Tag Archives: Concert Band

Scholar’s Spotlight: David Curtiss

Continuing the series profiling University Music Performance Scholarship students and Award Holders. This week, foundation-year physicist and reeds player, David Curtiss.


I started my music-making on the piano at age 7, something that I have tried to continue developing throughout my years of study. I then decided that I wanted to be part of my school orchestra and so chose to start the clarinet, leading me onto the local area wind ensemble and a host of fantastic opportunities that followed.
I started on third clarinet in the youth band, and after 4 years found myself principle in the main band. I was then offered the chance to play the tenor saxophone, I took it (because who doesn’t want to play the coolest instrument?). This then opened the door to join big bands and play in different ensembles.

Because I could now play multiple reed instruments, including the oboe, I was invited to play in the pit band for the school productions, such as The Sound of Music and We Will Rock You. It’s something I have thoroughly enjoyed and made sure to take part in every year. I also had a brief trip onto the stage for our production of West Side Story where I played the lead role of Tony, a fascinating experience which gave me a new respect and insight into musical theatre.

My next venture was into the baritone saxophone when I was asked if I’d like to give it a go and I haven’t looked back! It has given me the opportunity to play alongside the Scots Guard in their chapel next to Buckingham Palace and at The Royal Albert Hall as part of the Hampshire County Youth Wind Ensemble, as well as a host of other locations that I would never have thought possible.

I continued my musical education at college however switched courses to pursue a scientific route. Last year, a few friends and I had the idea of starting up an orchestra for fellow college students. This idea spread into a full orchestra, wind band and string orchestra resulting in a full concert last year in Winchester. This new musical venture also gave me the opportunity to do more conducting with the string orchestra when we performed Grieg’s Holberg Suite. We have also just planned a concert for Easter where we will be putting together a jazz band and some smaller ensembles which is very exciting!

David, third from left, with the Big Band sax section

My musical journey has continued to grow here at Kent where I am part of the Concert Band, Big Band, Pops Orchestra, General Harding’s Tomfoolery, Chorus and Cecilian Choir. One of my goals for my time here at Kent is to assemble a sax quartet. I have some pieces that I have arranged that I would love to be debuted by an ensemble such as this. I am amazingly grateful to be a recipient of the Music Scholarship, as it has allowed me to purchase some desperately needed upgrades for my instrument, and also to have the chance to be taught by the fantastic Peter Cook. I look forward to developing my playing and getting involved with everything that the brilliant Music Department here at the University has to offer…


Read more in the series here.

Scholars’ Spotlight: Leon Schoonderwoerd

Continuing the series profiling University Music Performance Scholars and Performance Award students. This week, second-year Physics post-graduate and clarinettist, Leon Schoonderwoerd.


My name is Leon Schoonderwoerd, born and raised in the Netherlands. I am a second-year PhD student in Theoretical Physics, as well as a recipient of the University of Kent Music Performance Award.

My musical journey started with clarinet lessons at age 7, which I continued all through primary and secondary school. A few years later, I joined a local wind orchestra where I worked my way from third clarinet in the youth band to first clarinet in the main orchestra in a few years time. Meanwhile, I taught myself to play drums and played in a few small bands, unfortunately none of which made it very far.

After a trial lesson at the Amsterdam conservatoire, I decided to not enrol there but instead pursue a science degree. I studied at the University of Amsterdam for six years, obtaining first a BSc in Natural and Social Sciences, then an MSc in Theoretical Physics. During this time, my music-making was mostly on hold, with the exception of a band I started with a few friends during the master’s. We played a few gigs, but when our frontman moved to Germany to pursue a PhD, we decided to quit while ahead.

After finishing my Masters, I lived and worked in Amsterdam for another year, during which I joined a student orchestra. My background in classical music combined with my experience on the drums allowed my to fill their vacancy for a percussionist. When after one programme the opportunity arose to switch over to bass clarinet, I took it. This was a truly great year for me, playing pieces such as Ravel’s Piano Concerto, Rachmaninov’s Symphonic Dances and Janáček’s Sinfonietta. The year ended with a bang when we joined forces with a student orchestra to give a series of concerts in the Netherlands (ending in a sold-out Concertgebouw in Amsterdam) as well as a three-concert tour abroad in Freising, Germany and Bologna, Italy.

By this time, I had accepted a PhD position with Gunnar Möller at the University of Kent, so in the summer of 2017 I moved from Amsterdam to Canterbury in pursuit of science. Here, I joined the lively music programme, which awed me with its beautiful concert hall and proceeded to take over most of my free time. During my first year at Kent, I played bass clarinet and percussion in the University Symphony Orchestra and Concert Band, sang bass in the Chorus, joined the pit band for two musical theatre shows and started a woodwind quartet.

This year, I vowed to take any musical opportunity I possibly could, as a result of which I am playing clarinet in the Symphony Orchestra and Concert Band as well as in an array of chamber ensembles, bass clarinet in the Pops Orchestra, and the odd percussion part for different performances (I hear there are still some tickets for Dido and Aeneas…) [deftly plugged there, Leon: well done…ED]. Additionally, the Music Performance Award has allowed me to take lessons with the incredible Ian Swatman, also director of the University Concert and Big Bands and legendary Hull City supporter…)

Music at Kent thus provides me with ample opportunity to take my mind off physics. Many thanks to the Music Department and Music Society for making all this possible!


The Music Performance Award is open to returning students at Kent, and offers a year’s worth of instrumental / singing lessons in support of a holder’s contribution to the musical life of the University: read more here.

Band substance: the Concert and Big Bands

Depending upon what time you pass by Colyer-Fergusson on a Wednesday night, you’ll either hear stirring film scores such as Gladiator, swing classics by Count Basie or versions of Stevie Wonder tunes ringing out. It can only mean one thing: rehearsal night for the University Concert Band and Big Band (though thankfully not at the same time…)

On the conductor’s podium is the sprightly figure of Ian Swatman – Bob Marley devotee and possibly the most dedicated fan Hull City will ever have – vigorously taking charge of Wednesday rehearsals and leading the assembled forces through repertoire in preparation for their various termly concerts. In December, the Big Band can be found in Santa hats and jazz-infused versions of seasonal repertoire for the popular Christmas Swing-along, whilst both forces combine each March for their roof-raising Spring concert, and for a farewell concert each June.

Both national and international students, staff and members of the local community find themselves grappling with the complexity of the repertoire Ian hurls at them each year, as they sweat blood to get the music under the fingers. Each year, too, auditions are held for solo singers, for the opportunity to sing with the Big Band.

Phil Veacock (centre) and the Deptford Rivieras in the concert-hall

A particularly exciting aspect to the working life of the Big Band is the opportunity to work with guest musicians; in the past, this has included trombonist Mark Bassey, trumpeter Mike Lovatt from the John Wilson Orchestra, and saxophonist Phil Veacock from the Jools Holland Orchestra. It’s a great opportunity for the young stars of tomorrow to work with, and learn from, accomplished professional performers.

Mike Lovatt with members of the Big Band

The Concert Band has worked with composer James Rae too, when James was commissioned by the Music department to write a piece for the gala concert to open the Colyer-Fergusson Building in December 2012. As part of an action-packed weekend, the Concert Band gave the world premiere of James’ Platform One.

Composer James Rae (right) with Ian Swatman and the Concert Band

The groups don’t just perform in the adaptable acoustics of Colyer-Fergusson Hall. The Big Band also launches the annual Summer Music Week, a musical farewell to the University’s academic year, with a trip to the seaside to perform on the Memorial Bandstand at Deal, which involves combining rehearsals and coach-trips with a visit to the promenade chip shop and the roving ice-cream stand. (It’s a hard life…). The band has also headed down the road to perform alongside pupils at St Edmund’s School, and also in Whitefriars in the heart of the city.

Whether it’s epic film soundtracks, 70s funk, classic big band standards or soul ballads: Wednesday evenings certainly sound unlike any other on campus…

Scholars’ Spotlight: Tom Wust

Continuing the series profiling some of our University Music Performance Scholarship students here at Kent. This week, reeds specialist studying Business and Management, Tom Wust.


As a kid growing up in a family of musicians and wannabe footballers, my ambitions in life were simple: become Manchester United’s record goal scorer (cue the booing from Manchester City fans!) and to play the piano as well my Dad. And in the present day, I still can’t play the piano as well as my dad, and the whole Manchester United thing is looking unlikely as I’m at university down here at Kent; but heigh-ho, life goes on!

The biggest inspiration for me to become a musician was my Dad. He used to give me piano lessons and try and get me started early, but I just couldn’t hack it. This didn’t stop me learning what all the white and black keys meant, which meant whenever we did music lessons in primary school, I was the expert as I could play an F on a keyboard without having the note names written on in whiteboard marker pen. I may have come across to my peers as a piano playing virtuoso, but I knew I was a million light-years away from being the next Wolfgang Amadeus Mozart. At this stage in my life I was still very keen on football, and played for my primary school and a local club.

cheltenham-sax-picChoosing a secondary school presented some opportunities to fulfil one of my two ambitions. One of my options was Abraham Darby Academy, a performing arts and business enterprise specialist academy. Their flagship concert band, called the ‘Showband’ had recently returned from Carnegie Hall, New York, and an opportunity like that would have been too good to turn down. I started year 7 at Abraham Darby Academy and was inspired to reach the standard needed for the Showband. I began my first clarinet lessons with the head of music, Rachel Morton, and quickly progressed up through the various ensembles the academy had to offer. The Megaband was the first ensemble I was a part of, where you needed to pass your grade one to enter. Next was the Friday Band, which – you guessed it – rehearsed on a Friday after school. This was an intermediate band with students of around grade 2/3 to grade 7 standards playing. In addition to the concert bands, I was invited to pick up a tenor saxophone and play with the Junior Jazz Band. It was from there where I progressed even further, passing an audition for the Showband and the Senior Jazz Band on 3rd clarinet and baritone saxophone respectively.

As clarinet was my principle instrument, I was trained to play classically. The moment I picked up a saxophone, all of that changed. I was told to forget nearly everything I had learned on the clarinet and soon enough I rebelled against my initial training and became totally engrossed with playing jazz. I would always be willing to improvise in the Jazz Bands, and in year 12 would be invited to be the musical director of the Junior Jazz Band, helping classically trained saxophonists and brass players to find their way in the world of jazz and all it had to offer. I achieved grade 8 saxophone with distinction in year 10 after just 3 years of playing, grade 8 clarinet with distinction in year 11 and grade 8 jazz saxophone with distinction in year 13 to round off my time at the Academy.

Performing at Birmingham Town Hall
Performing at Birmingham Town Hall

Music at Abraham Darby has given me many moments I will remember and cherish for the rest of my life. Playing for the Queen at RAF Cosford for her Diamond Jubilee, representing England in the Palaces of Westminster for the Commonwealth Carnival of Music, playing in Symphony Hall five times, winning Gold at the World Music Contest in the Netherlands, playing as a soloist for Prince Edward, and performing in the Royal Albert Hall just to name some.

Tom (centre) with the woodwind section of the Symphony Orchestra
Tom (centre) with the woodwind section of the Symphony Orchestra

I was very happy to learn of the exciting opportunities that music at the University of Kent presents. Playing in an orchestra was something on my musical bucket list that I hadn’t achieved thus far, and at the end of my first term I was part of the ‘Sounding Shakespeare’ concert with the University Symphony Orchestra, which was a very enjoyable experience. And with Tchaikovsky’s 6th Symphony to be performed in Canterbury Cathedral in term 2, I have plenty more to get my teeth in to and enjoy! I study Business and Management at Medway, but making the trip over to Canterbury to perform with the Concert Band, Big Band, Symphony Orchestra and of course the wonderful General Harding’s Tomfoolery is always the highlight of my week – I’m looking forward to times ahead with the Music Department at Kent.

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Tom (wearing his DJ) playing with Tomfoolery on the foyer-stage

Read profiles of other Scholars here.

New What’s On season now launched

With an heraldic fanfare, we’re delighted to say that our new What’s On season is now available to view online, with a mouth-watering programme of events to see you through to July.

As usual, we’ve performances in the majestic surroundings of Canterbury Cathedral with the Chorus and Symphony Orchestra in Tchaikovsky and Puccini for the annual Colyer-Fergusson concert, and the Chamber Choir and Ensemble will fill the Crypt with Fauré’s evocative Requiem in a new chamber edition. The Concert and Big Bands return in March with a dazzling evening of concert band classics and big band swing, and the Musical Theatre Society is back in action too. CantiaQuorum brings its usual eclectic and innovative approach to programming with a new series of concerts, and our popular Lunchtime Concert series ranges from the shores of Scotland to the heady sensuality of Argentinian tango.

A new collaboration with the School of Biosciences forms the backdrop to a concert bringing together live music with beautiful images from its cutting-edge research, which will also be exhibiting in the Colyer-Fergusson gallery throughout the spring term; and there’s a look ahead to warmer weather and seaside pleasures with events to come during our annual Summer Music Week festival in June.

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Image: Molly Hollman

Take a look at all these events and more on our online page here, and download the new season brochure here. We look forward to welcoming you through the doors of Colyer-Fergusson and to our performances elsewhere over the coming months!

All That Jazz: Summer Music Week Day Four

Colyer-Fergusson got that jazzin’ feelin’ yesterday, as Day Four of Summer Music Week saw music on the foyer-stage from the Sax Quartet and guests, followed by society hep cats, in the afternoon.

WP_20160608_004 WP_20160608_006(1) WP_20160608_007 WP_20160608_009In the evening, conductor Ian Swatman led the Concert and Big Bands in a roof-raising finale to the ensembles’ year.

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Summer Music Week continues today with a lunchtime concert from the String Sinfonia in music by Piazzolla, Borodin, Bach and more in Studio 3 Gallery.

Evening photos © Peter Cook

Musical Express steams in to Colyer-Fergusson

Congratulations to the University Concert and Big Bands, who steamed in to Colyer-Fergusson Hall on Friday night for Musical Express!

A packed concert-hall was treated to a night of fabulous music-making from students, staff, alumni and guest musicians, steered expertly by conductor Ian Swatman.

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photo_05 photo_06photo_03photo_01Both bands will be back in action on Wednesday 8 June for Summertime Swing, their end-of-year concert that forms the centrepiece of Summer Music Week, our week-long musical festival bidding farewell to another year at Kent. Find out more details here; tickets have already started to go…!

Images: thanks to Leilan Ali / Phoebe Hopwood

Magical Musical Mayhem entertains children of all ages

Children and adults alike were treated to a lunchtime concert of magical musical mayhem this afternoon, as the Music department joined in the ‘Wonderful Week of Words’ celebration of literature with the University Hogwarts Society.

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Image: Gary Samson

The University Concert Band, Minerva Voices, Flute Choir and third-year flautist Anne Engels came together to the delight of an audience comprised of visiting school-children, here for the literary festival, staff, students and visitors to music including a medley of music from Harry Potter, Double Trouble, and selections from the Goblet of Fire.

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Minerva Voices in rehearsal
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Flute Choir in rehearsal
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The stage is set
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Concert Band in rehearsal

Terrific fun, thanks to everyone involved; wingardium leviosa!