It’s been a busy few days here in the Music department, a sure sign that the Christmas period is well and truly here.
Last weekend, the Chorus and Symphony Orchestra came together in a seasonal performance of Vaughan Williams’ The First Nowell, brimful of carols familiar and unfamiliar; Shostakovich’s wry Symphony no.9 stepped out in sprightly form in the first half, and the Chorus also turned their hand to international linguistics with the choral interlude in Finlandia. There was a suitably seasonal conviviality to the hubbub backstage, including the taking of many selfies and a competition to see who could fit the largest number of performers into their selfie, a feat won hands-down by clarinettist Rianna Carr, whose prize-winning photo can be seen online somewhere on Twitter…
Members of the Orchestra backstage
And last night, Minerva Voices, the new upper-voices choir, filled the Nave of Canterbury Cathedral as part of the annual University Carol Service, including a soaring rendition of the opening verse of Once in Royal David’s City from second-year BioSciences student and Music Scholar, Charlotte Webb.
It doesn’t stop there; tomorrow sees a festive ‘Watch This Space’ on the foyer-stage, and later the Big Band gets its Christmas swing on with its now traditional Christmas Swingalong. ‘Tis the season to be really rather jolly indeed!
Alongside a selection of carols, there will also be music by Bach and Tchaikovsky in the programme. Most of the rehearsal, however, was spent working out what Christmas jumpers the group will be wearing from a well-known high street clothing retailer.
Svenja also studied at Kent during her Erasmus year, and has been a dedicated member of the alto section in the University Chorus. Currently undertaking a teacher training course back home in Berlin, Svenja graduates in this afternoon’s Congregational Ceremony in Canterbury Cathedral, along with many others, but this morning she couldn’t resist popping in to Colyer-Fergusson to re-visit her accustomed ‘seat’ for Chorus rehearsals…
The players were working on sections of Handel’s Messiah, as well as Vivaldi’s ‘Winter’ with soloist Elina Hakanen, developing some of those rigorous and dramatic tutti sections alongside the more lyrical central movement. The group is also preparing Vivaldi’s Double Oboe Concerto with soloists second-year Jonathan Butten and lecturer in BioSciences, Dan Lloyd (pictured).
