Blogging live from #kentopenday

It’s Open Day today, and we’re very excited as it’s our first opportunity to welcome visitors to the University interested in music – in the new Colyer-Fergusson building!

Cathedral
In-spiring future students…

We’ll be here throughout the day until 3pm with information on all the extra-curricular musical activities open to students at Kent, as well as details about Music Scholarships for more advanced performers.

We’ve been setting up in the foyer this morning, and are now ready to go: follow us on Twitter throughout the day, or follow #kentopenday; either way, we’ll see you later!

11.00 and we’ve seen visitors from Norfolk, Surrey, Sussex, London, but the contender for the informal Visitor from the Farthest-Flung Shore has so far come from Toulouse! Lots of people interested in studying History as well… Clearly this year’s President of the Music Society, flautist and Historian Kathryn, has inspired them!

11.45am: a new contender for the Visitor from the Farthest-Flung Shore coming to talk about music – Rome! I wonder if anyone might beat that today…

1.30pm and we’ve seen a steady stream of visitors, over thirty interested in the musical possibilities offered as part of life at Kent. Quite a few interested in Musical Theatre as well; watch out, Music Theatre Soc, you might be very busy next year…!

3pm: and that’s it for the day. Many thanks to all those visitors who came to see us about making music here, safe trip home to wherever you may be going, see you in 2014 perhaps!

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Employability: arts vacancies Pinterest board

As a means of organising all the arts vacancies advertisements that I’ve hitherto been posting to our Facebook group, you can now Follow a special Arts Vacancies board on Pinterest.

As we come across arts vacancies in the south-east region (mainly Canterbury, but occasionally further afield – there’s currently one for Plymouth on there!), I’ll be adding them to the board with the closing date for applications indicated, so you can quickly see all the extant opportunities, together with direct links to the relevant website.

VacanciesBoard

This will be your one-stop guide to current arts-related opportunities, as well as provide an idea of various arts organisations and institutions that provide them.

Click here to visit: keep watching…

Scholars’ Spotlight: Philippa Hardimann

Continuing the series profiling some of this year’s Music Scholars. This week, soprano Philippa Hardimann.

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From a young age it was apparent that I had a particular flare for music, to which my parents invested much time helping me explore various creative avenues. Commencing my musical journey, at Brentwood Pre-Preparatory School I was encouraged to take up piano classes. With a growing interest in musicianship I then went on to play the ‘cello, which opened the door to a spectrum of new and challenging possibilities.

On song: Philippa Hardimann
On song: Philippa Hardimann

I actively participated in numerous festivals and concerts, exposing me to a vast variety of instruments including the voice. This inspired me to build on the foundations of the vocal skills I possessed and I then began classical vocal training at the age of 9. Excited by the immediate progress in my vocal lessons I entered the Chelmsford Music Festival competing against competitors much older that my primary age and to my surprise I was awarded first place in my first every class by Betty Roe. In addition I have taken part annually in the Havering borough’s Junior and Young Musician of the Year Vocal Masterclasses, with adjudicators such as Tim Travis-Brown and opera singer Lynda Russell. These achievements have showcased my talent and commitment.

In 2005 I received a Music Scholarship to Brentwood Ursuline Convent High School, where I became an ambassador for the school. Later that year I was offered a place in the prestigious School Chamber Choir, a great honor, as this was a choir for older students who had passed though an audition. Consequently I was selected to sing with an orchestra and choir in the performances of Rutter’s Requiem in Brentwood Cathedral where I sung the ‘Pie Jesu’ solo. Although this was a thrilling experience I found it somewhat daunting. Some would perceive the grand scale of the orchestra and choir to be dominating; however my excitement provided the drive to overcome this challenge!

My local church choir funded an opportunity to take my Bishops Chorister exam following this I gained my Bishop’s Chorister Award with Distinction (equivalent of RSCM Silver Award), going on to pass my RSCM Gold award. Thrilled with my ABRSM grade 7 singing distinction result, I auditioned for the Royal Academy of Music – Junior Academy, studying there from 2008-2010 under the head of Vocal faculty, Sara Reynolds. Manifesting a serious approach to my vocal career I advanced my choral singing to the next level with this in hand I passed the audition for Chelmsford Cathedral’s Consorts, intern becoming a Music Scholar.

Astonishing opportunities began to unfold before me.  With a career in mind I gladly embraced them, commencing with the Tour of Disney Land Paris as part of the Brentwood Ursuline Singing Sensation. A milestone for me however, was the tour of Venice and Verona; with the Chamber Choir performing in several religious establishments amongst these were St Marks’s Basilica where were we sung mass. This exhilarating experience paved the way for my solo as the cantor at Westminster Cathedral signifying the Days of Peace before the Olympics as part of the Youth Mass of Thanksgiving.

Summer 2012 was a major turning point for me with my success in the Rotary Clubs of Harlow and Bishop’s Stortford Young Musician of the Year Competition, winning 3rd place. This armed me with the confidence and self-belief to embark upon my journey at Kent University. In recent weeks I auditioned for Genesis Sixteen, before Harry Christophers and Eamonn Dougan. It was a phenomenal experience and I am so pleased that I participated in this event.

Philippa Hardimann

Read the other profiles in the series here.

Medallion Man: RIBA plaque

Further to the previous post about the Colyer-Fergusson Building winning a RIBA award, here’s documentary evidence – project manager Mark Ashmore, from the University Estates Department, bearing the wall-plaque announcing the award.

Mark had to carry the award, made from lead, heroically back from the awards ceremony in London all the way to Dover after the event; and believe me, it’s heavy…Worth the effort, though…!

Mark Ashmore bearing the award
Mark Ashmore bearing the award

Music building wins national architectural award

Still flushed with the success of last week’s musical extravaganza that was Summer Music Week, we’re delighted to announce that the Colyer-Fergusson Building won a RIBA (Royal Institution of British Architects) National Award 2013 on Wednesday evening.

The new Colyer-Fergusson concert hall
The new Colyer-Fergusson concert hall

It is one of only two buildings in the Southeast to win a 2013 RIBA National Award for architectural excellence and one of 43 to win nationally, and will now go forward for RIBA’s top award, the Stirling Prize, with the shortlist being announced on 18 July.

Fantastic news for the University, and for Tim Ronalds Architects. Fingers crossed for July…

Review: Chamber and Cecilian Choir concert

Second-year Matt Bamford reviews last week’s choral concert during Summer Music Week.

The Church of St Paul’s Without was the setting for Music for a Summer’s Evening, where the University of Kent Chamber and Cecilian Choirs, conducted by Dan Harding and Emma Murton, joined forces to provide an evening of fantastic entertainment.

The Cecilian Choir
The Cecilian Choir

With proceeds in aid of Soldiers, Sailors, Airmen and Families Association (SSAFA) Forces Help, the audience quickly filled the church and eagerly awaited A Ceremony of Carols composed by Benjamin Britten. Whilst the audience entered, they were treated to a selection of pieces by a string quartet consisting of pieces from Queen to Vivaldi.

A Ceremony of Carols begins with a solemn plainchant before going into ‘Wolcum Yole!’ where Emma Murton began to accompany the Cecilian Choir on the harp. The audience were then treated to a solo by Hannah Johns which was very well executed. Another solo from Aisha Bové followed and the balance between Aisha and the supporting choir was perfect. Ann-Kathrin Kirschbaum and Montana Slattery both excelled in solos in ‘In Freezing Winter Night.’

My highlight from the work, however, was ‘Deo Gracias’ which was sung with enthusiasm and fantastic diction. It was very easy to understand the words of the 15th Century Text ‘Adam Lay Ybounden’. Carina Evans then cleverly accompanied the Cecilian choir in two modern pieces which were a real contrast to Britten work.

Carina Evans
Carina Evans

After the interval, the University of Kent Chamber Choir took to the stage and opened the second half of the concert with Dawn by Eric Barnum. This is a personal favourite of mine and it really created a very peaceful atmosphere. Tanzen und Springen then gave a fantastic contrast as it is a jolly madrigal by Hans Leo Hassler.

The Chamber Choir
The Chamber Choir

Credit is due to Emma Murton, who after playing the harp and singing in the Chamber Choir then conducted the choir in a brilliant rendition of A Nightingale Sang in Berkeley Square. It was brilliant to see the audience enjoying Nice Work If You Can Get It by Gershwin, I don’t think that there was a single foot that wasn’t tapping in the whole church!

The choir then sang Forgotten Children’s Songs composed by Dan Harding, a very clever set of pieces that was very well sung by the choir. I couldn’t help but think of Schumann’s Kinderszenen whilst listening to these pieces.

We were treated to an encore of My Spirit Sang All Day which was a fitting end to a very professional and enjoyable concert. Thanks must go to members of SSAFA who kindly provided the musicians with refreshments after the concert.

Overall, a very enjoyable evening which was well received by the audience.

Matt Bamford

Photos: Matt Wilson