Congratulations to all the performers involved in the mesmerising first performance of Between Worlds by composer / violinist Anna Phoebe, which took an entranced audience on a meditative odyssey on the penultimate day of Summer Music Week.
Drawing on research media from the School of Biosciences, Anna’s piece explores the intangible boundary between science and art in a collaborative piece for choir, strings, percussion, soloists and film-projections by artist Skyla Bridges. Conducted by Deputy Director of Music, Dan Harding, the University Chamber Choir and String Sinfonia, together with Anna herself on violin, pianist Jacob Downs, second-year postrgraduate Leon on percussion, and oboist Dan Lloyd (also Deputy Head of the School of Biosciences) unfurled Anna’s evocative piece against a tapestry of ambient electronic soundtracks and beneath Skyla Bridges’ wonderfully beautiful projections taken from research imagery by Dr Chris Toseland.
The first half of the concert saw a conducter-less (for the most part) String Sinfonia in music by Britten, Reger, Purcell and Arvo Pärt’s lachrymaic Cantus in memoriam Benjamin Britten, for which the strings were joined by conductor, Susan Wanless. Pärt’s haunting tribute to Britten closed the first half an set the atmosphere for the second.
Afterwards, performers, audience and guests mingled for a post-concert reception to celebrate the fruition of a project that has been in rehearsal since January. Read the programme from the event yourself here.
The relentless pace of Summer Music Week continues; Wednesday saw a roof-raising gala concert from the University Concert Band and Big Band under the baton of Ian Swatman entertaining a packed house. Prior to the concert, the sax quartet played on the foyer-stage, led by Peter Cook.
And yesterday saw a celebration of chamber music in A Musical Miscellany, ranging from a fiercely-modern duet for two violins by Prokofiev to the first movement of Borodin’s String Quartet no.2, lively woodwind music by Seiber, a fragile aria by Copland and the String Sinfonia in not-quite-Mozart…
Plus post-performance selfies, of course…
Summer Music Week continues tonight with the premiere of Between Worldsby composer/violinist Anna Phoebe by the Chamber Choir and String Sinfonia, plus string music by Britten and Pärt.
Two further music-filled days as part of this year’s Summer Music Week; on Monday, the University Rock Choir, directed by alumni Jonathan Grosberg, had an enthusiastic audience clapping along to songs such as Don’t Stop Believin’ and Roar; the choir’s debut brought a standing ovation in Colyer-Fergusson Hall.
And Tuesday saw the annual Music Scholars’ Lunchtime Recital, which began in unique fashion this year with first-year Biosciences student and highland bagpiper Eloise Jack – her skiriling pipes were heard outside the hall before she entered on the balcony to instant applause.
Final-year Computer Science student, Robert Loveless, dazzled in a rhythmically vivacious Bossa Merengova by Mike Mower.
Four final-year violinists then delivered a pitch-perfect performance of Telemann’s second Concerto for Four Violins; Zaneta Balsevic (reading Music Performance), Florence Nightingale Obote (Biosciences), Molly Richetta (Mathematics) and Melody Brooks (Psychology).
The programme took a folksy turn in the form of two saxophone duets from two first-year Music Scholars, David Curtiss (reading Physics) and Megan Daniels (Law), in melodies from Bulgaria and Spain.
The concert drew to a close with final-year sopranos Fleur Sumption (History of Art) and Helen Sotillo (LLB Law Senior Status) in a lyrical rendition of the ‘Barcarolle’ from The Tales of Hoffmann.
A highly responsive audience greeted all the performers at the end for a collective bow – our thanks to all the players. The concert was followed by the awarding of this year’s Music Prizes, about which more anon…
There was Of Course time for selfies afterwards…
Our music festival continues tonight with the annual roof-raising extravaganza that is the valedictory concert from the University Concert Band and Big Band under the baton of Ian Swatman. Still plenty more to come…
As temperatures soared and the weather became balmier, Summer Music Week launched over the weekend in the first two events of this year’s annual celebration of the musical year at Kent.
On Friday, the University Chamber Choir and Consort gave an electrifying concert in the Crypt of Canterbury Cathedral, for which they were joined by composer and violinist Anna Phoebe in three evocative movements from Anna’s Between Worlds, an exploration of music and science that receives its full premiere later this week. Second-year student Hannah Ost led the choir in a piece in the first half as part of a wide-ranging programme that received huge applause from a packed crypt audience.
And yesterday, conductor Ian Swatman bravely headed out to the seaside with the University Big Band, to entertain a Sunday crowd at the Memorial Bandstand at Deal, including guest vocal appearances from final-year student Fleur Sumption and first-year Elle Soo. Sea, sunshine and swing – perfect conditions for a perfect day.
Well done to everyone involved; Day Three of Summer Music Week today features the University Rock Choir in action. Find out all that’s going on throughout the week here.
Congratulations to all the students, staff and alumni who were a part of the University Cecilian Choir‘s service of Choral Evensong at Canterbury Cathedral yesterday.
It was the first time the Cecilian Choir has sung at Canterbury Cathedral, and as seasoned choral evensong singers will know, it’s quite a discpline to learn; the pointing and flexibility of psalm-singing, the need for security in delivering the unaccompanied Responses, and the constant having-to-be-on-your-toes throughout the service so you are ready for what comes next, with the right music in the right order, able to pluck the note of your chord from the intoned sentence from the Precentor. Not withstanding the additional challenge of singing in split formation across an extremely wide aisle in the Cathedral Quire, in mixed-voice arrangement without the security of singing amongst others of your voice-part. And all in front of an expectant congregation, fitting your contribution flawlessly into the well-oiled machinery of the Liturgy…
The Choir rose the occasion marvellously, particularly in Stanford’s Canticles in C and Elgar’s Ave Verum Corpus, a heady blend of lyricism and stirring ensemble singing.
It was lovely to welcome back some former members of the Choir and University alumni to take part; thanks too to organist Charles Francis, Organ Scholar and sixth-form pupil at St Edmund’s School, for playing for the service.
We are back at the Cathedral this Friday night, as the University Chamber Choir performs in the sonorous acoustics of the Cathedral Crypt to launch this year’s Summer Music Week...find out all that’s coming up 31 May – 8 June here.
With the new term beginning earlier this week, rehearsals for Summer Music Week have begun in earnest, and the String Sinfonia and Chamber Choir have been once again getting to grips with Between Worlds, an exciting multi-media odyssey which comes to Colyer-Fergusson as the penultimate event in our week-long music festival.
Both choir and strings have been busy rehearsing Anna Phoebe’s new piece; earlier this week, Anna came in especially to work with the String Sinfonia,
The exciting aspect of new music is watching it slowly evolve, and there was time on Wednesday for Anna and percussionist Leon to develop ideas for the timpani part, which plays a crucial textural role at key moments in the piece.
The full performance beams in to Colyer-Fergusson on Friday 7 June at 7.30pm; find out more here…
Continuing the series profiling University Music Performance Scholars and Music Award Holders at the University of Kent. This week, third-year Biosciences student and violinist, Florence Nightingale Obote reflects on a less than auspicious start to her violin-playing career…
I have been playing the violin for 15 years. I started at the age of seven and have no memory of my first ever violin lesson or the first time I held a violin underneath my chin. My violin teacher, however, remembers it fondly and never ceases to tell me. She’d always say to me, “I remember you when you walked through the door. Your shirt and trousers were way too big for you because you were so tiny, and the moment you held your violin under your chin: you had the biggest smile on your face.”
Even though I do not remember this, I remember my very first violin concert very well. I was playing the French folk song with three other violinists. We practised ample times for the concert, and all seemed fine. But the day of the concert was a whole other issue. So, we walked onto the stage, and bowed at the applause. Then our violin teacher counted us in. As soon as I heard four, I knew I had to start playing, but I didn’t. Instead I was stood there frozen with my bow on the violin while the others were playing the right notes in all the right places. I looked to my parents on the second row who were trying their best to not laugh which started to make me giggle. Then I distinctively remember dropping my bow, and in the process of picking it up I almost whacked one of the other players. After picking up my bow, I tried to find my place, but at that moment, I forgot how to read music, so I just started playing random notes hoping no one would notice. And after the concert, my violin teacher said to my parents at the that I had potential. So, the violin and I did not get off to a great start.
I did improve as the years went passed. Year 7 was when my violin journey started to accelerate. In secondary school, MHCHS, I played in all the possible orchestras I could join. This consisted of chamber orchestra, symphony orchestra, Vivaldi strings, string group, and so on. In year 9, MHCHS did a project with the Royal Philharmonic Orchestra, and I was given the opportunity to play the Vivaldi concerto for four violins accompanied by them. A year later, I got the opportunity again to play the Corelli Christmas concerto accompanied by them again. Both were conducted by Benjamin Pope.
Whilst doing all these things in school, I also joined music groups externally. I was part of the Finchley Music strings for a couple of years where I joined Jazz strings as well. I wasn’t very fond of it because I was of being classically trained on the violin, but like my 7-year-old self I decided to persevere with playing Jazz on the violin (it did not last very long). Towards the end of year 9, I played in the Barbican Youth Orchestra where we got to play a several orchestral works, including the famous Romeo and Juliet overture by Tchaikovsky, and works by Glinka and Mozart.
Going back to year 7, I joined a chamber group until year 12. I got to play in trios, quartets, sextets, septets, and octets. We played a plethora of music, with my favourites being: Death and the Maiden by Schubert, Mendelssohn’s Octet, and Dvorak’s American quartet. We also entered music competitions and participated in music festivals. Because of this period in my life, I will always love playing chamber music more than anything else.
During my year-in-industry, I went to Thailand where I joined the Thammasat University Symphony Orchestra (TUSO). I got to meet so many lovely people and had the opportunity to play gigs around Thailand and travel with them to Laos to play at Laos university. The orchestra was quite different to orchestras previously I’ve played in, in the UK. They played more music that appealed to students to get more recognition and they also arranged music from famous TV dramas and K-pop songs. It was very relaxed, and I had a great time playing with them.
I’m coming up to the end of my final year studying Bioscience at the University of Kent, and the music opportunities in the university has been incredible. I’ve played in the Symphony orchestra, String Sinfonia, and have played chamber music with several people. After Kent, I hope my music journey will continue.
I’d like to give a special thanks to my father who is the reason why I started playing the violin.
We’re very pleased to reveal the full line-up of events for this year’sSummer Music Week live online this morning!
Launching on Friday 31 May with a sonorous concert by the Chamber Choir and Consort in Canterbury Cathedral Crypt, our musical farewell to the academic year unfolds over the next eight days to include a trip to the seaside with the University Big Band at Deal Bandstand, a recital by University Music Scholars, a Gala concert with the Concert and Big Bands, the String Sinfonia and Chamber Choir in the premiere of Between Worlds exploring music and science by Anna Phoebe, all culminating in the annual Music for a Summer’s Day with the Chorus and Orchestra bidding a tearful farewell to this year’s music-making.
See all that’s to come, grab your tickets and help us celebrate another musical year in the life of the University as it draws to a festive close. The brochure will be available shortly…
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.