A packed Canterbury Cathedral was the backdrop to Saturday’s performance by the University Chorus and Symphony Orchestra of Berlioz’s epic Symphonie fantastique and Beethoven’s rousing Mass in C.
The long day began bright and early with the crew arriving at the concert-hall to load two vans with all the equipment needed, and unfolded across the day with the arrival of additional percussion in the form of two tuned bells and an additional timp, plus not one but two harpists.
Soloists Sally Silver and Kiri Parker were joined by University alumni Andrew Macnair and Piran Legg for the Beethoven, which in a hushed ‘Agnus Dei’ brought the concert to a close.
The Orchestra and Chorus will be back in action next month on Sunday 3 April in a Sunday afternoon programme of music by Copland, Bernstein and Gershwin.
With just over twenty-four hours until the annual Colyer-Fergusson Cathedral concert, the University Symphony Orchestra and Chorus are busily rehearsing ahead of the performance.
Last night, both forces were at work on Beethoven’s Mass in C, whilst tonight the Orchestra puts the finishing touches to Berlioz’s epic Symphonie fantastique.
The annual concert in Canterbury Cathedral is one of the highlights of the University’s performing calendar; join us tomorrow night in a heady exploration of desire, dreams and death…
The mightiest orchestra the University Music department has ever assembled will gather next week, as the Chorus and Symphony Orchestra come together for a revolutionary tale of dreams, dances, hallucinations and desire in Canterbury Cathedral on Saturday 5 March.
Under the incisive baton of Susan Wanless, the Orchestra will perform one of the most exciting, revolutionary pieces in the repertoire, Berlioz’s Symphonie fantastique, a story of hopeless passion, unrequited love and hallucinogenic visions, with its famous ball scene, the March to the Scaffold and terrifying final bacchanalian revelry of sorcerers and witches. In the immortal words of conductor Leonard Bernstein – ‘Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral.’
The second half of the concert brings in the University Chorus for a performance of Beethoven’s Mass in C, with four outstanding soloists Sally Silver, Kiri Parker and University alumni Andrew Macnair and Piran Legg.
Susan Wanless is particularly excited at the prospect of unleashing Berlioz’s masterpiece in the Cathedral in the annual Colyer-Fergusson concert, always one of the highlights of the University year. ‘To present such spectacular pieces, complete with off-stage instruments and massive orchestral forces, will be thrilling for both the performers and audience alike!’
The Orchestra has been hard at work industriously rehearsing for next week’s epic performance, and the concert promises to be an occasion not to be missed: tickets and details online here. Prepare to be led on a whirlwind of love, death and dance next week…
Continuing the series profiling Music Performance Scholars at the University. This week, first-year flautist and bass reading Computer Science, Robert Loveless.
I first started flute back in primary school, where if you wanted music lessons in school, flute was the only option. I gave it a shot and have never looked back since! After a while my teacher introduced me to the West Sussex Youth Orchestra in which I moved up through the various bands and orchestras throughout my years there. Although this seemed daunting at first, it was here that I became hooked on the buzz of ensemble playing. As well as discovering loads of new music, I started playing piccolo there.
I later moved to Hurstpierpoint College where I had the opportunity to join a whole host of new ensembles. This included choirs as I had now started singing, however the Jazz band was my new favourite because I had started working on some jazz repertoire with my new teacher. Improvisation was especially enjoyable for me – In my lessons I would try to get away with as much as he would resist before he would give in to join me in a jam session until the lesson was up! I also gained a keen interest in chamber music on the singing side and would later get to sing with the choir in residence at the national pilgrimage in Walsingham. Other personal highlights include performing Vivaldi’s La Tempesta Di Mare Concerto accompanied by a full orchestra – a memorable experience! During my A-levels at Hurst I took Music Technology which allowed me to dabble in writing and recording my own music. The technological aspect of this was particularly interesting to me as a computer scientist and is an industry I still follow closely.
Now at Kent, I am very glad to be able to not only continue with music and developing my skills but also meet likeminded people with whom I share a common passion. I currently participate in the Concert Band, Flute Choir, Chorus and Cecilian Choir. The performances these ensembles have been in so far were thoroughly enjoyable and I am really looking forward to those yet to come, in particular the upcoming cathedral concert.
Our new What’s Onseries of events from February to June has gone live this morning, with full details of all the events coming at you over the next six months.
Our annual visits to Canterbury Cathedral sees Minerva Voices in the Crypt next month in Vivaldi’s Gloria, whilst the Chorus and Orchestra come together in Beethoven’s Mass in C and the Symphonie fantastique by Berlioz in March. The first of two concerts from the Cecilian Choir and Sinfonia will recreate the era of Louis XIV in a lunchtime concert celebrating the music of Lully in February, and at the end of March they bring two dramatic choral works by Vivaldi to St Peter’s Methodist Church in Canterbury. You’re also invited to leap aboard the Musical Express! with the Concert and Big Bands later in March, with a steam-driven programme including music by Benny Goodman, Duke Ellington and Philip Sparke.
The Lunchtime Concert series continues, with music from Total Brass and the Native Oyster Band, and our resident ensemble, CantiaQuorum, brings Wynton Marsalis’ Fiddler’s Tale to the concert-hall on 19 February – the American theme continues in April with a concert by the Chorus and Orchestra including Gershwin’s popular Rhapsody in Blue with pianist Helen Crayford. And the #EarBoxseries exploring links between music and visual art returns to Studio 3 Gallery in two events – choral music from Minerva Voices and a concert by the Flute Choir. The Music Theatre Society takes the stage with some furry friends in a combination of puppetry and show-tunes, and there’s even some musical wizardry as part of ‘A Wonderful Week of Words’ in an informal lunchtime concert featuring music from Harry Potter and other magical pieces. There’s also a brief look ahead to come of the events taking place as part of Summer Music Week in June.
We’re also pleased to welcome many external concerts and events to Colyer-Fergusson over the coming months, including pianists Malcom Binns and Imogen Cooper, the Aurora Orchestra, and many local ensembles; see all that’s to come in our online calendar here, or download a copy of the new brochure here (pdf). Or view the department events at a glance on our digital fridge-door of post-It Notes here.
It’s been a busy few days here in the Music department, a sure sign that the Christmas period is well and truly here.
Last weekend, the Chorus and Symphony Orchestra came together in a seasonal performance of Vaughan Williams’ The First Nowell, brimful of carols familiar and unfamiliar; Shostakovich’s wry Symphony no.9 stepped out in sprightly form in the first half, and the Chorus also turned their hand to international linguistics with the choral interlude in Finlandia. There was a suitably seasonal conviviality to the hubbub backstage, including the taking of many selfies and a competition to see who could fit the largest number of performers into their selfie, a feat won hands-down by clarinettist Rianna Carr, whose prize-winning photo can be seen online somewhere on Twitter…
And last night, Minerva Voices, the new upper-voices choir, filled the Nave of Canterbury Cathedral as part of the annual University Carol Service, including a soaring rendition of the opening verse of Once in Royal David’s City from second-year BioSciences student and Music Scholar, Charlotte Webb.
It doesn’t stop there; tomorrow sees a festive ‘Watch This Space’ on the foyer-stage, and later the Big Band gets its Christmas swing on with its now traditional Christmas Swingalong. ‘Tis the season to be really rather jolly indeed!
Congratulations to Svenja Glass, who graduates today having completed her MA in Comparative Literature with the School of European and Cultural Languages.
Svenja also studied at Kent during her Erasmus year, and has been a dedicated member of the alto section in the University Chorus. Currently undertaking a teacher training course back home in Berlin, Svenja graduates in this afternoon’s Congregational Ceremony in Canterbury Cathedral, along with many others, but this morning she couldn’t resist popping in to Colyer-Fergusson to re-visit her accustomed ‘seat’ for Chorus rehearsals…
Congratulations to everyone graduating today, and to Svenja – thanks for all your commitment to Chorus – Vielen Glückwunsch!
Drum-roll, please: our new events calendar for the Autumn term is now available online.
The termly Lunchtime Concert Series opens next month with a recital of Baroque recorder music by Naomi Okuda Wooderson, and a musical aperitif from our ensemble-in-residence, CantiaQuorum, of music by Saint-Saens, Stravinsky and Torelli prior to their evening concert; we launch our December seasonal music with A Baroque Christmas, including movements from Handel’s Messiah and Vivaldi’s Winter from the Cecilian Choir, String Sinfonia and soloists; the Christmas theme continues with a rare performance of Vaughan Williams’ The First Nowell by the Chorus and Orchestra, together with works by Sibelius and Shostokovich, and the term is rounded out with the now-customary Christmas Swing-along from the Big Band. There’s also an antidote to wintry blues from Kasai Masai as they bring the infectious rhythms and melodies of Congolese music for the final Lunchtime Concert, and the Musical Theatre Society will be inviting you to ‘Do a Little Duet’ with them too.
We welcome a host of visiting ensembles and musicians to Colyer-Fergusson throughout the term, including Trevor Pinnock as he brings Purcell’s Dido and Aeneas, and there are two events as part of this year’s Canterbury Festival; find out about all these and more online here– printed brochures will be arriving around the start of the term. Find out what’s in store…
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.