What an afternoon.
The rising tide of excitement surrounding the ‘Anthem for Kent,’ created by HeartKent Radio by presenters James and Becky (see previous post), and turned into a full mixed-choir arrangement by Your Loyal Correspondent, finally peaked when members of the Cecilian Choir went out to the radio station yesterday in order to record the piece.
Like something out of the Italian Job, a fleet of cars left the University campus and trekked deep into the darkest recesses of the north Kent coast, to arrive at the radio station where the excitement was palpable: we were really here! Ushered into the atrium, we met the presenters and production team, before recording the anthem; soprano Charlotte Webb and tenor Joe Prescott were also interviewed about their experience learning the piece.
A terrific experience for all the students and staff involved, and a chance to see into the life of the radio station where all the magic happens. Thanks to James, Becky, Producer Matt and the rest of the team for making us welcome; tune in to Heart Breakfast tomorrow (Thursday) morning between 8 – 8.30am to hear the final result…
Photos: © Heart Kent Radio / University Music Department
So, here we are; I’ve now made a start on converting the piece to a full arrangement for mixed choir, which the Cecilian Choir will then need to learn. We’ll keep you posted as to how it’s progressing. It’s my children’s fault…
Fresh from its concert at Studio 3 Gallery last week, the University’s auditioned upper-voices chamber choir will bring the Crypt to shimmering life on Friday 26 February with Vivaldi’s masterpiece, in a programme that also explores repertoire from the medieval to the present day. The first half of the concert will include works by Hildegard von Bingen, Mozart and Brahms, as well as Veljo Tormis’ filigree Spring Sketches and Bob Chilcott’s radiantly colourful Song of the Stars. It’s a terrific opportunity to hear Vivaldi’s radiant, celebratory Gloria in an upper-voices edition which may well have been familiar to audiences during Vivaldi’s lifetime, written as it was for the young voices of the Ospedale della Pietà in Venice.
Conducted by Dan Harding, costumed performers patrolled the foyer before being summoned into the re-imagined concert-hall by a side-drum, heralding the start of a selection of sacred and secular works which revisited the lavish entertainments of the court of the Sun King.
The same forces combine on Thursday 31 March at St Peter’s Methodist Church, in Canterbury, when they will unleash the high drama of two of Vivaldi’s choral works, the Credo and Magnificat, alongside a trio sonata and Mozart’s Ave Verum; more details 
If you missed them, then the choir will be back in action in two weeks time, on Friday 26 February, when it gives its annual performance in Canterbury Cathedral Crypt in a programme which includes Vivaldi’s bright and shining Gloria.
I later moved to Hurstpierpoint College where I had the opportunity to join a whole host of new ensembles. This included choirs as I had now started singing, however the Jazz band was my new favourite because I had started working on some jazz repertoire with my new teacher. Improvisation was especially enjoyable for me – In my lessons I would try to get away with as much as he would resist before he would give in to join me in a jam session until the lesson was up! I also gained a keen interest in chamber music on the singing side and would later get to sing with the choir in residence at the national pilgrimage in Walsingham. Other personal highlights include performing Vivaldi’s La Tempesta Di Mare Concerto accompanied by a full orchestra – a memorable experience! During my A-levels at Hurst I took Music Technology which allowed me to dabble in writing and recording my own music. The technological aspect of this was particularly interesting to me as a computer scientist and is an industry I still follow closely.