Tag Archives: Orchestra

Summer Music brings University community together in farewell

The academic year has now come to a close, and last week’s Summer Music celebrations saw the year out in fine style.

Hot on the heels of the traditional battle-of-the-bands competition, Keynestock, the five days of events in Summer Music saw a host of musical activities, each one reflecting a different aspect of music-making at Kent and highlighting musicians from across the University community and beyond, each taking their moment to bid farewell to the end of another year.

Carina Evans

The Music Scholars’ Lunchtime Recital on the first day saw flautist Kathryn Redgers playing Bach, harpist Emma Murton in some jazz, marimba-player Carina Evans in some shimmering percussion textures, and soprano Marina Ivanova in dazzling form with some scintillating top-notes and effervescent cascading semi-quavers in Vivaldi’s Nulla in mundo pax sincera, accompanied by the University Camerata.

Later in the evening, the University Big Band under Ian Swatman enthused the Gulbenkian audience in a vibrant programme, that also saw some robust playing from special guests the Simon Bates Quartet and superb singing from Music Scholar and Big Band vocalist, Ruby Mutlow. Traditionally, there’s a moment when Ian invites all those performing for the last time to take a bow: only two players rose to their feet, leading to the suggestion that, with the influx of new players again next year, it might have to be re-christened the University Very Big Band!

Chamber and Cecilian Choirs in rehearsal

St Mildred’s Church in Canterbury city hosted the Chamber and Cecilian Choirs, who combined in a programme of works for solo and double choirs; the church was packed, and an enthusiastic audience treated to works by Schütz and Van Morrison from the massed combined ranks of singers; there was also Lauridsen, Victoria and Hassler from the Cecilian Choir in the first half, and Barnum, Brahms, Rachmaninov, Lassus and Billy Joel from the Chamber Choir in the second half. String players from the University Orchestra welcomed the audience with some pre-concert quartet music, while the irrepressible tenor section of the Chamber Choir burst into spontaneous barbershop singing during the post-concert refreshments.

Saturday saw the Music Theatre Society topping a highly successful year with There’s No Business Like Show Business! in the Gulbenkian Theatre, a showcase bursting with music from West End shows, Broadway musicals and popular music theatre favourites.

Sunday afternoon saw the culmination of the week and the musical year as a whole, in the annual Music Society Summer Concert, with valedictory performances from the Concert Band, Symphony Orchestra, Chamber Choir and the University Chorus. The Concert Band paid a tongue-in-cheek tribute to the fact that it was the last concert in Eliot Hall – next year, we move to our exciting new music building – with a rendition of The Great Escape, whilst the Orchestra paid its own tribute with the last section of Haydn’s Farewell Symphony, which sees members of the orchestra slowly leaving the stage, leaving only two violins remaining to bring the piece, and the afternoon’s concert, to a close.

University Orchestra in Haydn's 'Farewell' Symphony

The whole series of events across Summer Music really encapsulates what making music at the University is all about. Embracing students, staff, alumni, members of the local community, family and friends, all of whom combine to rehearse and perform on top of their course- or work commitments, the dynamic of music at Kent is all about the community experience. It’s a terrific opportunity for students to pursue their musical interests as an extra-curricular activity alongside their studies, and for staff to find opportunities to step away from the stresses of their professional duties and participate in creative projects throughout the year. Members of the local community also perform in Concert Band, Big Band, Chorus, Cecilian Choir and Orchestra, from all walks of life; from teachers and lawyers to doctors and dentists, all find a warm welcome and a musical outlet at the University.

The tears flowed on Sunday, as students who are graduating from the University this summer saw their last concert coming to a close. But there’s a healthy camaraderie fostered amongst the University’s musical community that often sees graduates returning as alumni, both to attend concerts and also to come back and perform.

With thanks to everyone who has participated in music at Kent throughout this academic year, and good luck and best wishes to all who are graduating. We look forward to catching up with you all again next year, when the Colyer-Fergusson centre for Music Performance will welcome the resumption of music-making in the autumn. Watch this space…

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Music for a Summer’s Day: Sunday 10 June

The annual Music Society concert, Music for a Summer’s Day, is now just ten days away, and it promises to be the usual roof-raising summation of both Summer Music next week, as well as of another fine year of music-making at the University.

Bringing together the University Concert Band, Chorus, Symphony Orchestra and Chamber Choir, the programme includes the finale of Mozart’s popular Clarinet Concerto, with Music Scholar Sarah Davies as soloist; there’ll be film music from the Concert Band, a choral medley from My Fair Lady from the Chorus, pieces from the Chamber Choir (we’re sworn to secrecy about one of them!), Brahms’ Academic Festival Overture from the Orchestra, plus some popular favourites from Johann Strauss and Elgar – and a few surprises as well. There’ll even be balloons…

The occasion will be capped by cream teas (included in the price of tickets) in a marquee overlooking the slopes towards the city, with commanding views of the Cathedral on what we hope will be a fine summer afternoon.

Details about all the events in Summer Music online here, plus details of tickets for the Sunday concert.

To whet your appetites, here’s the spritely Mozart: perfect for a summer’s day.

Scholars Spotlight: Emma Murton

Continuing the series profiling some of the new crop of Music Scholars here at Kent: this week, harpist Emma Murton.

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I owe my musical upbringing to my mum, who is a music teacher with flute as her first instrument. It was when she was at university that she performed in orchestra The Childhood of Christ by Berlioz an first encounter and fell in love with the harp. For her *mutter age* birthday she finally got to have lessons on the harp, dragging me alone (as a kicking and screaming seven-year old for the hour drive) to the lessons. Then I started, she stopped and hey ho!

I was at Wells Cathedral music school for ten years and was a specialist musician there for five years. During that time I have achieved grade 8 in Harp, grade 7 in singing and piano. Through the school I was lucky to have some amazing performance opportunities, such as performing regularly in the Cathedral from a young age. Some concert highlights for me were Karl Jenkins’ The Armed Man with Karl Jenkins in the audience, candlelight carol services, Rutter’s Requiem conducted by the composer himself and orchestra concerts in Bristol’s Colston Hall. I also had the amazing opportunity to go out to Sierra Leone last year to teach and perform around the capital.

Personally with the harp I have had master classes with Eleanor Turner and took part in the annual harp festivals of Bristol and Mid-Somerset, I have also been a part of South West Youth Orchestra, Somerset County Youth Orchestra and county choir.

The wide variety of music at Kent was a real deciding factor for my University choice and am over the moon I got in. The music department are so friendly and passionate and I know I’ve certainly met some fantastic people through orchestra.

One highlight for me with music at Kent so far is getting into the Chamber Choir, who are some of the maddest and amazing people I’ve met on campus yet and being able to sing with is a complete privilege. For the most part being involved in music at Kent means getting involved with as much as I can whilst continuing with my harp lessons as I work towards my diploma.

Let there be Light…

The whole of the Creation process, from the gradual emergence out of Chaos through first Light to Man and Woman, will take place in Canterbury Cathedral tomorrow in considerably less time than the original Seven Days the Lord took.

The University Chorus, Orchestra and soloists will render the whole series of events for you at one sitting (well, two, if you count the Interval) on Saturday at 7.30pm in the Nave.

Tickets and details here: think of us all early tomorrow morning, as the logistical process gets underway at 9am as we move instruments and stands down into Canterbury in preparation for the morning rehearsal…

On a Haydn to nothing with the cellos ?

As the cellists know, it’s green-light for this weekend’s all-day rehearsal on Haydn’s The Creation  with the Choir and Orchestra ahead of the Cathedral Concert a week on Saturday.

No strings attached

Sunday will see the combined forces gather in Eliot Hall to rehearse together for the first time, in preparation for the concert; next week sees a particularly busy time for the University’s musicians, with rehearsals on Monday, Thursday and Friday; not to mention the rehearsal in the Cathedral itself on the morning of the day.

Details of the concert on our online diary here. It should prove to be a memorable occasion…

 

New concert diary now online

Looking at the new concert diary over the next four months, I think it’s fair to say this is one of the busiest I’ve seen here at the University.

Big bandEvents kick off in a few week’s time with the award-winning St James Quintet opening the Lunchtime Concert series for the term with an eclectic programme for wind quintet. February begins with a bang as the Concert and Big Bands storm back to the Gulbenkian in ‘Nice ‘n’ Easy,’ with a selection including classic Duke Ellington and pieces fromWicked, to name but a few; the Chamber Choir will take you on an evocative journey ‘From Morn to Midnight‘ in the intimacy of Canterbury Cathedral Crypt towards the end of the month.

March promises to be an epic month; there’s the glory of the Colyer-Fergusson Cathedral Concert as the Chorus and Symphony Orchestra unite in Haydn’s Creation; student and staff musicians in Jazz @ 5; the exciting prospect of Korngold’s lyrical second string quartet with the Brodskys; exoticism from the Bamboo and Silk Ensemble; not one – not two – but three bands as the Concert and Big Bands team up with St. Edmund’s School for Big Bands3, before the term finishes with a valedictory lunchtime concert at St Peter’s Church in Canterbury from the newly-founded University Mistral Ensemble and the Chamber Choir.

Phew.

Click here to view online, and get the dates in your diaries now, or download a copy of the brochure as a PDF. Something for everyone…