Category Archives: Notes on Music

The philosophy of music: or the music of philosophy ?

Scene and not herd: Musical Theatre Society showcase next week

The University’s Musical Theatre Society returns to Colyer-Fergusson next week, with an epic showcase full of songs which explore the struggle between our need to be part of the pack and yet also to follow our dreams.

mts_leader_posterFollow The Leader is a collection of powerful and revealing songs that prove that the quest for power may not always run the safest path, explored in music from Hamilton, Kinky Boots, Chicago, RENT and others.

mts_leader01The cast have been hard at work in rehearsals over the course of the term, and the directors of the showcase, Antonia Kasoulidou and Rakel Svendsen, declare that the show promises to be an inspiring, ingenious and intoxicating piece which explores the conflict between the deep desire to follow the herd, and the yearning to break with tradition and risk becoming an outcast.

mts_leader02mts_logo_newFind out if you have the herd instinct or are prepared to take risks on forging a new path, as Follow The Leader comes to Colyer-Fergusson Hall on Saturday 3 and Sunday 4 December at 7.30pm; tickets available here.

In conversation: conductor Jaime Martín with Susan Wanless

The Director of Music will be on stage in the Marlowe Theatre this Saturday in a different guise, as she hosts an ‘In Conversation’ with the conductor of the Philharmonia, Jaime Martín, ahead of the orchestra’s concert.

Jaime Martín: image credit Alexander Lindström
Jaime Martín: image credit Alexander Lindström

The Philharmonia Orchestra is back at the Marlowe Theatre on Saturday for its second concert of the season, in Mozart’s Overture to La Clemenza di Tito, Brahms’ Violin Concerto and the titanic drama of Sibelius’ Fifth Symphony. Susan has been asked to host the pre-concert event, which starts at 6.15 in the Theatre auditorium, when she will be in conversation with the conductor to talk about his life and passion for music he will be conducting that night.

To hear him talk about his career and thoughts on the programme with the Director of Music, and then go to what promises to be a fantastic concert, find out more here.

No strings attached: the String Sinfonia

The String Sinfonia returns again this year, and has already been diligently rehearsing each week in preparation for its performing commitments this year.

sinfonia_rehearsing02Amongst the repertoire the ensemble is currently preparing are works by Handel, Vivaldi, Elgar’s Serenade for Strings, Brahms and Mozart.

sinfonia_rehearsingTheir first performance is next month; keep an eye on the web for details of their concerts throughout this year.

Three events commemorating World War One next week: Memorial Ground, Last Post and Lunchtime Concert

As part of the Music department’s observing of the anniversary of World War One, including the Battle of the Somme, three events next week.

memorial-ground1On Thursday 10 November, a special performance by the Cecilian Choir, conducted by Your Loyal Correspondent, commemorates the anniversary of the Battle of the Somme with  a new choral piece written by American composer David Lang in Studio 3 Gallery. Memorial Ground is an evocative, haunting meditation on the Battle of the Somme, but also reaches beyond it to commemorate all those who have lost their lives in conflict ever since. The piece was commissioned as part of the nationwide 14-18NOW project.

David Lang
David Lang

As part of a national series of performances, Memorial Ground is the Pulitzer-prize-winning composer’s response to the anniversary, written in such a way as to allow choirs around the country to realise the piece in whatever way is appropriate to their occasion. For this performance by the Cecilian Choir, the piece will be combined with words by the First World War poet, Siegfried Sassoon, as well as with a new poem written by Nancy Gaffield, Senior Lecturer in Creative Writing in the School of English. The performance will be illuminated by a series of projections from the Special Collections and Archives department in the Templeman Library, curated by Joanna Baines. This sepcially-crafted son et lumiere event begins at 1.10pm, and will last approximately twenty minutes; admission is free – if you can’t make it, the event will be streamed live online here.

On Friday 11 November at 11am, third-year Music Scholar and trumpeter Alex Reid will play the Last Post in the Registry Garden; this is followed at 1.10pm by a lunchtime concert  focusing on poet and composer Ivor Gurney. Arranged by Dr Kate Kennedy, the event dramatizes Gurney’s life as musician, soldier and eventually asylum patient, following his progress in his own words and music, with humour and poignancy.

From the start of next week, Colyer-Fergusson Gallery will host an exhibition produced by the Gateways to the First World War Project exploring music during the conflict, which will be on display until Friday 25 November.

Find out about all these events and more online here.

Lunchtime Concert series continues with Kentish Piano Trio next week

The second in our Lunchtime Concert series next week sees the Kentish Piano Trio performing music by Beethoven and Suk, including (appropriately enough for a blog feature today…) Beethoven’s ‘Ghost’ Trio.

Kentish Piano Trio
Kentish Piano Trio

Violinist Kathy Shave, cellist Julia Vorhalik and pianist Helen Crayford, three outstanding professional musicians based in Kent, formed the ensemble in order to champion both traditional and contemporary works for piano trio, and have commissioned works as well as explored the catalogue of works for the enduringly popular line-up.

The concert takes place on Weds 9 November at 1.10pm in Colyer-Fergusson Hall, admission is free, donations welcome. To whet your appetite, here’s the trio on spooky form in the slow movement of the ‘Ghost’ Trio…

Furley Page logo
Sponsors of the Lunchtime Concert series

Legal harmony: musical law students perform for opening of new Wigoder Building

We often have Music Scholarship students who are reading Law here at the University; yesterday two of them serenaded honoured guests at the lunch in Darwin college before the opening of the Wigoder Law Building in the afternoon.

Second-year violinst Lydia Cheng and cellist Faith Chan performed for the benefit of invited guests prior to the launch of the new building.

wigoder_launch_web

The Right Hon Charles Wigoder at the launch of the new building. Image: Kent Law Campaign
The Right Hon Charles Wigoder at the launch of the new building. Image: Kent Law Campaign

The new building, the new home for Kent Law Clinic at the University, was opened by.Baroness Hale, and the Hon Charles Wigoder also spoke at yesterday’s official opening.

The opening of the Wigoder Building. Image: Kent Law School
The opening of the Wigoder Building. Image: Kent Law School

Congratulations to everyone involved in the project; the building promises to be a wonderful enhancement to the University facilities and to Kent Law School.

Percussion ensemble to kick off new Lunchtime Concert series

Our new Lunchtime Concert series launches next week, with music from percussion ensemble Kopanya.

An exciting group of young players, their programme promises to celebrate the diversity of music for percussion, from the sublime to the ridiculous!

CymbalAs always, the concert starts at 1.10pm, and admission is free with a suggested donation of £3. The first in our new series of lunchtime concerts, later events include the Kentish Piano Trio in November and sitar master Ustad Dharambir Singh in December.

You can find out more about all these events online here, or download the new brochure here.

Furley page logo
Sponsors of the Lunchtime Concert series

Where you go, I go: Preludes exhibition now open

We’re delighted to announce that the latest exhibition in Colyer-Fergusson Gallery is now open!

14184510_10154537619231180_3622527117156399451_nCreated especially for the Colyer-Fergusson Gallery, Preludes (where you go, I go) by visual artist Adam de Ville is a series of images in response to Sinking of the Titanic by composer Gavin Bryars, a haunting meditation on the idea of what happens to the music played by the band as the great ship sank.

Adam’s exhibition imagines the same effect happening to paint and paper in a sequence of images capturing particular moments before, during and after the event. Based on accounts, personal stories and surviving artefacts, the series is a moving contemplation of the human side to one of history’s great tragedies.img096

preludes_exhibitionThe exhibition is showing in Colyer-Fergusson Gallery until Friday 4 November during normal opening hours, and admission is free. Find out more about Adam here.