguistics, and played cello in the Symphony Orchestra, leading the section, as well as playing chamber music, whilst at Kent; she is also one of the founding members of the String Sinfonia. Aisha currently teaches English on the IB programme at L’Athénée de Luxembourg.
Aisha, pictured playing in Colyer-Fergusson Hall in 2013Aisha recently had the chance to record some backing cello sounds for Jeska, who originally came from the Netherlands but now lives and works in Luxembourg.
Jeska contacted her in March when she was looking for a cellist to add some final parts to her recordings. The album was recorded in different places, mixed and mastered in again other places, including Portugal and Luxembourg. Jeska and Aisha met up at Unison studios in Luxembourg to record the cello lines.
“She gave me a lot of freedom in deciding what I wanted to play,” recalls Aisha, “ and so I added some background sounds that went nicely with her singing, but also some solo parts. As her music is generally quite calm, I saw it as my main role to add that extra layer, almost like a cushion/ carpet. We recorded the four tracks in one afternoon.”
A gently meditative album, drenched in birdcalls and sounds of nature, Aisha’s cello provides a warm counterpoint to some filigree guitar and an intimate vocal line, playing as she does on tracks 6,7,8 and 11.
“The musical memories from Kent are some of the fondest ones I have, and I believe that the variety of music-making, from orchestra, to different ensembles and even busking in the streets of Canterbury have really helped me become the musician I am today.”
Take a reflective listen on Bandcamp here.
Directed by Floriane Peycelon, the players gave a spirited reading of Arensky’s Variations on a Theme by Tchaikovsky (a theme most often heard in the carol ‘A Crown of Roses’), followed by a performance of John Woolrich’s evocative Ulysses Wakes, featuring postgraduate Music Performance Scholar reading Chemistry, Kira Hilton, as soloist.
The String Sinfonia is back in action on Friday 31 March in Colyer-Fergusson Hall; more details 
Last Wednesday I had a fun day, full of music, which I was able to be a part of thanks to being part of the University String Sinfonia. The Glyndebourne touring orchestra visited Canterbury and put on a lunchtime concert in the Colyer-Fergusson hall which was incredible to watch. After the concert I was then part of the workshop where some musicians from the orchestra coached the String Sinfonia as part of their Pit Perfect scheme. I play the cello and so was lucky enough to sit next to one of the pro cellists who was so lovely and friendly! The professionals from Glyndebourne gave us great advice which we all took on board and will definitely use in our playing in the future.
Matt Brown’s Solitude at Dusk had one or two ravishing chords, and the performance ended with the weighty Fantasia on a theme by Thomas Tallis, whose main melody (When rising from the bed of death) somehow again took on different overtones in light of the photographic evidence of the impact of the pandemic which surrounded the audience.
