With the festive season lurking just around the corner, rehearsals are really beginning to pick up pace here in Colyer-Fergusson.
Last night, the Big Band were in festive form as they cracked open seasonal swing arrangements for their already-sold-out Christmas Swing-along next month. Earlier in the week, Minerva Voices were getting into performance mode as they wielded Carols for Choirs, preparing to sing at the University Carol Service in Canterbury Cathedral in mid-December.
And yesterday afternoon, the hall rang to the sound of buoyant choruses from Handel’s Messiah as the String Sinfonia and Cecilian Choir came together ahead of their ‘A Baroque Christmas’ concert on 4 December.
Even the Flute Choir was getting into the seasonal spirit earlier in the day, with some sparkling carols for the Watch This Space event on the foyer-stage at the end of term. With Chorus and Orchestra also learning Vaughan Williams’ The First Nowell, t is very nearly the season to be jolly…
Continuing the series in which musical alumni look back on their musical life at Kent: this week, woodwind-player and singer, Anna Shinkfield.
When were you at Kent?
2007 – 2011
What subject did you study?
English and American Literature
What occupation are you now engaged in?
Arts Admin
If music is not your profession, do you participate in any musical activities now ?
I am not currently involved in anything musical at the moment but I am hoping to find something musical to get involved in soon!
How were you involved in music whilst at Kent ?
I sang in the Chorus, played Flute in Concert Band and Tenor Sax in Big Band all three years I was at Kent as well as receiving a Music Lesson Scholarship. I was also a member of the Music Society Committee in my second and final year.
What did you gain from your University music experience, and has this helped you in any way since leaving Kent?
I think my experiences with the Music Society definitely helped me decide on what I wanted to do career-wise and allowed me to get enough experience to do a Masters in London after my degree.
Everyone says get involved with something at University, join as many clubs as you can – it looks good on your CV. I’m sure I rolled my eyes and brushed these sorts of comments off before and during University. but I can definitely say that it is true as much as you might be bored of hearing it! I’m pretty sure my musical activities have been discussed a lot more than my degree ever has in interviews.
What was your most memorable musical experience at Kent?
I think that would have to be every ArtsFest really (what’s now Summer Music Week). Although spending the morning in Eliot Hall rehearsing and blowing up balloons then rushing between concerts in the afternoon meant I didn’t get to see much of what else was going on I think it was those sorts of days that really made me think that’s what I wanted to do in the future.
What would you say to current musical students at the University ?
Make the most of Music at Kent! I don’t remember the hours spent in the library or Monday mornings in lectures half as well as I remember taking part in rehearsals and concerts.
It can be easy to skip rehearsals especially with essay deadlines and exams but that two hours of music will always be more productive than sitting staring at a screen and will probably give you the break from revision that you need. The rehearsals throughout the week are an excellent excuse to stop staring at computer screens or forcing myself to read books I wasn’t particularly interested in and focus on something a bit different!
Looking back I don’t really remember the hours spent in the library or in lectures but I do remember the rehearsals, concerts and socials.
The music continues unabated this week as Summer Music Week rings around the building; days Three and Four saw a lunchtime recital by some of the University Music Scholars, followed by the annual awarding of the Music Prizes; performers Jonathan Butten, Anne Engels, Rianna Carr and John Gabriel together with guest Benedict Preece performed two movements from Ravel’s magical Mother Goose Suite; Emily Farrell demonstrated the euphonium’s light-footed side in an arrangements of Mozart’s Rondo alla turca; cellist Faith Chan and mezzo-soprano Charley Tench performed Purcell’s Dido’s Lament; and harpist Emma Murton gave a dazzling rendition of Debussy’s first Arabesque and Salzedo’s shimmering Chanson dans la nuit. The concert was also the first formal outing for the department’s newly-commissioned harpsichord, a stunning instrument built by Andrew Wooderson, and a generous donation by Dr James and Jenny Bird, for which we are immeasurably grateful.
Day Four featured the Sax Ensemble on the foyer-stage at lunchtime, with Hannah Wiffen, Felicity Langford and Patrick Eves joined by Chris Murrell on drums, led by Peter Cook. In the afternoon, the hall rang to the sound of the Concert Band and Big Band in rehearsal under the baton of conductor Ian Swatman, and the evening saw the bands, together with vocalist and alumna Steph Richardson, bring their musical year to a rousing conclusion.
Thanks to Phoebe Hopwood for this splendid panoramic shot of the Big Band preparing to play in the evening!
Events continue until Saturday; find out more here.
Like a phoenix from the flames, Summer Music Week burst into life anew on Sunday; conductor Ian Swatman led the charge as the Big Band took to the Memorial Bandstand at Deal for a day filled with sunshine and swing, for which the band welcomed back vocalist and alumna, Steph Richardson.
Yesterday, Day Two, saw the inaugural use of the department’s commissioned harpsichord in a feast of arias from several of the singing Scholars in Operatic Heroines in Love; from Mozart to Gluck, Saint-Saens, and Dvorak, a delighted audience was led on an exploration of love, lust and desire by Charley Tench, Charlotte Webb, Rowena Murrell, Ruth Webster, Kathi Kirschbaum, Livy Potter and Kathryn Cox, which included Purcell’s Dido’s Lament with Faith Chan on cello and the Chamber Choir performing the dolorous ‘With drooping wings’ chorus which follows the aria.
Summer Music continues all this week; details online here.
Our annual Summer Music Week festival to celebrate the end of another musical year at the University is now published online, with all the details of what’s coming up.
Running from Sunday 7 to Saturday 13 June, the week kicks off with a seaside visit to the Deal Bandstand with the Big Band; some of the singing Music Scholars will present a programme of Operatic Heroines in Love on Monday 8; the Lunchtime Concert on Tuesday 9 from some of this year’s Music Scholars, followed by the Music Awards ceremony; Wednesday sees the Concert and Big Bands coming together in the evening; Thursday features an informal lunchtime performance from the String Sinfonia; on Friday the Music Theatre Society performs on the foyer-stage at lunchtime, whilst in the evening we present our choral commission from composer Matthew King, poet Patricia Debney with projected photos by Phil Ward, performed by the Chamber and Cecilian Choirs; and the week comes to a festive conclusion with the Chorus, Orchestra and Chamber Choir on the Saturday afternoon, followed by cream teas on the lawn and many fond farewells.
Relive the memories of last year’s festival on our Pinterest board here: full details of all the events are published online here, or you can collect a brochure for the week’s events from Colyer-Fergusson soon.
Don’t forget to follow @UKCSummerMusicon Twitter in the build-up to and throughout the festival. Bring me sunshine…
Fresh from its roof-raising gig here last Friday, there’s no rest for the University Big Band as its takes its dancing-feet down the road to St Edmunds’ School, where it joins forces with the St Edmund’s School Big Band for a rollicking night of jazz, swing and blues this Wednesday night.
Fearless captain Ian Swatman will once more be at the helm, and vocalist Louise Cookman will return for what promises to be a lively evening; tickets are a mere snip at £7 / £5 concessions, available from the Marlowe Theatre Box Office or Canterbury Ticket Shop here.
The Colyer-Fergusson building rang to some festive music-making throughout yesterday afternoon, as various musical ensembles took it in turns to bid a festive farewell to the term.
The foyer-stage hosted a seasonal ‘Watch This Space,’ in which the Flute Group made its debut in carols and the ‘Dance of the Swans’ from Tchaikovsky’s Swan Lake (well, you can’t have Christmas without Tchaikovsky, can you ?!); members of the Cecilian and Chamber Choirs sang a collection of carols; and the Trumpet Trio brought the lunchtime event to a jolly conclusion with popular tunes including All I Want For Christmas (Is You).
Later in the afternoon, it was the turn of the Big Band, directed by the irrepressible Ian Swatman, to treat a packed concert-hall to its now-customary seasonal Swing-along, featuring a guest appearance from our very own Sophie in a sassy rendition of Santa Baby and White Christmas, whilst the Brass Group led some communal carol-singing in robust fashion. The Big Band’s selection-box included a deft rendition of Have Yourself a Merry Little Christmas, a solo spot for baritone sax-player Adam Rose to open a bold arrangement of God Rest Ye Merry, Gentlemen and a lively Jingle Bells.
After the gig, audience and performers spilled out into the foyer for mulled wine and mince pies. A terrific day, concluding a very busy musical term; thanks to everyone who took part yesterday – it’s a wonderful testament to the ethos of music on the Canterbury campus, so many students, staff and members of the local community coming together in various groups to enjoy collective music-making.
We’ll be back in the New Year with details of events throughout the spring and summer; it promises to be an exciting six months ahead, judging by the draft of the forthcoming brochure; see you in January, and from all the music team – a very Merry Christmas!
From Porchlight’s Community Fundraising Officer, Kate Lumley.
Thank you so much to Dan Harding, Ian Swatman, the University Big Band and the Music Department for supporting Porchlight with the first concert of Summer Music Week and wishing us a Happy Birthday! The charity’s 40th Anniversary has certainly got off to a great start and we couldn’t be more grateful for the support we’ve received so far. It really is fantastic when local groups and businesses decide to fundraise for the charity (especially when that’s combined with brilliant music-making at the seaside!) because their efforts really help change people’s lives in their community and across Kent and Croydon.
Last year, Porchlight managed to help over 4,000 homeless and vulnerable people turn their lives around, and this would not have been possible without the generosity of the general public, local businesses and groups like the UKC Big Band. However, the charity is still in need of your help! More people are needing our help while funds are being cut and this is having a direct impact on our services and in turn, how many people we can reach out to. This is best illustrated through the situation with our Rough Sleeper team, who go out and find rough sleepers early in the morning or in the evening to offer them help, which has been reduced from over twenty workers to just six over the space of two years. This means that more people will be facing the dangers of rough sleeping for longer before we can find and help them. The money raised by the UKC Big Band concert could pay for two Rough Sleeper team workers for a day plus two welcome packs for someone moving into one of our supported accommodation projects with nothing of their own.
If you’d like to support the charity and help our services to continue, please check out our website and read about the many ways you can get involved
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.