Congratulations to all those involved in Saturday’s Sounding Shakespeare concert, which brought together the University Chorus and Symphony Orchestra together in resounding form in a musical pot pourri celebrating the Bard’s 400th anniversary.
Led by second-year Law student, Lydia Cheng, conducted by Susan Wanless, the orchestra opened with two pieces by Mendelssohn, before joining the Chorus in Rutter’s When Icicles Hang, complete with wintry textures and fifteenth-century verse. After the interval, the orchestra showed themselves in robust form in Bernstein’s Overture to ‘West Side Story’ complete with lusty cries of ‘Mambo!’ emphatically delivered by the players.
The final piece, Walton’s Suite from Henry V included seasoned Shakespearian actor Simon Paisley Day, who held the audience’s rapt attention in various speeches from the Bard’s play, concluding with a rousing Agincourt carol with the Chorus.
Both Orchestra and Chorus return in March with Puccini’s Messa di Gloria and Tchaikovsky’s yearning Sixth Symphony, performed in Canterbury Cathedral on Saturday 25 March.
We are delighted that actor Simon Paisley Day will be joining us next week, to read sections of Shakespeare’s Henry V as part of a performance of Walton’s score to the film during our December concert.
Sounding Shakespeare brings the University Chorus and Symphony Orchestra together on Saturday 10 December to round off the 400th anniversary of the death of the Bard, including music by Mendelssohn, Bernstein and Rutter, and Simon will be taking part in the performance of the film score Walton composed for the famed film of Henry V starting Laurence Olivier, originally written in 1944 and converted into a suite in 1963.
Since leaving the Bristol Old Vic Theatre School in 1991, Simon has worked extensively in the theatre, on screen and on radio, playing a great number of Shakespearean roles, including Malvolio in Twelfth Night and Horatio in Hamlet at the National Theatre, Iachimo in Cymbeline at Regent’s Park, Timon in Timon of Athens, Petruchio in The Taming of the Shrew at Shakespeare’s Globe and, most recently, Antony in Antony and Cleopatra at The Hollywood Bowl in Los Angeles. Last Christmas he appeared as the Onceler in Dr Seuss’s The Lorax at the Old Vic in London.
Join us on Saturday 10 December for what promises to be an epic odyssey in words and music; details here.
A special event next week brings together an exhibition in Colyer-Fergusson Gallery with live music for two pianos on Friday 2 December.
Preludes (where you go I go) by artist Adam de Ville returns to the gallery to see out the Autumn term in a new form, and to mark its re-emergence, you are invited to view the images accompanied by a live performance of Gavin Bryars’ My First Homage, for two pianos, performed by Dan Harding and Matthew King.
The exhibition, created especially for the Colyer-Fergusson Gallery, is Adam’s response to Bryars’ piece, Sinking of the Titanic, and this event offers the opportunity to experience the images during a live performance of Bryars’ equally meditative homage to jazz pianist, Bill Evans, as a live soundscape. Adam will also be present at the event, and will be available for a ‘Meet the Artist’ session afterwards.
The exhibition will be open throughout December; the viewing together with the live performance begins at 1.10pm and will last twenty minutes; admission is free, details online here.
The University’s Musical Theatre Society returns to Colyer-Fergusson next week, with an epic showcase full of songs which explore the struggle between our need to be part of the pack and yet also to follow our dreams.
Follow The Leader is a collection of powerful and revealing songs that prove that the quest for power may not always run the safest path, explored in music from Hamilton, Kinky Boots, Chicago, RENT and others.
The cast have been hard at work in rehearsals over the course of the term, and the directors of the showcase, Antonia Kasoulidou and Rakel Svendsen, declare that the show promises to be an inspiring, ingenious and intoxicating piece which explores the conflict between the deep desire to follow the herd, and the yearning to break with tradition and risk becoming an outcast.
Find out if you have the herd instinct or are prepared to take risks on forging a new path, as Follow The Leader comes to Colyer-Fergusson Hall on Saturday 3 and Sunday 4 December at 7.30pm; tickets available here.
The Director of Music will be on stage in the Marlowe Theatre this Saturday in a different guise, as she hosts an ‘In Conversation’ with the conductor of the Philharmonia, Jaime Martín, ahead of the orchestra’s concert.
Jaime Martín: image credit Alexander Lindström
The Philharmonia Orchestra is back at the Marlowe Theatre on Saturday for its second concert of the season, in Mozart’s Overture to La Clemenza di Tito, Brahms’ Violin Concerto and the titanic drama of Sibelius’ Fifth Symphony. Susan has been asked to host the pre-concert event, which starts at 6.15 in the Theatre auditorium, when she will be in conversation with the conductor to talk about his life and passion for music he will be conducting that night.
To hear him talk about his career and thoughts on the programme with the Director of Music, and then go to what promises to be a fantastic concert, find out more here.
The String Sinfonia returns again this year, and has already been diligently rehearsing each week in preparation for its performing commitments this year.
Amongst the repertoire the ensemble is currently preparing are works by Handel, Vivaldi, Elgar’s Serenade for Strings, Brahms and Mozart.
Their first performance is next month; keep an eye on the web for details of their concerts throughout this year.
As part of the Music department’s observing of the anniversary of World War One, including the Battle of the Somme, three events next week.
On Thursday 10 November, a special performance by the Cecilian Choir, conducted by Your Loyal Correspondent, commemorates the anniversary of the Battle of the Somme with a new choral piece written by American composer David Lang in Studio 3 Gallery. Memorial Ground is an evocative, haunting meditation on the Battle of the Somme, but also reaches beyond it to commemorate all those who have lost their lives in conflict ever since. The piece was commissioned as part of the nationwide 14-18NOW project.
David Lang
As part of a national series of performances, Memorial Ground is the Pulitzer-prize-winning composer’s response to the anniversary, written in such a way as to allow choirs around the country to realise the piece in whatever way is appropriate to their occasion. For this performance by the Cecilian Choir, the piece will be combined with words by the First World War poet, Siegfried Sassoon, as well as with a new poem written by Nancy Gaffield, Senior Lecturer in Creative Writing in the School of English. The performance will be illuminated by a series of projections from the Special Collections and Archives department in the Templeman Library, curated by Joanna Baines. This sepcially-crafted son et lumiere event begins at 1.10pm, and will last approximately twenty minutes; admission is free – if you can’t make it, the event will be streamed live online here.
On Friday 11 November at 11am, third-year Music Scholar and trumpeter Alex Reid will play the Last Post in the Registry Garden; this is followed at 1.10pm by a lunchtime concert focusing on poet and composer Ivor Gurney. Arranged by Dr Kate Kennedy, the event dramatizes Gurney’s life as musician, soldier and eventually asylum patient, following his progress in his own words and music, with humour and poignancy.
From the start of next week, Colyer-Fergusson Gallery will host an exhibition produced by the Gateways to the First World WarProject exploring music during the conflict, which will be on display until Friday 25 November.
Find out about all these events and more online here.
The second in our Lunchtime Concert series next week sees the Kentish Piano Trio performing music by Beethoven and Suk, including (appropriately enough for a blog feature today…) Beethoven’s ‘Ghost’ Trio.
Kentish Piano Trio
Violinist Kathy Shave, cellist Julia Vorhalik and pianist Helen Crayford, three outstanding professional musicians based in Kent, formed the ensemble in order to champion both traditional and contemporary works for piano trio, and have commissioned works as well as explored the catalogue of works for the enduringly popular line-up.
The concert takes place on Weds 9 November at 1.10pm in Colyer-Fergusson Hall, admission is free, donations welcome. To whet your appetite, here’s the trio on spooky form in the slow movement of the ‘Ghost’ Trio…
Sponsors of the Lunchtime Concert series
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.