Was It Good For You: Yasmeena Daya

Presidential: Yasmeena Daya

Continuing the series profiling musical alumni of the University. This week, former Music Society President Yasmeena Daya.

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When were you at Kent ?

I was at Kent from September 2007 through to June 2010.

What subject did you study ?

Joint Honours Film and Drama Studies.

What occupation are you now engaged in ?

I have just finished working as an intern for Mission: Impossible Ghost Protocol (the 4th film in the series). For two and a half months, I worked with both the Locations and Publicity departments. It was such an unbelievable opportunity, I got to work with and meet so many amazing people and they were all so friendly that it was like belonging to a giant filmic family.

Straight afterwards, I landed another job working for a Publicity department, but this time at the Dubai International Film Festival 2010! This was a similarly incredible experience; I managed and handled several projects completely independently- it was stressful and scary but very rewarding.

Both opportunities were immensely enlightening and exciting- within the space of 3 months I had worked on a Paramount film set, walked my first red carpet, met and worked with legendary talent on a daily basis and attended a film festival awards ceremony!

A couple of weeks ago, I auditioned for a role in an upcoming play to be performed in Dubai. I was accepted into the cast and we are currently in the rehearsal process! The date has not been set yet but the performance should be sometime in February.

If music is not your profession, do you participate in any musical experiences now ?

Since leaving University, I’m afraid I have not had the time. But I intend to get into contact with my Dubai-based singing teacher now that I am no longer working the mad hours that I was during M:I 4 and DIFF. I am also always on the look out to join any singing groups in the region and have signed myself up for one that will hopefully get started sometime soon.

How were you involved in music whilst at Kent ?

I was awarded the Music Lesson Scholarship for singing lessons for the three years that I studied at Kent. I also auditioned (and annually re-audiditoned!) for the Chamber Choir. I was lucky enough to go on tour to Paris with the Chamber Choir in my first year- a Chamber Choir year, and trip, that I will never forget. I was also involved in Chorus and in a couple of smaller concerts- lunchtime concerts, scholarship concerts and charity sing-songs. In my third year, I was voted in as Music Society President- a position I was very sad to have to give up at the end of the year!

What did you gain from your University music experience, and has this helped you in any way since leaving Kent ?

I gained so much from my Kent music experience that I don’t know where to begin! I learnt a lot about myself, about how much I am actually capable of doing (a joint honours degree and a lot of extra-curricular musical activity can be immensely time consuming)! And, as a result of this, I learnt that I don’t like having nothing to do; I would rather be running to a rehearsal in the rain or getting ready for a concert in the Cathedral or organising a meeting about hoodies, than sitting around at home.

Of course, most importantly, I gained the ability to continue being musical alongside my undergraduate degree. I did not have to study music to continue singing, something that has been a part of my life since I was nine. I was so relieved to be able to carry on singing and to do so in such a friendly environment.

What was your most memorable musical experience at Kent ?

It is really difficult to pick one. Besides singing at the annual Carol Service held in the beautifully candle-lit Canterbury Cathedral, my most memorable experience would have to be Chamber Choir. I would look forward to every Tuesday night when the Chamber Choir would meet in the awkwardly shaped OTE and rehearse. In fact, wherever and whenever the Chamber Choir would get together, it was always memorable- it is impossible to forget our hilarious and scrumptious picnics!

In addition to all of this, I can’t forget being part of the committee every year, and especially in my final year. It was such a great experience getting to know our amazing 09/10 committee and I especially loved working so closely with the fantastic 09/10 execs; Secretary Suzy and Dan ‘Troy’ The Treasurer.

What would you say to current musical students at the University ? (optional!)

Don’t think twice: just sign-up!

I was really late in auditioning for Chamber Choir and the Scholarship and, out of shyness, I only attended my first Chorus rehearsal because someone else went with me.

In retrospect, I can’t imagine missing out and studying at Kent without being a part of the Music Society. I made so many friends through Music Soc, people I’m still in touch with today, despite how far away Dubai is.

I’m really glad I overcame my initial shyness and just went for it, I guarantee I would have left Kent a much less confident, outgoing, and musical (!) person had I not.

If you’re an alumnis and would like to be featured, get in touch via the Music Department website: we’d love to hear from you!

In memoriam: George Shearing

As reported in Jazzwise and elsewhere today, the great British jazz pianist George Shearing has died at the age of 91.

Shear genius: George Shearing

Blind from birth, London-born Shearing moved to American and lived in New York; he worked with a notable array of jazz luminaries including singers Nat King Cole and Sarah Vaughan, guitarist Joe Pass and vibraphone legend Gary Burton . Shearing had a deft pianistic style, that moved easily from rich clusters of chords to delicate single-finger melodic playing.

Lullaby of Birdland was perhaps his most famous tune, named after the famous jazz club in New York.

Sir George Shearing: 1919-2011.

Was It Good For You: Susannah Wharfe

Continuing the series profiling musical alumni of the University of Kent. This week, Susannah Wharfe.

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When were you at Kent ?

Lady Sings the Blues: Susannah Wharfe

I was at Kent from September 2008 – November 2009.

What subject did you study ?

I studied for a Masters in International Conflict Analysis.

What occupation are you now engaged in ?

Officially, as in my paid job, I work for a Social Mechanics Agency, called Kinship Networking.  We’re based in Shoreditch, London, and look at providing solutions for businesses using ‘socialness’.

Unofficially I have two other ‘jobs’ – helping run an up-and-coming theatre company called Pilotlight Theatre, as well as writing and recording my own music, and playing whenever I can.

(For note, I perform under my nickname, zanna wharfe)

If music is not your profession, do you participate in any musical experiences now ?

I’m still heavily involved in music, but mostly from a personal, solo perspective.  I’m currently writing my own material, as well as helping out with backing tracks and covers for various little projects.  I’ve also got a MySpace page. I’m heading into the recording studio soon to start recording my own stuff, which is ridiculously exciting and nerve-wracking at the same time!   Fingers crossed in time it might be my primary profession!

How were you involved in music whilst at Kent ?

I was an avid singer – singing with the Chamber Choir as well as regularly joining the team for the inaugural Jazz @ 5 sessions.

What did you gain from your University music experience, and has this helped you in any way since leaving Kent ?

Singing at Kent reinvigorated my love of it.  I’d not realised how much I’d missed having music in my life till I was thrown back into the deep end and got involved again.  It also reminded me how exhilarating it is to stand up in front of people and bare your soul, so to speak.

What was your most memorable musical experience at Kent ?

Singing at The Orange Street Music Club for our charity concert.

What would you say to current musical students at the University ?

Just enjoy it.  As they’ll drill home to you, there’s no official music department, and that’s what makes it so exciting, and friendly!  If, in the long term, it’s really want you want to do, then do it.   Just keep practicing, keep performing, but know your strengths.  There’s a fine balance between realism and the dream world – and you have to keep one foot in each at all times; a tough, but ultimately fulfilling thing to do.

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f you’re an alumnus and would like to be featured, get in touch via the Music Department website: we’d love to hear from you!

Prepare to raise the roof: Have A Blast!

Hold onto your hats, as the traditional annual roof-raising concert by the University Concert and Big Bands storms back to the Gulbenkian Theatre.

Click to enlarge

An action-packed programme includes an invitation to spend A Night On Broadway with a medley of popular showtunes including The Lion King and Wicked, and music by John Williams, Jo Zawinul as well as a tribute to Artie Shaw. Featuring staff and student musicians from the University, and led from the front by magic-fingered reeedsman Ian Swatman, this popular event will also feature two of the University’s Music Scholars, Jo Turner and Ruby Mutlow, as guest singers with the Big Band.

There’ll also be some live musical entertainment from student musicians in the Gulbenkian Foyer before the show to get you in the mood. Prepare to be carried away on a night of swing, funk, cinema soundtracks and big band favourites.

You can follow the adventures of the Concert and Big Bands on their  blog, ‘On The Beat;’ further details about the concert on the deparment website here.

South American flavours: Brodsky Quartet and the exotic

A richly intoxicating evening with the innovative Brodsky Quartet beckons, as they bring a flavour of the exotic to the University’s Gulbenkian Theatre. They are teaming up with flautist Diana Baroni to explore music from South America in their concert on Wednesday 23 February.

Brodsky Quartet
The Brodsky Quartet

A heady and exciting programme includes Tavener’s Prayer of the Heart, which was written for the Quartet and pop singer Björk, asw well as a feast of traditional music from Peru and Bolivia. Tantalisingly, the Quartet have also said that they’re bringing a tubular bell and a Tibetan bowl: in order to find out how they’ll be using them in the performance, though, you’ll have to come along and see…

Steadfast professionals, their concert this time last year saw them braving fearsome snow and icy conditions to reach the campus: here’s hoping the warmth of their programme will keep adverse weather at bay.

Further details on the department website here: this is one you’ll definitely not want to miss.

Putting the fine in undefinable: the music of Graham Fitkin

Graham Fitkin‘s music first attracted my attention in 1998, when I came across an SPNM sampler disc containing a tantalising segment of Cud and a complete performance of Hook which all but took my head off. That was enough: bam, I was, well…hooked. I think I had those two pieces on the disc on repeat for the best part of a year, a blissful relationship only interrupted by my moving house and losing the disc.

His music defies those neat genre-defining labels that critics and music shop stockists love: classical, minimalist, techno, jazz. Combining repetition, polyphonic rhythmic inventiveness, sampled and electronic sounds and a tonal language glittering with bright colours, it’s a music that refuses to be neatly pigeon-holed.

I love the vibrancy of Hook; the driving rhythmic vitality, brash modern textural writing, and the sheer exuberance in the music that makes it infectious listening.

There’s something rather ‘X Files’-like about ‘Warm Area’ from Still Warm for harp and electronics (although that might just be my response to the tonal colours and the imagery of the accompanying video…!)

There’s exciting news about a new concerto for MIDI harp, premiered at the end of last month, with a sneak preview from BBC Radio 3;

Fervent. for solo piano, has a relentless energy to its ostinato-driven material. Last year, PK was commissioned for, and performed at, the BBC Proms; dealing with the first sending of Morse code signals from Porthcurno in Fitkin’s birthplace of Cornwall, the piece employs Morse code-inspired rhythms, blazing brass and big orchestral gestures occasionally reminiscent of John Adams’ Harmonielehre. Then there’s the contrasting intimacy of Skirting, for solo harp, with its evocative arabesques, or the bustling Vent for four clarinet or saxophone quartet.

Then there’s the minimalist electronica of K2, from Kaplan, that could almost be something by Aphex Twin.

Just listen to the way the music dances and shimmies in the advert for Uniqlo jeans: brief but utterly captivating, like much of Fitkin’s music there’s a wild urgency that cannot be denied, a delight in revelling in bright textures married to bold rhythmic gestures.

It’s compulsive stuff that luxuriates in the sheer joy of music-making. Is it classical ? Is it minimalist ? Or post-minimalist ? Or jazz ? Electronica ? Or all of them, or perhaps none ? Who cares… Keep an ear out: a new piece by Fitkin is always worth waiting for.

(Audio excerpts via LastFM).

Was It Good For You: Mariah Mazur.

Continuing the series profiling musical alumni of the University of Kent. This week, Mariah Mazur.

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Mariah Mazur
Mariah Mazur

When were you at Kent ?

2002 – 2006

What subject did you study ?

Drama and Italian, Joint Honours

What occupation are you now engaged in ?

Management Consulting. Self-employed harpist.

If music is not your profession, do you participate in any musical experiences now ?

Yes, I play with chamber orchestras, symphonies, teach harp lessons, as well as many other events and concerts.

How were you involved in music whilst at Kent ?

I played in the Orchestra for four years, and was also the recipient of music scholarship.

What did you gain from your University music experience, and has this helped you in any way since leaving Kent ?

Being the recipient of a music scholarship at Kent provided the opportunity for me to study with harp professors at the Royal Academy of Music, an incomparable experience.  I was also able to perform in such unique and varied settings, encouraging my confidence as a musician. The connections that I made and the experiences I enjoyed continue to enrich my life today.

What was your most memorable musical experience at Kent ?

The opportunity to perform Mozart’s Flute and Harp concerto to a sold-out audience in the Gulbenkian Theatre was the paramount occasion of my time studying at the University of Kent.

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If you’re an alumnus and would like to be featured, get in touch via the Music Department website: we’d love to hear from you!

Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.