Tag Archives: Chorus

Summer Music Week: Saturday Gala concert

Congratulations to everyone involved in Saturday’s annual Music for a Summer’s Day Gala concert, the crowning event as part of Summer Music Week.

The University Chorus, Orchestra and Chamber Choir each gave a final, valedictory appearance in seasonal, summery music, whilst the members of the Limoncellos filled the foyer before the concert with stirring film tunes and pop music arrangements.

Assistant conductor Hannah Ost rehearsing the Chamber Choir ahead of the concert
The Limoncellos performing in the foyer ahead of the Gala concert

Final-year sopranos Helen Sotillo and Fleur Sumption brought a packed hall to tears with a rendition of You’ll Never Walk Alone on the final occasion of their singing with the Music department in what has proved to be a memorable year for both ladies.

The incoming President of the Music Society, second-year Owen Kerry, provided some scene-stealing moments as he deftly wielded name-cards (and at one point a mobile phone for a couple of selfies…) as part of An Illustrated Guide to the History of the Symphony.

And final-year flautist Robert Loveless was handed the baton to conduct the traditional encore which brought the concert to a rousing conclusion.

Following the concert, audience, performers and guests spilled out into the marquee for the annual cream tea, for which the sun shone and blue skies bloomed overhead.

What becomes apparent at the end of the Gala concert is what a wonderful sense of community has been built up during the academic year by everyone involved in extra-curricular music-making at the University. It’s a real tribute to how committed everyone is, and how involved they have become, to see so many of those graduating so moved by the occasion of their final appearance; parents, friends and family all coming along to support throughout the series of events often remark on how much being a part of music at Kent has meant to the students involved throughout their time. There’s a lovely feeling of camaraderie throughout the entire week, as the various ensembles gather for a final musical hurrah before the academic year ends.

Our thanks to everyone who has been a part of the Music department across the year; undergraduate and post-graduate students, staff, members of the community and all the alumni who have returned at various points either to participate or to be part of the audience. To all those who are leaving this year: thanks for all your contribution – hail and farewell!

Leaving your comfort zone: Corinna Jung on her musical year at Kent

Corinna Jung came to the University in September from Germany to study International Criminal Justice as a postgraduate. Here, she reflects on her musical time at Kent and the importance of music to her life alongside her legal studies.


When I was considering universities to apply for my postgraduate studies, not only was I trying to find one, which mirrors my academic interests best, but also it has been equally important for me to choose a place, where I can make music and play the violin in an orchestra again.

During the six years of my undergraduate degree in Germany, I was a member of the University Symphony Orchestra, and as I look back, many of my best memories of my study time in Germany have a musical background: I enjoyed making music with people, who share the same passion for music as I do and I met wonderful colleagues who have become my best friends over the years. In addition to that, I am sure I wouldn´t have managed to deal with all my exams and assignments without that kind of support and balance. Therefore, I was more than happy to realise that the University of Kent not only has a fantastic law school, but also a strong music department with plenty of opportunities for students to get involved in. Regardless of
whether you play the violin, the trumpet or sing – there are so many different student ensembles to join!

Corinna (fourth from left) with members of the String Sinfonia after performing Vivaldi’s ‘Gloria’

After last week’s wonderful Summer Music Week, I reflect upon
my time at Kent and can say: what an incredible year full of music it has been! When I joined the first rehearsal of the Symphony Orchestra in September, I was excited to see how they would rehearse and what kind of pieces would be played. The concert in December has been my first one with this orchestra and I enjoyed performing in the wonderful Colyer-Fergusson hall as well as playing a wide range of pieces, both with and without chorus.

Strings attached: Melody, Zaneta (leader), Corinna, Millie, Molly and Rosie after the Cathedral Concert

After the concert, the director of the String Sinfonia, Floriane Peycelon, asked me if I would like to join the Sinfonia from the next term on and all I can say is it turned out to be one of the greatest musical opportunities I have had so far! As a string ensemble, we have been involved in many different concerts over the year, including lunchtime concerts, the Dido and Aeneas performance in February in which we performed Purcell’s opera with the University Cecilian Choir, the premiere of Between Worlds with the amazingly talented violinist Anna Phoebe last week and – last but not least! – our ‘own’ Sinfonia concerts in which we played wonderful – and quite challenging – compositions for strings, such as Tchaikovsky’s Serenade and Britten’s Simple Symphony.

Bows at the end of the production of ‘Dido and Aeneas’ in Colyer-Fergusson Hall, Feb 2019.
The String Sinfonia rehearsing in Colyer-Fergusson Hall

‘Between Worlds’ by Anna Phoebe

One of the highlights of the academic year for me has definitely been the concert in Canterbury Cathedral in March and performing in this unique location was a special experience for me. Beyond that, the Summer Music Week, comprising of a series of concerts with different themes, from an easy-going summery concert with McMozart and ‘Dance of the Comedians’ to a more serious and formal Between Worlds concert. And finally, the Gala concert, featuring Symphony Orchestra and University of Kent Chorus and Chamber Choir. It was a fantastic way to end my musical year at Kent.

I would like to say a huge thank you to Susan Wanless, Daniel Harding and Flo Peycelon – you’ve always made me feel very welcome and appreciated as part of the ‘team’ and you put tremendous effort and energy in creating all these opportunities
for students who want to make music to a high standard and who want to find an important balance alongside their studies. The same applies to my Sinfonia colleagues; you have been so lovely and open-minded!

You can just glimpse Corinna in the crook of Anna’s arm…

Therefore I encourage every (overseas) student to get involved in the musical life at Kent, no matter how awkward it will be at the beginning to leave one´s own comfort zone. And even if it might just be for a year, make the most of your time here and do what you enjoy. I have had a wonderful year with the music department, and I am sure that whenever I will look back at my time in Canterbury, these happy memories will be a huge part of it.

Summer Music Week details now online

We’re very pleased to reveal the full line-up of events for this year’s Summer Music Week live online this morning!

Launching on Friday 31 May with a sonorous concert by the Chamber Choir and Consort in Canterbury Cathedral Crypt, our musical farewell to the academic year unfolds over the next eight days to include a trip to the seaside with the University Big Band at Deal Bandstand, a recital by University Music Scholars, a Gala concert with the Concert and Big Bands, the String Sinfonia and Chamber Choir in the premiere of Between Worlds exploring music and science by Anna Phoebe, all culminating in the annual Music for a Summer’s Day with the Chorus and Orchestra bidding a tearful farewell to this year’s music-making.

See all that’s to come, grab your tickets and help us celebrate another musical year in the life of the University as it draws to a festive close. The brochure will be available shortly…

In pictures: Colyer-Fergusson Cathedral Concert

Congratulations to everyone involved in last Saturday’s annual Colyer-Fergusson Cathedral Concert; to all the performers in the University Chorus and Symphony Orchestra, the stewards, those working behind the scenes, conductor Susan Wanless and soprano soloist, Rachel Nicholls.

The early shift: Alice, Fleur, Tom, technician Marc and Estates member, Mark.
Members of the Music Society Committee confer during the morning set-up at the Cathedral
The view from the top tier of the soprano section of the University Chorus
Drummer boy: alumnus Cory, back to play percussion
The violin section, led by third-year Music Scholar, Zaneta Balsevic

Chorus and Orchestra in full swing
Soprano soloist Rachel Nicholls rehearsing Poulenc’s ‘Gloria’
The view from behind the Orchestra as it rehearses Mendelssohn’s ‘Italian’ Symphony
The orchestra being very attentive…
The lower strings of the Orchestra
Conductor Susan Wanless rehearsing Butterworth’s ‘A Shropshire Lad’
The evening stewards: Alex, Kiyan, Euan, Eloise and Tom
Some familiar faces back to take part: Alice H, Charlotte, Ben, Ruth, Alice B, Cory and Alice Sh!
A soprano selfie: but only if your name is Alice…
Chorus members Carmen, Maddie, Helen, Nicholas, Fleur (President of the Music Society), and Joseph
Strings attached: Melody, Zaneta (leader), Corinna, Millie, Molly and Rosie
Leader of the Symphony Orchestra, third-year Music Scholar Zaneta Balsevic
Chorus of approval

Paws for thought: farewell to Croft

The University Chorus bade a fond farewell to a very special member at the rehearsal last night.

Alumna Lydall Bywater, a member of the soprano section in the University Chorus, has been accompanied to rehearsals and concert over the last five years by her guide dog, Croft. Croft is notorious for regularly falling asleep as the music begins – even when seated behind the orchestral percussion!

Croft has now reached retirement age, and last night was his final rehearsal. He has been a popular figure at rehearsals and performances keeping Lydall company; we all wish him a much-deserved and happy retirement!

Scholars’ Spotlight: Leon Schoonderwoerd

Continuing the series profiling University Music Performance Scholars and Performance Award students. This week, second-year Physics post-graduate and clarinettist, Leon Schoonderwoerd.


My name is Leon Schoonderwoerd, born and raised in the Netherlands. I am a second-year PhD student in Theoretical Physics, as well as a recipient of the University of Kent Music Performance Award.

My musical journey started with clarinet lessons at age 7, which I continued all through primary and secondary school. A few years later, I joined a local wind orchestra where I worked my way from third clarinet in the youth band to first clarinet in the main orchestra in a few years time. Meanwhile, I taught myself to play drums and played in a few small bands, unfortunately none of which made it very far.

After a trial lesson at the Amsterdam conservatoire, I decided to not enrol there but instead pursue a science degree. I studied at the University of Amsterdam for six years, obtaining first a BSc in Natural and Social Sciences, then an MSc in Theoretical Physics. During this time, my music-making was mostly on hold, with the exception of a band I started with a few friends during the master’s. We played a few gigs, but when our frontman moved to Germany to pursue a PhD, we decided to quit while ahead.

After finishing my Masters, I lived and worked in Amsterdam for another year, during which I joined a student orchestra. My background in classical music combined with my experience on the drums allowed my to fill their vacancy for a percussionist. When after one programme the opportunity arose to switch over to bass clarinet, I took it. This was a truly great year for me, playing pieces such as Ravel’s Piano Concerto, Rachmaninov’s Symphonic Dances and Janáček’s Sinfonietta. The year ended with a bang when we joined forces with a student orchestra to give a series of concerts in the Netherlands (ending in a sold-out Concertgebouw in Amsterdam) as well as a three-concert tour abroad in Freising, Germany and Bologna, Italy.

By this time, I had accepted a PhD position with Gunnar Möller at the University of Kent, so in the summer of 2017 I moved from Amsterdam to Canterbury in pursuit of science. Here, I joined the lively music programme, which awed me with its beautiful concert hall and proceeded to take over most of my free time. During my first year at Kent, I played bass clarinet and percussion in the University Symphony Orchestra and Concert Band, sang bass in the Chorus, joined the pit band for two musical theatre shows and started a woodwind quartet.

This year, I vowed to take any musical opportunity I possibly could, as a result of which I am playing clarinet in the Symphony Orchestra and Concert Band as well as in an array of chamber ensembles, bass clarinet in the Pops Orchestra, and the odd percussion part for different performances (I hear there are still some tickets for Dido and Aeneas…) [deftly plugged there, Leon: well done…ED]. Additionally, the Music Performance Award has allowed me to take lessons with the incredible Ian Swatman, also director of the University Concert and Big Bands and legendary Hull City supporter…)

Music at Kent thus provides me with ample opportunity to take my mind off physics. Many thanks to the Music Department and Music Society for making all this possible!


The Music Performance Award is open to returning students at Kent, and offers a year’s worth of instrumental / singing lessons in support of a holder’s contribution to the musical life of the University: read more here.

Old and New and the Carol Service: University music in action

Two events in three days with which to catch up, Loyal Readers!

Last Saturday brought the University Chorus and Symphony Orchestra together in a programme combining music from the past with reimaginings from a modern perspective: Vivaldi’s dramatic iMagnificat, two of Handel’s bombastic Coronation Anthems, Walton’s recasting of Bach in The Wise Virgins, Matthew King’s orchestral vision of Mozart’s piece for mechanical organ, and Respighi’s light-footed Ancient Airs and Dances Suite no.2.

The University Chorus and Orchestra in rehearsal during the afternoon

Director of Music Susan Wanless wielded the baton in front of the assembled masses to a packed house, and it was lovely to welcome back some familiar faces and musical alumni to take part in the performance.

 

 

 

 

 

 

 

Last night, it was the turn of the University Chamber Choir to participate in the Carol Service, an evocative event at Canterbury Cathedral bringing together members from across the University community in a programme of lessons and carols to explore the season of Advent.

Second-year Music Scholar, Hannah Ost (pictured here in rehearsal), launched the service in energetic fashion conducting Gaudete.

Elsewhere, Your Loyal Correspondent directed the eighteen-piece choir in a lyrically colourful setting of Lullay My Liking by Will Inscoe, a sixth-form pupil at St Edmund’s School, and a deft Ding Dong! Merrily on High. Earlier on, second-year postgraduate Law student and Music Scholar, Helen Sotillo, ushered in the Christmas season with a clarion-clear solo verse of Once In Royal David’s City – as it lifted into the upper reaches of the Nave, the season unfurled above the heads of the assembled congregation, stood in  an expectant, candlelit hush.

Next up: tomorrow brings a Christmas lunchtime concert with the Flute Choir and Minerva Voices, and later the annual festive knees-up that is the Big Band’s Christmas Swingalong. Well, it IS the season…

University Chorus prepares to unleash Vivaldi in December concert

The University Chorus is busy rehearsing works by Vivaldi and Handel each Monday evening, in preparation for the  annual December concert.

As part of the programme, the Chorus will perform Vivaldi’s fiercely committed Magnificat, rich in dissonance and expressive chromaticism, as well as two of Handel’s Coronation Anthems, for which they will be joined by the Symphony Orchestra. Undergraduate and postgraduate students sit alongside University academic and administrative staff, senior management and members of the local community, all bringing Vivaldi’s dramatic work and Handel’s buoyant Zadok the Priest off the page

The group has been working hard throughout the term; there’s not long to go until the performance next week – come and hear the results for yourself on Saturday 8 December…