Tag Archives: Music Performance Scholar

Burns Night 2021: Address to the Haggis – Eloise Jack, bagpipes

Something different for Burns Night 2021 from the Music Department; on Monday, we present the Address to the Haggis performed by third-year Music Performance Scholar and bagpipe-player, Eloise Jack.

Together with her father, Ian, the event includes Eloise piping two pieces, followed by the oration, and closes with Eloise playing Scotland the Brave.

The event screens on Monday 25 January at 1pm, and will remain on catch-up.

Slàinte!

#Beethoven250: Music Performance Scholar plays Beethoven

An historic moment on the 250th anniversary of the birth of Beethoven; first-year Music Performance Scholar, Michael Lam, in the Kent and Medway Medical School performs the Piano Sonata no.28 Op 101.

Filmed in one single, continuous take in Colyer-Fergusson Hall, Michael plays from memory one of the most formidable challenges in the piano repertoire.

 

Filmed by Thomas Connor, Luke McCann and George Morris.

You can watch a series of performances by Michael in a dedicated playlist here, including pieces from the Anna Magdalena Notebook.

Music Performance Scholar to mark Beethoven anniversary

A remarkable event next week, in our first ‘virtual’ Lunchtime Concert – first-year international pianist from Canada and Music Performance Scholar at Kent and Medway Medical School, Michael Lam, will mark the occasion of the 250th anniversary of the birth of Beethoven next week with a filmed performance of the mammoth Piano Sonata in A major, Op.101.

A keen enthusiast of Beethoven’s rich repertoire for piano, the performance, which was filmed in Colyer-Fergusson Hall earlier today on the University’s Steinway piano, will be Premiered on the Music Department’s YouTube channel as part of this year’s Beethoven anniversary celebrations.

Michael’s performance will be a continuous, unedited take, of the first of Beethoven’s Late Period piano sonatas, rich in complexity and a formidable challenge to pianists everywhere.

The Premiere is free to watch online on YouTube on the Music department’s channel here: to whet your appetites, you can watch Michael performing three pieces from Bach’s Anna Magdalena Notebook, filmed earlier this term, online here.

KMMS Music Performance Scholar plays Bach

In the final film of the short series featuring Kent and Medway Medical School’s first Music Performance Scholarship student, Michael Lam, the Canadian first-year student plays the Musette in D from the Anna Magdalena Notebook.

You can watch all three performances in the series on YouTube here.

Filmed in Colyer-Fergusson Hall on the Canterbury campus by KMTV.

KMMS Music Performance Scholar plays from the Anna Magdalena Notebook: Minuet in G

The second performance by the new Music Performance Scholar at the Kent and Medway Medical School, first-year international student Michael Lam, features the charming Minuet in G from the Anna Magdalena Notebook, attributed to Christian Perzold.

You can see the first piece in the series, and read more about Michael, here.

Music Department and Kent and Medway Medical School celebrate inaugural KMMS Music Performance Scholarship

The new Kent and Medway Medical School and the Music department are delighted to celebrate the award of the inaugural KMMS Music Performance Scholarship, which has been awarded to first-year international student, Michael Lam.

First-year KMMS student and Music Performance Scholar, Michael Lam

The first Scholarship of its kind for the new Medical School, the award is given in recognition of outstanding musical abilities which can be supported as part of an extra-curricular aspect of University life. Pianist Michael Lam, who comes from Canada, has been awarded the scholarship, which combines a cash award of £1,000 with a programme of instrumental lessons designed to encourage excellence and to support a student’s musical development alongside their academic studies. The University of Kent has a thriving extra-curricular musical provision, open to all students whatever they are studying, as well as to members of staff, alumni and the local community, with concerts and events throughout the academic year.

Image: Molly Hollman

Head of Music Performance, Dan Harding, is delighted to welcome such an exciting pianist to the University community; “Michael’s audition was extraordinary; he played seven movements from the Anna Magdalena Notebook from memory with skill and craftsmanship, and showed himself to be a remarkable performer. Talking with Michael at interview, it became apparent that he is going to be able to make a very exciting contribution to University music-making, at a very high level of accomplishment, and we are looking forward to seeing him flourish during his time at Kent.”

Here is Michael playing Bach’s March in Eb major BWV Anh. 127, filmed in Colyer-Fergusson Hall.

Find out more about the new Medical School here, or about the extra-curricular Music Performance Scholarships here.

With thanks to KMTV.

Scholars’ Spotlight: Ellie Gould

Continuing the series profiling this year’s new University Music Performanc Scholars and Award Holders. This week, first-year Biomedical student and soprano, Ellie Gould.


I began taking piano lessons when I was five years old and soon after, my teacher noticed I had good pitch, so offered to give me a few singing lessons to see if I enjoyed them (which I did!) 13 years later, I am still thoroughly enjoying both piano and singing, having reached up to Grade 8 standard on piano and achieving Distinction in both my Grade 8 exam and diploma in singing.

During primary school, my love for all things music grew even more, as my biggest excitement was the weekly music lessons, both in and out of school. I soon discovered my love of performing through taking part in the yearly Rotary Young Musician of the Year Competition and being involved in Stagecoach for eight years, which enabled me to take part in many productions; to name a few: Aida, Macbeth, Bugsy Malone and a Michael Jackson inspired ‘Thriller’ flash mob!

I would say that my musical journey really started to take off once high school began. It was towards the end of the summer holidays before the beginning of Year 7 that my Dad fortunately saw an advertisement in the newspaper regarding music scholarships at Harrogate Ladies’ College.  As soon as I joined  I fully immersed myself in all the musical opportunities that was on offer. I immediately joined Gallery Choir, which consisted of students from Year 6 to Year 9 and involved regularly performing at school events and singing works such as The Peacemakers by Jenkins in the Royal Hall, Harrogate. In order to improve my solo singing, I entered myself in both singing and piano at the annual Harrogate Music Festival.

At the start of Year 9, I was accepted into my school’s prestigious Chapel Choir. The highlight of Chapel Choir for me were the biennial choir trips, including Barcelona where we sang in La Sagrada Familia and Venice where we sang Pergolesi’s Stabat Mater in St. Mark’s Basilica. Other moments I will never forget were singing live on TV in the semi-finals of BBC Songs of Praise Competition (mainly because we were all dressed in bright fuchsia pink shirts!), singing in the Royal Festival Hall in London for the Barnardo’s Choir of the Year Competition, Choral Evensongs in York Minster and Durham Cathedral, performing Britten’s challenging War Requiem in Ripon Cathedral and participating in the production of Purcell’s Dido and Aeneas.

In rehearsals and certain performances, we sat in choir stalls in our school Chapel and after each year when students left, you would slowly make your way up the row to the front. It was so lovely because as I progressed further up the row, I was given more opportunities to develop my solo singing within the choir and undertake more responsibilities. This culminated in eventually me becoming Row Leader and during Year 13, I was chosen to be Head of Chapel Choir, which was and still is a position which meant so much to me. Having been a part of the choir going on five years at that point, it was such a lovely role to have to bring my time at Harrogate Ladies’ College to an end. Within this role my confidence in my own music ability grew massively. I was tasked with leading the choir during services, performances, keeping the beat during the unaccompanied morning Amen’s in Chapel (a much harder task than it originally seemed!) and regularly singing solos.

During my time so far as a Biomedical Science student at the University of Kent, all of the extra-curricular music activities has been a lovely way for me to relax away from my studies. I have been extremely lucky and grateful to be a part of the University Chorus, Chamber Choir, Cecilian Choir and a recipient of the Music Performance Scholarship. The Chamber Choir sang at the Cathedral for the Carol Service in December, and I’m currently singing the role of the Queen of Hearts for a production of Alice in Wonderland, and looking forward to singing in Canterbury Cathedral with the Chorus, Chamber Choir and at Choral Evensong with the Cecilian Choir later in the year.