Our final event of the term saw the Big Band cracking open its annual box of festive tunes for the Christmas Swingalong, together with the Pop n Soul Choir bringing its own glitter.
The band was joined by final-year student vocalist, Tayo, for some lively tunes including ‘Man with the Bag,’ whilst the Pop n Soul Choir channelled its inner Elton John as it invited the enthusiastic audience to ‘Step Into Christmas.’
There’s always a lovely, festive atmosphere about the gig, the final musical event before the Christmas break; many thanks to Big Band director, Ian Swatman, and the Pop n Soul Choir director, Meg Bird.
We’re off for a well-earned break – back in the New Year, when the music merry-go-round starts up anew on 12 January. Have a lovely Christmas, everyone!
Congratulations to the University Cecilian Choir, who sang as part of the University Carol Service at Canterbury Cathedral last week.
The Choir, comprising students, staff and alumni, is a by-invitation choir, which has previously appeared on BBC Radio 4’s My Choir and Heart Kent Radio, and also sung the service of Choral Evensong at the Cathedral.
The solo verse to ‘Once in royal David’s city’ was launched high and clear into the hushed expectancy of the Cathedral Nave by final-year Wildlife Conservation student and Music Performance flute Scholar, Charlotte Farmer.
Well done to all the choir, and to Kent Gospel Choir, who also sang as part of the service.
Many thanks to all the performers involved in our Christmas Cornucopia weekend, two nights of music-making that brought together University Chorus and Orchestra, Concert Band, String Sinfonia and the Flute Choir in festive style.
The opening night was shared by the String Sinfonia and Concert Band, exploring music by Piazzolla, Corelli and film music by Danny Elfmann, all prefaced by seasonal music performed in the foyer before the concert began by some of the Flute Choir.
Saturday night brought together Chorus and Orchestra in Vivaldi’s evergreen Gloria, for which we were joined by soloists Juliet Schiemann and Michelle Harris, as well as the sparkling Cinderella Suite by composer Ernest Tomlinson – we were delighted to welcome the late composer’s daughter, Anne, to the performance.
Congratulations to Minerva Voices, the upper-voices chamber choir, the Cecilian Choir and Consort, and soloists on a gloriously technicolour concert in the Crypt of Canterbury Cathedral on Friday night, launching this year’s Summer Music Week.
Our annual festival was launched with a first half of ravishing colours from Minerva Voices, in works ranging from Sarah Quartel’s This We Know to Russell Hepplewhite’s evocative Fly away, over the sea, the Tudor round Ah, Robyn, and other pieces, accompanied by first-year Music Performance Scholar, Hannah Tudor.
The second half saw the mixed-voice Cecilian Choir, comprising students, staff and alumni, in a vivid performance of Pergolesi’s Stabat Mater, accompanied by a five-piece consort, and featuring solos from final-year students Leonie Carrette, Florence Kingdon, Rachel Fung and Amanda Schott.
As always, the concert is supported by the David Humphreys Fund, a bequest left by David in honour of his wife, Julia; the opportunity to perform in such a richly-sonorous, historic and intimate space is one of the highlights of the musical calendar, and we remain grateful to the Humphreys family for their generous support.
Congratulations to our upper-voices chamber choir, Minerva Voices, the Cecilian Choir, soloists and consort on what one member of the audience described as an ‘immersive’ performance on Friday.
Minerva Voices, accompanied by pianists Hannah Tudor and Ida Bright, presented a first half of choral works from various stations around the concert-hall, in a range of music from Sarah Quartel’s meditative environmental message, This We Know, to the medieval Ah, Robyn and Russell Hepplewhite’s lyrical Fly away over the sea.’
The mixed-voice Cecilian Choir took to the stage for the second half for a dramatic realisation of Pergolesi’s powerful Stabat Mater, featuring final-year soloists Rachel Fung, Florence Kingdon, Leonie Carrette and Amanda Schott. Pergolesi’s setting of the poem reflecting on Christ’s crucifixion came to vivid life, with strong, confident singing from both choir and soloists alike.
As we prepare for this Saturday’s concert in Canterbury Cathedral, here are Chorus and Orchestra rehearsing together last weekend, preparing Ola Gjeilo’s Sunrise Mass.
Third-year student, Rebecca, plays trumpet in University Orchestra, and this year will be running the London Marathon for a cause that is very close to her heart. We asked her more about it…
I am running the London Marathon in April 2025 for Asthma + Lung UK, formerly the British Lung Foundation, who are fighting for healthy lungs for everyone. They aim to improve public awareness of the symptoms of asthma and lung disease and develop ways to diagnose lung conditions better and faster. This charity is important to me as I have suffered from asthma for almost 10 years, making running 26.2 miles a challenge which I am so excited to take on! Running has already helped my asthma so much and I’m so grateful for the opportunity to raise both money and awareness.
Additionally, last year, a friend of mine who was only 20 years old tragically died at university from an asthma attack, and he did not know he even had the condition. As much as I will be running for myself, I will also be running for him, and for a world where no one loses their life or their loved ones to this disease.
It’s always both exciting and a little bit daunting, taking on a contemporary piece of music to give the UK premiere – and even more so when the composer herself is in the audience!
Stephanie Martin attending the afternoon rehearsalStephanie Martin
Last weekend saw the Music department’s combination of concerts, ‘Winter Journeys, Winter Nights‘ featuring the String Sinfonia, Concert Band, Chorus, Orchestra, Cecilian Choir and Flute Choir coming together over two nights to perform seasonal works, the centrepiece of which was a marvellously colourful seasonal cantata, Winter Nights, by the Canadian composer, Stephanie Martin. This five-movement work sets a variety of poems focusing on different aspects of the winter season, from the anonymous ‘Cold is the night when when stars shine bright,’ through the fierce drama of ‘Loud rings the frozen earth’ by James Thompson, to the wonder and mystery of Cori Martin’s ‘Could it be true / Old Thomas Hardy’s tale,’ all culminating in Thomas Campion’s ‘Now winter nights enlarge.’
The piece distils a variety of colours, textures and vivid images from the cast of voices, strings and percussion, reflecting the manifold aspects of the season, and the whole cantata captures the full range of the season’s contrasts – its warmth, magic, wonder, jollity, bitterness, wildness, and revelry – bringing the different scenes to vivid life with a vibrant energy.
Stephanie talking with choir and orchestra
We were delighted to welcome Stephanie to the afternoon rehearsal – always a slightly scary moment, the first time performing a piece in front of the composer – and then to the evening performance. With warmth and generosity, Stephanie talked with the performers in the afternoon about the piece, including the three students singing the solo trio heralding the arrival of Winter; and she received a hugely enthusiastic round of applause following the performance later that evening.
Congratulations to all the performers involved across the entire weekend, and our thanks in particular to Stephanie for taking the time to stop over in Canterbury on her flight from Europe to Canada, to come to Colyer-Fergusson and be part of the event.
Enthusiastic applause greets the composer after the performance
Here is the performance in full, filmed and used with kind permission from Stephanie Martin.