Tag Archives: Kasai Masai

Autumn events calendar now online

Drum-roll, please: our new events calendar for the Autumn term is now available online.

Naomi Okuda Wooderson
Naomi Okuda Wooderson

The termly Lunchtime Concert Series opens next month with a recital of Baroque recorder music by Naomi Okuda Wooderson, and a musical aperitif from our ensemble-in-residence, CantiaQuorum, of music by Saint-Saens, Stravinsky and Torelli prior to their evening concert; we launch our December seasonal music with A Baroque Christmas, including movements from Handel’s Messiah and Vivaldi’s Winter from the Cecilian Choir, String Sinfonia and soloists; the Christmas theme continues with a rare performance of Vaughan Williams’ The First Nowell by the Chorus and Orchestra, together with works by Sibelius and Shostokovich, and the term is rounded out with the now-customary Christmas Swing-along from the Big Band. There’s also an antidote to wintry blues from Kasai Masai as they bring the infectious rhythms and melodies of Congolese music for the final Lunchtime Concert, and the Musical Theatre Society will be inviting you to ‘Do a Little Duet’ with them too.

Kasai Masai
Kasai Masai

We welcome a host of visiting ensembles and musicians to Colyer-Fergusson throughout the term, including Trevor Pinnock as he brings Purcell’s Dido and Aeneas, and there are two events as part of this year’s Canterbury Festival; find out about all these and more online here – printed brochures will be arriving around the start of the term. Find out what’s in store…

Be My Guest: Will Rathbone reviews Kasai Masai!

An occasional series featuring guest posts and contributions: this week, Drama student and saxophonist Will Rathbone reviews Kasai Masai’s lunchtime concert.


Kasai Masai are a 5-piece band based in London and led by Nickens Nkoso. Named after a region in Congo, their sound is a very authentic African one, full of infectious rhythms and driving guitar hooks.

Playing at the Gulbenkien Theatre as part of the Lunchtime Concert series last Monday, they opened their set with “Esale”, a piece with a gentle Bossa Nova feel to it, and it immediately had the audience tapping and nodding along. Throughout the set, as I looked around the auditorium, everyone was bobbing their head, caught up in the effortless groove that the band had. Nickens’ voice is a powerful one, at one point during the song he held a very long note, leaning away from the microphone so as not to deafen us; such was the power he could get from his voice.

They continued with “Omela”, a song about a boy who gets lost in the forest but meets a bear who helps him to get home. This song was more upbeat and featured a catchy chorus. Every member of the band was continually moving the beat, the bass and drums pushing, the djembe a constant pulse. It showed the life in their songs, with Kawele Mutimanwa’s beautifully clean guitar sound throwing out riff after riff while the tenor sax floated solos over it all.

With both “Jambo” and “Muana Muke”, the audience got involved. We were given a vocal line to sing and encouraged to clap along and join the music. I’m often not a fan of rhythmic clapping from an audience, as it can often drift in and out of time, however here, such was the strength of the groove, and the tightness of the band, that the claps stayed in time, and the audience sang.

“We call this music, happy music”, said Nickens. I couldn’t put it better myself. Watching him dance for the finale, everyone was grinning. A really great show.

Furley Page logo
Sponsors of the Lunchtime Concert series