This week’s episode of our In Conversation series features saxophonist with the Jools Holland Rhythm and Blues Orchestra, Phil Veacock, in discussion with director of the University Concert and Big Bands, Ian Swatman.
From reflecting on early inspiration playing the recorder and school leading into playing the clarinet, Phil looks back on being inspired to take up the saxophone on seeing 2-Tone bands playing on Top of the Pops; playing with The Larks and turning down a recording contract; illicit vegetable snaffling in east Kent; joining the Jools Holland Rhythm and Blues Orchestra, playing on Wogan and Chris Evans’ Don’t Forget Your Toothbrush and the ‘Hootenanny’ revels; and, during COVID restrictions, finding alternative work as a delivery driver for the Charlton Bakehouse bakery.
Enjoy this lively and fascinating chat over on our YouTube channel, where the hour-long conversation is divided into chapters covering various aspects of Phil’s reflections.
Depending upon what time you pass by Colyer-Fergusson on a Wednesday night, you’ll either hear stirring film scores such as Gladiator, swing classics by Count Basie or versions of Stevie Wonder tunes ringing out. It can only mean one thing: rehearsal night for the University Concert Band and Big Band (though thankfully not at the same time…)
On the conductor’s podium is the sprightly figure of Ian Swatman – Bob Marley devotee and possibly the most dedicated fan Hull City will ever have – vigorously taking charge of Wednesday rehearsals and leading the assembled forces through repertoire in preparation for their various termly concerts. In December, the Big Band can be found in Santa hats and jazz-infused versions of seasonal repertoire for the popular Christmas Swing-along, whilst both forces combine each March for their roof-raising Spring concert, and for a farewell concert each June.
Both national and international students, staff and members of the local community find themselves grappling with the complexity of the repertoire Ian hurls at them each year, as they sweat blood to get the music under the fingers. Each year, too, auditions are held for solo singers, for the opportunity to sing with the Big Band.
A particularly exciting aspect to the working life of the Big Band is the opportunity to work with guest musicians; in the past, this has included trombonist Mark Bassey, trumpeter Mike Lovatt from the John Wilson Orchestra, and saxophonist Phil Veacock from the Jools Holland Orchestra. It’s a great opportunity for the young stars of tomorrow to work with, and learn from, accomplished professional performers.
The Concert Band has worked with composer James Rae too, when James was commissioned by the Music department to write a piece for the gala concert to open the Colyer-Fergusson Building in December 2012. As part of an action-packed weekend, the Concert Band gave the world premiere of James’ Platform One.
The groups don’t just perform in the adaptable acoustics of Colyer-Fergusson Hall. The Big Band also launches the annual Summer Music Week, a musical farewell to the University’s academic year, with a trip to the seaside to perform on the Memorial Bandstand at Deal, which involves combining rehearsals and coach-trips with a visit to the promenade chip shop and the roving ice-cream stand. (It’s a hard life…). The band has also headed down the road to perform alongside pupils at St Edmund’s School, and also in Whitefriars in the heart of the city.
Whether it’s epic film soundtracks, 70s funk, classic big band standards or soul ballads: Wednesday evenings certainly sound unlike any other on campus…
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.