Former Erasmus student and musician, Laura Osswald, recently spoke about her experience at Kent, and her involvement in extra-curricular music during her time at the University, in an interview with the Dean of Internationalisation, Anthony Manning.
Laura’s interview is part of a series, My Journey to Kent, in which students share their experience; Laura highlights the value of the threated Erasmus programme, and how being involved in music helped form friendships which still endure.
The University Rock Choir has gone virtual this term!
Under the brilliant (and tech-savvy) leadership of Jonathan Grosberg, they tackled two song from the comfort of their own kitchens and living rooms, joined occasionally by various canine and feline friends. The session ended with a rousing rendition of Abba’s Super Trouper, complete with actions!
This year, the Music department is delighted to welcome Erasmus student, Laura Osswald, here for two terms as part of her studies in the School of Psychology. Here, Laura reflects on what music means for her and getting involved in the musical life of the University.
Music has always been a very important part of my life. I have been playing the recorder and the cello for 15 and 13 years respectively. In various orchestras and ensembles from Baroque to contemporary music, some of them international, I have experienced how music does not know any borders.
Making music together with others has always been a great pleasure for me – creating something amazing with people who share your passion is just wonderful. I started studying Psychology in Würzburg, Germany in April 2018 and since then I belong to the Academic Orchestra and a choir. I am very happy about that, not only because of the great music we make, but also because I have met so many nice people from different backgrounds, studying different subjects. Therefore, when I applied for Erasmus at the University of Kent, I was very glad to read about the Music Department with all its various possibilities.
During Welcome Week, I first got in touch with members of the Music Society and they were very friendly and welcoming from the start! In the following weeks, I joined the Symphony Orchestra and the Cecilian Choir, the String Sinfonia and the Pops Orchestra – I didn’t quite expect to be this involved with music at Kent, but I am more than happy about it and enjoy playing in these groups very much! In addition to the regular ensembles, there are some smaller formations for various occasions. Together with Jeni, a violist, I played a duet in the second Open Mic Night of the Music Society. Two weeks ago, I played in a concert in Calais with the University Camerata which was a great experience and I feel very honoured that I was selected for this ensemble.
The second concert in Kent for me was the Nostalgia Night with the Cecilian Choir.
I am very excited for our next performance, the meditative Advent Breathing Space with Christmas carols and antiphons in a candlelit medieval church this Friday.
Even though you cannot study music on the University’s Canterbury campus, the Music Department offers an amazing variety of opportunities for students who want to get involved. It feels like all the different musicians and ensembles are part of one big family. I am very grateful to be part of that family.
Next week, the Music department teams up with Dr Chris Deacy, Reader in Theology and Religious Studies at the University, for a special event exploring nostalgia and how it shapes us as human beings, as Nostalgia Night unfolds on Friday 22 November.
The event is part of the national Being Human Festival, the UK’s only nation-wide festival of the Humanities, and brings together live music, audio clips, interviews and an interactive quiz, as Chris investigates the idea of nostalgia through words and music. Chris’ series of podcasts explores the theme with interviews as part of his research, and the event next week will see contributions from some of those interviewed as well as performances from the University Chamber and Cecilian Choirs, the 1940’s dance orchestra General Harding’s Tomfoolery, and instrumentalists. Music includes Moonlight Serenade, When I Fall In Love, The Pink Panther and other corner-stones of memory throughout the generations.
Tickets are free (reserved in advance here), bring your dancing-shoes and join us as we take a trip down memory lane for what promises to be a night to, er, remember!
I’ve just come from a trial session in the concert-hall in preparation for a unique event as part of University activities for World Mental Health Day 2019.
At lunchtime on Thursday 10 October, we’ll be turning the concert-hall into a tranquil forest environment, bathing the hall in birdsong and the sounds of a natural forest alongside beautiful photographic images of forest views.
Sitting in the midst of Colyer-Fergusson Hall, it was possible to lose yourself in the audio and visual environment to the point where it almost felt as though you were actually outside; the dimly-lit hall was transformed into a haven of tranquility, a welcome respite from the frantic activity and the demands of the Digital World at the start of a new academic year.
Next Thursday, we’ll open the doors of the concert-hall and people are invited simply to come for as long or as short a time as they wish, to sit in stillness and enjoy a meditative environment which (if the trial session proves anything to go by) promises to be a wonderfully relaxing experience.
The event starts at 1.10pm and admission is free; the doors will be left open for visitors to come and go whenever the wish. Come and experience the outdoors indoors…
Corinna Jung came to the University in September from Germany to study International Criminal Justice as a postgraduate. Here, she reflects on her musical time at Kent and the importance of music to her life alongside her legal studies.
When I was considering universities to apply for my postgraduate studies, not only was I trying to find one, which mirrors my academic interests best, but also it has been equally important for me to choose a place, where I can make music and play the violin in an orchestra again.
During the six years of my undergraduate degree in Germany, I was a member of the University Symphony Orchestra, and as I look back, many of my best memories of my study time in Germany have a musical background: I enjoyed making music with people, who share the same passion for music as I do and I met wonderful colleagues who have become my best friends over the years. In addition to that, I am sure I wouldn´t have managed to deal with all my exams and assignments without that kind of support and balance. Therefore, I was more than happy to realise that the University of Kent not only has a fantastic law school, but also a strong music department with plenty of opportunities for students to get involved in. Regardless of
whether you play the violin, the trumpet or sing – there are so many different student ensembles to join!
After last week’s wonderful Summer Music Week, I reflect upon
my time at Kent and can say: what an incredible year full of music it has been! When I joined the first rehearsal of the Symphony Orchestra in September, I was excited to see how they would rehearse and what kind of pieces would be played. The concert in December has been my first one with this orchestra and I enjoyed performing in the wonderful Colyer-Fergusson hall as well as playing a wide range of pieces, both with and without chorus.
After the concert, the director of the String Sinfonia, Floriane Peycelon, asked me if I would like to join the Sinfonia from the next term on and all I can say is it turned out to be one of the greatest musical opportunities I have had so far! As a string ensemble, we have been involved in many different concerts over the year, including lunchtime concerts, the Dido and Aeneas performance in February in which we performed Purcell’s opera with the University Cecilian Choir, the premiere of Between Worlds with the amazingly talented violinist Anna Phoebe last week and – last but not least! – our ‘own’ Sinfonia concerts in which we played wonderful – and quite challenging – compositions for strings, such as Tchaikovsky’s Serenade and Britten’s Simple Symphony.
One of the highlights of the academic year for me has definitely been the concert in Canterbury Cathedral in March and performing in this unique location was a special experience for me. Beyond that, the Summer Music Week, comprising of a series of concerts with different themes, from an easy-going summery concert with McMozart and ‘Dance of the Comedians’ to a more serious and formal Between Worlds concert. And finally, the Gala concert, featuring Symphony Orchestra and University of Kent Chorus and Chamber Choir. It was a fantastic way to end my musical year at Kent.
I would like to say a huge thank you to Susan Wanless, Daniel Harding and Flo Peycelon – you’ve always made me feel very welcome and appreciated as part of the ‘team’ and you put tremendous effort and energy in creating all these opportunities
for students who want to make music to a high standard and who want to find an important balance alongside their studies. The same applies to my Sinfonia colleagues; you have been so lovely and open-minded!
Therefore I encourage every (overseas) student to get involved in the musical life at Kent, no matter how awkward it will be at the beginning to leave one´s own comfort zone. And even if it might just be for a year, make the most of your time here and do what you enjoy. I have had a wonderful year with the music department, and I am sure that whenever I will look back at my time in Canterbury, these happy memories will be a huge part of it.
Congratulations to the Chamber Choir, which participated in an unusual event last Friday at St Michael’s Church, Hernhill.
During the winter months, the church offers the opportunity to escape the pace of the Digital Age, and sit for an hour in a fifteenth-century venue by candlelight, listening to a sequence of music and silence as a means of creating a calm, meditative space in which to reflect and relax.
The Chamber Choir performed an evocative combination of choral music and silence by candlelight, creating a meditative space rich in contrasting colours. The church bell striking eight o’clock during a moment of silence partway through was especially atmospheric, matched by the sighing of the wind in the roof, the creaking of the ancient timbers and the guttering candle-flames dancing in the draughty dark.
A magical experience for an appreciative congregation; the Choir is talking about doing the event again, so watch this (meditative) space…
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.