As part of the build-up to this Friday’s performance ofAlice in Wonderland: A Musical Dream Play by the University Music department, we’re pleased to present a series of films each day this week of some of the Nonsense Songs, written by Liz Lehmann and published in 1908, that will be performed at the event.
The suite of characterful and charming songs takes its text from the nonsense rhymes that appear in the book – including How doth the little crocodile, You are old, Father William, and Will you walk a little faster – and creates a series of pieces for variously a quartet of voices, solos and duets. The songs will be performed live on the foyer-stage in Colyer-Fergusson by a quartet drawn from the principal cast, who will sing as part of the Hatter’s Tea Party which takes place immediately before the performance.
The first song – How doth the little crocodile – is here performed by Will Clothier (baritone), Maddie Jones (soprano), and two University Music Award Holders, Matthew Cooke (tenor) and Sophia Lyons (soprano). The rest of the songs will be released daily on YouTube over the course of this week, building nicely up to Friday’s performance of the Dream Play.
Tuesday: the second song, a duet of You are old, Father William, featuring baritone Will Clothier and tenor Matthew Cooke.
Wednesday: the Duchess Lullaby, Speak roughly to your little boy, sung by third-year soprano, Maddie Jones:
and the quartet sings Will you walk a little faster said the whiting to the snail:
Thursday: The Queen of Hearts, she made some tarts sung by third-year soprano, Sophia Lyons:
And the final song from the cycle features the whole quartet in the heart-breakingly beautiful Epilogue.
Details and tickets for Alice in Wonderland: a Musical Dream Play can be found online here. Watch all songs as they are released on a dedicated YouTube playlist throughout the week here.
The Music department is preparing to deliver an ambitious production of Alice in Wonderland: A Musical Dream Play next week, bringing to life a musical stage adaptation of Carroll’s classic tale first performed in 1886 and written with Carroll’s close involvement. The University Cecilian Choir, soloists and ensemble lift the curtain on Alice’s mysterious, magical and musical world on Friday 21 February at 7.30pm.
Alongside the production, there are two art exhibitions on campus celebrating the bicentenary of Sir John Tenniel, illustrator, and cartoonist, whose illustrations graced the pages of the first publication of Alice in Wonderland in 1865. The production of the Musical Dream Play will feature many of Tenniel’s ilustrations projected above the stage during the performance, and these are currently on display in Colyer-Fergusson Gallery throughout February, allowing visitors the opportunity almost to walk through pages of the book…
Our colleagues over in the University Special Collections and Archives have also responded to the project, creating a special exhibition celebrating Tenniel’s contribution to political cartooning in his own work for Punch, and also in the lasting influence his Alice illustrations have had on subsequent generations of political cartoonists.
Politics in Wonderland: Sir John Tenniel at 200 features original cartoon artworks, cuttings and publications from the British Cartoon Archive by cartoonists including Nicholas Garland, Vicky, Strube and E.H. Shepard, and can be viewed in the Gallery, A Block Floor 1 of the Templeman Library until 20 March; more details here.
Continuing the series profiling this year’s new University Music Performanc Scholars and Award Holders. This week, first-year Biomedical student and soprano, Ellie Gould.
I began taking piano lessons when I was five years old and soon after, my teacher noticed I had good pitch, so offered to give me a few singing lessons to see if I enjoyed them (which I did!) 13 years later, I am still thoroughly enjoying both piano and singing, having reached up to Grade 8 standard on piano and achieving Distinction in both my Grade 8 exam and diploma in singing.
During primary school, my love for all things music grew even more, as my biggest excitement was the weekly music lessons, both in and out of school. I soon discovered my love of performing through taking part in the yearly Rotary Young Musician of the Year Competition and being involved in Stagecoach for eight years, which enabled me to take part in many productions; to name a few: Aida, Macbeth, Bugsy Malone and a Michael Jackson inspired ‘Thriller’ flash mob!
I would say that my musical journey really started to take off once high school began. It was towards the end of the summer holidays before the beginning of Year 7 that my Dad fortunately saw an advertisement in the newspaper regarding music scholarships at Harrogate Ladies’ College. As soon as I joined I fully immersed myself in all the musical opportunities that was on offer. I immediately joined Gallery Choir, which consisted of students from Year 6 to Year 9 and involved regularly performing at school events and singing works such as The Peacemakers by Jenkins in the Royal Hall, Harrogate. In order to improve my solo singing, I entered myself in both singing and piano at the annual Harrogate Music Festival.
At the start of Year 9, I was accepted into my school’s prestigious Chapel Choir. The highlight of Chapel Choir for me were the biennial choir trips, including Barcelona where we sang in La Sagrada Familia and Venice where we sang Pergolesi’s Stabat Mater in St. Mark’s Basilica. Other moments I will never forget were singing live on TV in the semi-finals of BBC Songs of Praise Competition (mainly because we were all dressed in bright fuchsia pink shirts!), singing in the Royal Festival Hall in London for the Barnardo’s Choir of the Year Competition, Choral Evensongs in York Minster and Durham Cathedral, performing Britten’s challenging War Requiem in Ripon Cathedral and participating in the production of Purcell’s Dido and Aeneas.
In rehearsals and certain performances, we sat in choir stalls in our school Chapel and after each year when students left, you would slowly make your way up the row to the front. It was so lovely because as I progressed further up the row, I was given more opportunities to develop my solo singing within the choir and undertake more responsibilities. This culminated in eventually me becoming Row Leader and during Year 13, I was chosen to be Head of Chapel Choir, which was and still is a position which meant so much to me. Having been a part of the choir going on five years at that point, it was such a lovely role to have to bring my time at Harrogate Ladies’ College to an end. Within this role my confidence in my own music ability grew massively. I was tasked with leading the choir during services, performances, keeping the beat during the unaccompanied morning Amen’s in Chapel (a much harder task than it originally seemed!) and regularly singing solos.
During my time so far as a Biomedical Science student at the University of Kent, all of the extra-curricular music activities has been a lovely way for me to relax away from my studies. I have been extremely lucky and grateful to be a part of the University Chorus, Chamber Choir, Cecilian Choir and a recipient of the Music Performance Scholarship. The Chamber Choir sang at the Cathedral for the Carol Service in December, and I’m currently singing the role of the Queen of Hearts for a production of Alice in Wonderland, and looking forward to singing in Canterbury Cathedral with the Chorus, Chamber Choir and at Choral Evensong with the Cecilian Choir later in the year.
This year, the Music department is delighted to welcome Erasmus student, Laura Osswald, here for two terms as part of her studies in the School of Psychology. Here, Laura reflects on what music means for her and getting involved in the musical life of the University.
Music has always been a very important part of my life. I have been playing the recorder and the cello for 15 and 13 years respectively. In various orchestras and ensembles from Baroque to contemporary music, some of them international, I have experienced how music does not know any borders.
Making music together with others has always been a great pleasure for me – creating something amazing with people who share your passion is just wonderful. I started studying Psychology in Würzburg, Germany in April 2018 and since then I belong to the Academic Orchestra and a choir. I am very happy about that, not only because of the great music we make, but also because I have met so many nice people from different backgrounds, studying different subjects. Therefore, when I applied for Erasmus at the University of Kent, I was very glad to read about the Music Department with all its various possibilities.
During Welcome Week, I first got in touch with members of the Music Society and they were very friendly and welcoming from the start! In the following weeks, I joined the Symphony Orchestra and the Cecilian Choir, the String Sinfonia and the Pops Orchestra – I didn’t quite expect to be this involved with music at Kent, but I am more than happy about it and enjoy playing in these groups very much! In addition to the regular ensembles, there are some smaller formations for various occasions. Together with Jeni, a violist, I played a duet in the second Open Mic Night of the Music Society. Two weeks ago, I played in a concert in Calais with the University Camerata which was a great experience and I feel very honoured that I was selected for this ensemble.
The second concert in Kent for me was the Nostalgia Night with the Cecilian Choir.
I am very excited for our next performance, the meditative Advent Breathing Space with Christmas carols and antiphons in a candlelit medieval church this Friday.
Even though you cannot study music on the University’s Canterbury campus, the Music Department offers an amazing variety of opportunities for students who want to get involved. It feels like all the different musicians and ensembles are part of one big family. I am very grateful to be part of that family.
Congratulations to all the performers involved in last Friday’s Nostalgia Night, a research showcase presented by Dr Chris Deacy in the School of European Culture and Languages as part of this year’s nationwide Being Human Festival.
Reader in Theology and Religious Studies at the University, Chris’ event was also a part of the Open Thinking at Kent strand, which promotes ideas and public engagement with University research, led by Will Wollen from the School of Arts. Friday night saw Chris presenting his research into the idea of nostalgia – what it means and how it shapes us as human beings – in a session enhanced by live music provided by the University Chamber Choir, Cecilian Choir and General Harding’s Tomfoolery, the 1940s dance orchestra. Music included Moonlight Serenade, the theme to Rainbow, When I Fall In Love, the theme tune to the Pink Panther, a Christmas carol, Lady Is A Tramp featuring second-year vocalist Robbie Frederick, and it all came to a rousing conclusion with the audience joining in to sing Bring Me Sunshine.
Tomfoolery also played the audience out with The Charleston and American Patrol, before performers and audience mingled in the foyer for a post-event glass of mulled wine.
Before the event, the student barbershop quartet, the Razor Sharps, took to the foyer-stage to entertain the arriving audience with a selection of popular favourites, setting a suitable scene for a trip down Memory Lane.
Thanks to all those who took part; we brought fun, we brought sunshine, we brought love!
With Welcome Week about to burst into vibrant activity here at the University, make sure you come along to Colyer-Fergusson on Wednesday 18 September to find out about getting involved in extra-curricular music, whatever you are studying.
Between 11am and 3pm, members of the music staff and the various Music Societies will be on hand to enthuse about the many opportunities to get involved in music as part of student life at Kent. Visitors can look round the award-winning Colyer-Ferguson concert hall, practice rooms and band room, as well as learn about the differing ways in which to become a part of music: whether it’s singing with Chorus, Chamber Choir, Cecilian Choir or the upper-voice choir, Minerva Voices; instrumentalists can join the Symphony Orchestra, Concert Band or Big Band, and there are other music societies active during the year including the Musical Theatre Society.
Plans for the Wednesday event include live music on the foyer-stage throughout the day, and there’s the possibility of a Scratch Orchestra play-through of popular film scores, and even choruses from Messiah.
We look forward to welcoming you through the doors of Colyer-Fergusson during Welcome Week, and especially next Wednesday – come and find out how to make rehearsing and performing a part of your university experience, whatever course you may be studying!
Corinna Jung came to the University in September from Germany to study International Criminal Justice as a postgraduate. Here, she reflects on her musical time at Kent and the importance of music to her life alongside her legal studies.
When I was considering universities to apply for my postgraduate studies, not only was I trying to find one, which mirrors my academic interests best, but also it has been equally important for me to choose a place, where I can make music and play the violin in an orchestra again.
During the six years of my undergraduate degree in Germany, I was a member of the University Symphony Orchestra, and as I look back, many of my best memories of my study time in Germany have a musical background: I enjoyed making music with people, who share the same passion for music as I do and I met wonderful colleagues who have become my best friends over the years. In addition to that, I am sure I wouldn´t have managed to deal with all my exams and assignments without that kind of support and balance. Therefore, I was more than happy to realise that the University of Kent not only has a fantastic law school, but also a strong music department with plenty of opportunities for students to get involved in. Regardless of
whether you play the violin, the trumpet or sing – there are so many different student ensembles to join!
After last week’s wonderful Summer Music Week, I reflect upon
my time at Kent and can say: what an incredible year full of music it has been! When I joined the first rehearsal of the Symphony Orchestra in September, I was excited to see how they would rehearse and what kind of pieces would be played. The concert in December has been my first one with this orchestra and I enjoyed performing in the wonderful Colyer-Fergusson hall as well as playing a wide range of pieces, both with and without chorus.
After the concert, the director of the String Sinfonia, Floriane Peycelon, asked me if I would like to join the Sinfonia from the next term on and all I can say is it turned out to be one of the greatest musical opportunities I have had so far! As a string ensemble, we have been involved in many different concerts over the year, including lunchtime concerts, the Dido and Aeneas performance in February in which we performed Purcell’s opera with the University Cecilian Choir, the premiere of Between Worlds with the amazingly talented violinist Anna Phoebe last week and – last but not least! – our ‘own’ Sinfonia concerts in which we played wonderful – and quite challenging – compositions for strings, such as Tchaikovsky’s Serenade and Britten’s Simple Symphony.
One of the highlights of the academic year for me has definitely been the concert in Canterbury Cathedral in March and performing in this unique location was a special experience for me. Beyond that, the Summer Music Week, comprising of a series of concerts with different themes, from an easy-going summery concert with McMozart and ‘Dance of the Comedians’ to a more serious and formal Between Worlds concert. And finally, the Gala concert, featuring Symphony Orchestra and University of Kent Chorus and Chamber Choir. It was a fantastic way to end my musical year at Kent.
I would like to say a huge thank you to Susan Wanless, Daniel Harding and Flo Peycelon – you’ve always made me feel very welcome and appreciated as part of the ‘team’ and you put tremendous effort and energy in creating all these opportunities
for students who want to make music to a high standard and who want to find an important balance alongside their studies. The same applies to my Sinfonia colleagues; you have been so lovely and open-minded!
Therefore I encourage every (overseas) student to get involved in the musical life at Kent, no matter how awkward it will be at the beginning to leave one´s own comfort zone. And even if it might just be for a year, make the most of your time here and do what you enjoy. I have had a wonderful year with the music department, and I am sure that whenever I will look back at my time in Canterbury, these happy memories will be a huge part of it.
Congratulations to all the students, staff and alumni who were a part of the University Cecilian Choir‘s service of Choral Evensong at Canterbury Cathedral yesterday.
It was the first time the Cecilian Choir has sung at Canterbury Cathedral, and as seasoned choral evensong singers will know, it’s quite a discpline to learn; the pointing and flexibility of psalm-singing, the need for security in delivering the unaccompanied Responses, and the constant having-to-be-on-your-toes throughout the service so you are ready for what comes next, with the right music in the right order, able to pluck the note of your chord from the intoned sentence from the Precentor. Not withstanding the additional challenge of singing in split formation across an extremely wide aisle in the Cathedral Quire, in mixed-voice arrangement without the security of singing amongst others of your voice-part. And all in front of an expectant congregation, fitting your contribution flawlessly into the well-oiled machinery of the Liturgy…
The Choir rose the occasion marvellously, particularly in Stanford’s Canticles in C and Elgar’s Ave Verum Corpus, a heady blend of lyricism and stirring ensemble singing.
It was lovely to welcome back some former members of the Choir and University alumni to take part; thanks too to organist Charles Francis, Organ Scholar and sixth-form pupil at St Edmund’s School, for playing for the service.
We are back at the Cathedral this Friday night, as the University Chamber Choir performs in the sonorous acoustics of the Cathedral Crypt to launch this year’s Summer Music Week...find out all that’s coming up 31 May – 8 June here.
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.