The #EarBox concert series bringing music and visual art together continues with a visit to Studio 3 Gallery from the University Chamber Choir on Friday 24 February at 1.10pm.
Set against the backdrop of Soft Formalities, the gallery’s new exhibition, the Chamber Choir will unveil a choral programme in the venue’s sonorous acoustic, ranging from Purcell to Alec Roth, taking in madrigals by Hassler and Lassus, and works by Tavener, Peter Warlock and Alexander Campkin.
The new exhibition explores layered complexity in a series of paintings, drawings, sculptures and ceramics, and the music provides a similar, sonic exploration in line and colour, from the drama of Purcell to the ravishing hues of Alexander Campkin, including the dramatic simplicity of Tavener’s The Lamb and a veritable textural tour de force for double choir in Lithuanian. There is also a rare opportunity to hear a piece by the Canadian female composer, Jean Coulthard.
The event is free, and starts at 1.10pm; come and experience the gallery’s latest display with an astonishing aural landscape from the Baroque to the contemporary. Find out more about the event here, and read more about Soft Formalities at the gallery here.
Curated by Dr Dan Lloyd, the collection of images, each generated through engagement with current research, showcases the beauty in scientific data.
Every image shown has a story to tell, and explores cutting-edge research in the fields of biomedical science, biochemistry, genetics and biotechnology. In addition to introducing new and interesting concepts at the forefront of scientific research, the exhibition aims to encourage the viewer to explore their own perspectives on art within the context of the biological sciences.
The exhibition forms the backdrop to an exciting lunchtime concert on Weds 1 February in the concert-hall, Cellular Dynamics, which brings together science and music in image-projection and time-lapse photography, accompanied by live music for piano by Philip Glass and Tarik O’Regan, and Gavin Bryars’ My First Homage for two pianos, performed by Dan Harding and Matthew King (details 
As usual, we’ve performances in the majestic surroundings of Canterbury Cathedral with the Chorus and Symphony Orchestra in Tchaikovsky and Puccini for the annual Colyer-Fergusson concert, and the Chamber Choir and Ensemble will fill the Crypt with Fauré’s evocative Requiem in a new chamber edition. The Concert and Big Bands return in March with a dazzling evening of concert band classics and big band swing, and the Musical Theatre Society is back in action too. CantiaQuorum brings its usual eclectic and innovative approach to programming with a new series of concerts, and our popular Lunchtime Concert series ranges from the shores of Scotland to the heady sensuality of Argentinian tango.
A new collaboration with the School of Biosciences forms the backdrop to a concert bringing together live music with beautiful images from its cutting-edge research, which will also be exhibiting in the Colyer-Fergusson gallery throughout the spring term; and there’s a look ahead to warmer weather and seaside pleasures with events to come during our annual Summer Music Week festival in June.
Wednesday afternoon saw General Harding’s Tomfoolery, the vintage dance-band, taking to the foyer-stage in a spirited selection of swing classics, for which they were joined by The Minervettes; trombonist and singer, post-grad Rob Cliff was a smooth host, and both band and singers were in fine form in pieces including American Patrol, Puttin’ On The Ritz and Sleigh Ride.
It’s been a terrific term, full of music-making; thanks to both everyone who has performed throughout the term, as well as to those who have been amongst the audiences. We’ll be back in the New Year with full details of our spring / summer season; from all the Music team here, we wish you all a happy and peaceful Christmas!
The final piece, Walton’s Suite from Henry V included seasoned Shakespearian actor Simon Paisley Day, who held the audience’s rapt attention in various speeches from the Bard’s play, concluding with a rousing Agincourt carol with the Chorus.