Category Archives: Keeping It Real: reviews.

Concerts and events reviews.

Heart of Glass: #EarBox at Studio 3 Gallery

The collaborative #EarBox series exploring the resonances between visual art and music continued yesterday, with a recital of piano music by Philip Glass by Your Loyal Correspondent over in Studio 3 Gallery in the School of Arts’ Jarman Building.

It was fantastic to play for such an attentive audience, who listened to a selection of the piano Etudes, Opening, and parts of the music to The Hours and The Truman Show. The dim-lit gallery space allowed room for contemplation and reflection, in a programme of music where the use of pattern, repetition and shifting tonal colours responded to the Palindrome exhibition currently adorning the gallery’s walls.

Thanks to Katie McGown for the photos. #EarBox will return: watch this space…

Find out more about Studio 3 Gallery and the latest exhibition here.

High-voltage Baroque from CantiaQuorum

An electrifying performance of the Bach Double Violin Concerto from Alexandra Reid and Kathy Shave and the musicians of CantiaQuorum was the centrepiece of a concert bursting with energy on Friday.

A rapturous ovation from an enthralled audience greeted an agile reading of Bach’s concerto that bristled with vigour – the enthusiasm shared between the soloists was reflected by the ensemble as a whole.

WP_20150220_20_02_07_ProThe evening opened with Handel’s Silete Venti, conducted by Alex Caldon, with Susanna Hurrell’s bright, spinning soprano a perfect foil for the supremely accomplished Ilid Jones on oboe; the performance deftly captured the wide range of both the drama and the melodic grace of the piece, delivered with stylish aplomb.

WP_20150220_20_05_29_ProThe second half alternated movements of Telemann’s Tafelmusik with Cage’s Living Room Music; gathered around a dining-table, various members of the ensemble took turns to wield chopsticks, cutlery and even children’s toys to realise Cage’s exploitation of household objects, at one point updating it to deploy iPhones and an iPad to reflect the twenty-first century – an energy-drive reading of a different kind.

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A fantastic evening, with an ensemble of professional players in tip-top form.

Snow arrives on campus

Thanks to Phil Ward for this wonderfully atmospheric view of the campus this morning, overlooking Canterbury Cathedral. Shortly after this cold and frosty morning, it started snowing too.

Image: Phil Ward
Image: Phil Ward

Phil’s photographs will form part of the new commission piece which will be premiered by the Chamber and Cecilian Choirs on Friday 13 June during Summer Music Week (details here).

Image: © Phil Ward

Wednesday: a festive musical finale to the term

The Colyer-Fergusson building rang to some festive music-making throughout yesterday afternoon, as various musical ensembles took it in turns to bid a festive farewell to the term.

The foyer-stage hosted a seasonal ‘Watch This Space,’ in which the Flute Group made its debut in carols and the ‘Dance of the Swans’ from Tchaikovsky’s Swan Lake (well, you can’t have Christmas without Tchaikovsky, can you ?!); members of the Cecilian and Chamber Choirs sang a collection of carols; and the Trumpet Trio brought the lunchtime event to a jolly conclusion with popular tunes including All I Want For Christmas (Is You).

Later in the afternoon, it was the turn of the Big Band, directed by the irrepressible Ian Swatman, to treat a packed concert-hall to its now-customary seasonal Swing-along, featuring a guest appearance from our very own Sophie in a sassy rendition of Santa Baby and White Christmas, whilst the Brass Group led some communal carol-singing in robust fashion. The Big Band’s selection-box included a deft rendition of Have Yourself a Merry Little Christmas, a solo spot for baritone sax-player Adam Rose to open a bold arrangement of God Rest Ye Merry, Gentlemen and a lively Jingle Bells.

After the gig, audience and performers spilled out into the foyer for mulled wine and mince pies. A terrific day, concluding a very busy musical term; thanks to everyone who took part yesterday – it’s a wonderful testament to the ethos of music on the Canterbury campus, so many students, staff and members of the local community coming together in various groups to enjoy collective music-making.

We’ll be back in the New Year with details of events throughout the spring and summer; it promises to be an exciting six months ahead, judging by the draft of the forthcoming brochure; see you in January, and from all the music team – a very Merry Christmas!

Pictures (and music) at an exhibition 2: Beach Creative

Members of the Cecilian Choir sallied forth from campus into Herne Bay this week, as guests at Beach Creative arts centre, for a festive lunchtime of carols.

Ranging from the plainchant Hodie Christus natus est to popular seasonal favourites such as God Rest Ye Merry, Gentlemen, a packed gallery space hosted an enthusiastic audience.

The Choir sang amidst the colourful backdrop of the December exhibition at Beach Creative, ‘Gold,’ which provided a myriad colours and textures as a visual enhancement of the programme of carols.

Our thanks to the board of Directors at Beach Creative for the invitation to perform, and to Mandy Broughton and Mandy Troughton for making us so welcome. We look forward to taking future musical events into the gallery next term.

Alumni soloists return for December concert

The termly concert by the University Chorus and Orchestra last night saw three musical alumni returning to the Colyer-Fergusson Hall.

Soprano Caroline Kennedy, tenor Andrew Macnair and bass Piran Legg came back to Kent for a performance of Mozart’s Vespers, joined also by mezzo Bethan Langford. whilst the Orchestra furnished the remainder of the programme with Mozart’s overture to The Magic Flute and Beethoven’s Seventh Symphony.

Under the baton of Sue Wanless, the Orchestra delivered a sprightly and rousing reading of the Beethoven, in particular with an agile second movement that deftly steered clear of the more usual funereal tempi often heard in performance. The concert also saw second-year violinist Chantelle Yau making her debut as orchestral leader.

The next time Chorus and Orchestra perform, it’ll be in the august surroundings of Canterbury Cathedral for Verdi’s Requiem as part of the University’s fiftieth-anniversary celebrations. And That Famous Bass Drum Bit..

Pictures (and music) at the exhibition: carols in Studio 3 Gallery

Studio 3 Gallery resounded to the sound of Christmas earlier today, as members of the Cecilian and Chamber Choirs took a festival programme of carols across to the School of Arts’ Jarman Building.

An enthusiastic audience was treated to a mixture of carols old and new, ranging from Ravenscroft’s seventeenth-century Remember, O Thou Man to Lauridsen’s sumptuous O Nata Lux and the enduringly-popular Ukrainian carol, Carol of the Bells.

The ravishing choral colours were given extra lustre by the current paintings on display in Studio 3, Rose Hilton’s Give Life To Painting (about which more here). Afterwards, audience and performers mingled over refreshments to explore the paintings further still.

Our thanks to Katie McGown and Denise Twomey for the invitation to come and perform; there are exciting plans afoot to develop a series of music events in Studio 3 throughout next term; watch, as they say, this space…

Wolcum, Yule! Lost Consort opens seasonal musical calendar

The seasonal musical calendar was opened last Friday, as the University Lost Consort brought the ancient undercroft of the Pilgrim’s Hospital in Canterbury alive to the sound of Benjamin Britten.

The audience filled the historic space to bursting for a performance of Britten’s Ceremony of Carols, in which the choir was joined by harpist and fourth-year student, Emma Murton, conducted by Dan Harding. First-year alto Ruth Webster captured the mournful air of the dissonant ‘That Yongë Childe,’ whilst third-year soprano, Gabriella Grandi, lulled the listener in ‘Balulalow.’ After the opening plainchant, ‘Hodie Christus natus est,’ had died away, the choir launched into a vibrant ‘Wolcum Yole!’ and moved through the lyrical ‘There is no rose’ through to the fierce ‘This Little Babe;’ the challenging ‘In Freezing Winter Night’ rose and fell in the hushed confines of the packed undercroft, before the evergreen ‘Spring Carol’ and the animated ‘Deo Gracias’ led into the reprise of the plainchant, and the piece dissolved amidst the ancient stone.

Credit to Emma for deftly delivering a tricky harp-part, and to the whole ensemble for a spirited and enthusiastic way in which to begin the Music department’s musical Christmas.

Photos © Matt Wilson / University of Kent