Tag Archives: Cecilian Choir

Review: Chamber and Cecilian Choir concert

Second-year Matt Bamford reviews last week’s choral concert during Summer Music Week.

The Church of St Paul’s Without was the setting for Music for a Summer’s Evening, where the University of Kent Chamber and Cecilian Choirs, conducted by Dan Harding and Emma Murton, joined forces to provide an evening of fantastic entertainment.

The Cecilian Choir
The Cecilian Choir

With proceeds in aid of Soldiers, Sailors, Airmen and Families Association (SSAFA) Forces Help, the audience quickly filled the church and eagerly awaited A Ceremony of Carols composed by Benjamin Britten. Whilst the audience entered, they were treated to a selection of pieces by a string quartet consisting of pieces from Queen to Vivaldi.

A Ceremony of Carols begins with a solemn plainchant before going into ‘Wolcum Yole!’ where Emma Murton began to accompany the Cecilian Choir on the harp. The audience were then treated to a solo by Hannah Johns which was very well executed. Another solo from Aisha Bové followed and the balance between Aisha and the supporting choir was perfect. Ann-Kathrin Kirschbaum and Montana Slattery both excelled in solos in ‘In Freezing Winter Night.’

My highlight from the work, however, was ‘Deo Gracias’ which was sung with enthusiasm and fantastic diction. It was very easy to understand the words of the 15th Century Text ‘Adam Lay Ybounden’. Carina Evans then cleverly accompanied the Cecilian choir in two modern pieces which were a real contrast to Britten work.

Carina Evans
Carina Evans

After the interval, the University of Kent Chamber Choir took to the stage and opened the second half of the concert with Dawn by Eric Barnum. This is a personal favourite of mine and it really created a very peaceful atmosphere. Tanzen und Springen then gave a fantastic contrast as it is a jolly madrigal by Hans Leo Hassler.

The Chamber Choir
The Chamber Choir

Credit is due to Emma Murton, who after playing the harp and singing in the Chamber Choir then conducted the choir in a brilliant rendition of A Nightingale Sang in Berkeley Square. It was brilliant to see the audience enjoying Nice Work If You Can Get It by Gershwin, I don’t think that there was a single foot that wasn’t tapping in the whole church!

The choir then sang Forgotten Children’s Songs composed by Dan Harding, a very clever set of pieces that was very well sung by the choir. I couldn’t help but think of Schumann’s Kinderszenen whilst listening to these pieces.

We were treated to an encore of My Spirit Sang All Day which was a fitting end to a very professional and enjoyable concert. Thanks must go to members of SSAFA who kindly provided the musicians with refreshments after the concert.

Overall, a very enjoyable evening which was well received by the audience.

Matt Bamford

Photos: Matt Wilson

Scholars’ Spotlight: Olivia Potter

Continuing the series profiling this year’s Music Scholars. This week, mezzo-sopano Olivia Potter.

 

Olivia Potter
Mezzo’s forte: Olivia Potter

I have always loved singing; apparently, when I was very little, I would make up songs on long car journeys that lasted for hours (sorry mum!). Yet, when the time came for me to chose an instrument to learn at the age of ten, I chose the drum kit, having been inspired by my dad, who was a keen drummer himself.

It was only when I moved to secondary school that my passion for singing really took off. St Aidan’s Church of England High School in Harrogate, North Yorkshire, has a rich musical life and the number of music ensembles was extensive. At the school, I was involved in three choirs and three wind bands, performing in local venues such as the Royal Hall and Leeds Town Hall. I was also lucky enough to sing a solo in Ripon Cathedral. I started singing lessons in year 8, achieving grade 7 singing by the end of sixth-form (and somehow managing to pass grade 5 theory along the way, albeit with much help from my sister’s flute teacher who, with a great deal of patience, taught transposition, intervals and cadences to a girl who couldn’t really read music).

It was the school’s sixth-form Chamber Choir that allowed me to reach new heights in my singing abilities. It was an auditioned choir, made up of around 60 year 12 and 13 students. It had won the Songs of Praise School Choir of the Year award in 2006 and had been in the final of that competition another three times. It was a privilege being in a choir that produced such a high standard of singing. Perhaps the highlights of my time there was singing Eric Whitacre’s Sleep at the Music For Youth School’s Prom in the Royal Albert Hall and performing in Westminster Abbey, singing an arrangement of King of Kings, Majesty. Our repertoire was challenging, but it allowed me to grow in confidence, so when the time came for me to decide where I would like to go to university, I was drawn to the music opportunities here at Kent.

Getting into the Chamber Choir was an honor. I really enjoy being a part of Chorus and the Cecilian Choir as well. I love singing with such lovely and talented people. The Music Department is so supportive and passionate, and the new music building is fantastic. It’s wonderful that so much music making is encouraged at a university with no music degree course, making it accessible to anyone who just loves music. For this reason, I feel incredibly privileged to be a part of it.

Olivia Potter

See all the other features in this series here.

Just because it’s June…Summer Music Week

I’m delighted to say that the details for Summer Music Week (Mon 3 – Sun 9 June) have just been published live.

The week-long events programme opens in rousing style with music for brass and percussion at lunchtime on Monday 3 June, and continues throughout the week with a recital from some of the Music Scholars; a day of jazz, culminating in the annual bun-fest that is the Big Band Gala with special guests; string music is the theme on Thursday, including the String Sinfonia; Friday celebrates choral music with a lunchtime of a cappella vocal music, whilst the University Chamber and Cecilian Choirs come together in the evening concert; and the whole week, nay, the whole musical year, reaches its climax on the Sunday, in a combined afternoon concert with the University Chorus, Symphony Orchestra, Concert Band and Chamber Choir.

summer_music_flowerFind out all that’s happening that week, including many free events, on the website here.

Just because it’s June…

That was a week, that was…

It’s been an action-packed final week; from Thursday through to Sunday, many of the University’s musicians were involved in rehearsing for, and performing in, the Gala opening concerts on Saturday and Sunday; the University Carol Service took place in Canterbury Cathedral on Monday night; there was a ‘Winter Wonderland’ lunchtime concert at which the Estates Team Choir made its debut yesterday; and finally Carols Round the Christmas Tree yesterday night.

Chorus and Orchestra in the Gala weekend, Image: Miles Banbery

We’re still recovering, both from the number of events in so short a time, but also from the heady success of the formal opening of the wonderful Colyer-Fergusson music building. You can see extensive photographs from the entire weekend on our special Pinterest board here.

The weekend saw two works premièred: one with the Chamber Choir by your loyal correspondent, the other with Concert Band in James Rae’s Platform One, which you can read about on their blog, ‘On The Beat’ here.

The Chamber Choir sang at the University Carol Service in Canterbury Cathedral on Monday night; find out how they got on in a feature over on the choral blog, Cantus Firmus, here.

University Chamber Choir

Wednesday’s festive lunchtime concert saw music from the Cecilian Choir, the Canterberries, and the debut performance from the Estates Team Choir; read about how it went (and there’s even some footage too…) on Cantus Firmus here.

The Estates Team Choir

And finally, members of the University community and friends gathered in the chilly night to bid a musical farewell to the term at ‘Carols Round The Tree.’

Image: Jim Higham

We’re taking a break for Christmas, but will be back again in the New Year to report on all the events we’re lining up for next term through to the week-long Summer Music in June; it’s going to be an exciting period. Festive good wishes to all our readers: see you in January.

An en-Choir-ing mind…

It’s been a busy week with All Things Choral – the University Chorus continues its exploration of Orff and Handel, the Chamber Choir engages with Tavener and Finzi, and the first rehearsal for this year’s Cecilian Choir sees them getting to grips with Britten’s Ceremony of Carols.

Seeing stars…

And cake and biscuits…

Confused ? Check out all that’s been happening on the choral blog, Cantus Firmus, where you can listen to some of the pieces and see photos of cake. And biscuits too…

Ave Maria and a Summer Sunday

Over on the choral blog, Cantus Firmus, the Chamber Choir and Cecilian Choir are preparing for their combined concert, Ave Maria, in just over two weeks’ time.

Event poster
Click to view

The concert, on Friday 8 June at St Mildred’s Church, Canterbury, sees a selection of works for single and double choir, in praise of the Virgin Mary.

Find out how they’re getting on here

Feeling the Cold: lunchtime with Vivaldi and Purcell

The University Camerata and Cecilian Choir teamed up for yesterday’s final lunchtime concert of the term, with Vivaldi’s Winter and Purcell’s ‘Frost Scene’ from King Arthur.

University Camerata with Jeremy Ovenden

Soloist in the Vivaldi, Jeremy Ovenden brought out the brittle, biting aspect of the piece in a strong, confident reading, and the Camerata responded with suitable fragility in the sul ponticello passages.

Making her debut at the Gulbenkian, Music Scholar Paris Noble cast a bright flame as Cupid, scolding the Cold Genius (a welcome return for alumnus Piran Legg) and bringing on a chorus of Cold Revellers to warm them up and spread love throughout the arctic countryside.

In rehearsal: Piran Legg (bass), Paris Noble (soprano) with the Camerata and Cecilian Choir

The Cecilian Choir, looking suitably chilly in winter hats and coats (there had been a fire-alarm that morning, so the musicians ended up waiting outside the Theatre for a while – true method-acting, as one of the altos wryly observed), shambled on before casting aside their winter attire for a heroic closing chorus.

Pictured also is the fine harpischord brought in for the concert (Christmas truly came early for me this year), a Ruckers-Hemsch copy by Ian Tucker, based on an instrument from 1763, which had a soundboard decorated identically to one owned by Handel. Many thanks to Edmund Pickering for delivering and tuning the instrument.

Tucker, after Ruckers-Hemsch

Bravo to all involved: a concert to ‘warm’ the heart…

(Photos: Chris Gray.)

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