Wednesday 3 December sees the last of this term’s Lunchtime Concerts from the Society of Strange and Ancient Instruments, in an exploration of Renaissance, Baroque and traditional Norwegian music – 1.10pm, admission is free with a retiring donation. Here’s fiddle-player & singer with the group, Benedicte Maurseth, in interview:
And on Friday 5 December, the Lost Consort launches our musical celebrations for the festive season with a candle-lit performance of Britten’s enchanting Ceremony of Carols for upper-voices and harp, with harpist Emma Murton, conducted by Your Loyal Correspondent, in the historic setting of the undercroft of the ancient Pilgrim’s Hospital in Canterbury. Admission is free, with a retiring collection in aid of the Hospital.
A rousing rendition of Do You Hear The People Sing ? brought the Musical Theatre Society’s lunchtime foyer gig to an energetic completion earlier today.
Led with spirit by this year’s Music Director, second-year Joe Prescott, the Society entertained listeners with a small selection of songs which will feature in their showcase, Time After Time, on Saturday 6 and Sunday 7 December.
Details about the showcase and tickets online here.
The Colyer-Fergusson Hall is looking forward to welcoming this term’s Musical Theatre Showcase on Saturday 6 & Sunday 7 December.
Join a cast of around fifty talented performers as they promise to take you on a evening’s odyssey through a dazzling host of memorable songs, including pieces from Les Miserables, We Will Rock You and West Side Story in ‘Time After Time. The Society presents a sneak preview of some of the songs in a free lunchtime concert on the foyer-stage tomorrow (Weds) to whet your appetite for what’s in store.
Tickets for the showcase are a mere snip at £8 or £5 for students, and can be snapped up here. Meanwhile, here’s a teaser-trailer of the Society working hard in rehearsal…
Last Saturday there was a fantastic concert by the Band of the Coldstream Guards.
As expected the band played with military precision, and there were some virtuosic solos from all the sections, including an stunning clarinettist. A group of them even dressed up in 18th century costume and used original instruments (including a serpent) to play a march which Mozart had written for the band and then used in the Marriage of Figaro.
A great evening and Sue and Sophie now have regimental mugs as a memento! [Photos, please ?! Ed.]
As the Devil danced away over the hill with Joseph the Soldier in tow at the end of Stravinsky’s The Soldier’s Tale on Friday night, our new resident ensemble, CantiaQuorum, danced into being at the end of its inaugural concert,
Formed from top-flight professional musicians based in Kent but often to be seen free-lancing with several London orchestras, Friday night’s concert combined Stravinsky’s morality play with a second half of Walton’s Facade, complete with guest narrators. Posy Walton grinned and guiled as the oily, preening Devil, as well as giving robust earthiness to Joseph in the Stravinsky, and clearly relished switching between characters.
The ensemble returns in February, this time with a programme of Baroque music.
Thanks to Matt Wilson for the photographs from the afternoon rehearsal.
After a sizzling lunchtime concert on Wednesday from three members of CantiaQuorum, our new ensemble-in-residence launches formally on Friday 14 November with Stravinsky’s The Soldier’s Tale and Walton’s Façade – and some very special guests.
Wednesday’s curtain-raising lunchtime concert saw trumpeter Alex Caldon, violinist Alexandra Reid and pianist Matthew King in a dynamic programme, including the little-known Trio by Eric Ewazen which combined elements of rustic Copland with the energetic drive of Bernstein. Violinist Alexandra Reid demonstrated an almost balletic grace and poise in a chiaroscuro instrumental rendition of Bach’s Erbarme Dich, matched by peerless lyricism from Alex on trumpet. Matthew King then turned composer in an encore written especially for the occasion, Tango, which swaggered and sashayed in dazzling and robust twists and turns around the players in a bewitching take on the Argentinian dance, which(quite rightly) brought the house down.
Click to view
The evening concert on 14th November brings devilish entertainment as the full ensemble will unfold Stravinsky’s pin-sharp morality tale of a soldier who sells his violin to the Devil in return for a book that offers visions of the future and lavish riches – but there’s a catch… And there’s a special element to the Walton, as the narrators for Façade are drawn from the local and the University community, including Director of Music at Canterbury Cathedral, David Flood, the Chief Executive of Canterbury City Council, Colin Carmichael, fourth-year Drama student and Music Scholar, Emma Murton and Professor Keith Mander; and whom would one ask to deliver the ‘Scotch Rhapsody ?’ Why, none other than our lovely Music Administrator, Sophie Meikle, whose dulcet Glaswegian tones will lend extra relish to Sitwell’s verse…
If Wednesday’s lunchtime concert was anything to go by, the evening concert on the 14th is going to be unforgettable; and there’s even a glass of wine afterwards and an opportunity to meet the players. Make sure you’re there…
To whet your appetites, here’s the fleet-footed Devil’s Dance.
Tickets and further details about the concert here: and read an interview with Alex Caldon about the formation of CantiaQuorum here.
An exciting new project this year is the development of Invicta Voices, a Choir formed from University alumni and former Chamber Choir members under the direction of last year’s student conductor, Matt Bamford. The Choir met for the second time earlier this week, and here’s what Matt had to say.
This week saw the second rehearsal of Invicta Voices, a chamber choir formed of University of Kent Alumnus. The choir, who are resident in London, meet bi-weekly and explore a wide range of choral music from Byrd and Hassler right the way through to more contemporary music from Gjeilo and Whitacre. The idea for an alumni choir first came about after discussions that many members of last year’s choir were graduating and moving to London and wanted to carry on singing together. The establishing of the choir has fallen hand in hand with the University’s 50th anniversary year and the choir are looking forward to our inaugural concert in the Colyer-Fergusson Hall next year.
On song: Invicta Voices
Our first rehearsal was surrounded by a buzz of excitement and also nerves – not knowing who would turn up, whether the ‘hurricane’ weather would delay people, would people find the venue, do we have enough music… As people arrived it was a case of saying hello to people we had never met and also people who we may not have seen for over four or five years. The most surreal moment came as we sang Barnum’s Dawn. The colour of the piece really suited the sound that the choir made and one of the members commented how strange it was to be singing with ‘familiar faces’ once again. This is one of the most fantastic things about an alumni choir – each member has now carved out, or is in the process of carving out their career and the next steps of their lives yet when we come together and sing we can take a step back to university life whilst looking forward to our upcoming concerts as a newly formed choir.
During our second rehearsal things really took off as we spent two hours getting through as much repertoire as we possibly could. New pieces for all included Ola Gjeilo’s Northern Lights. The choir had the confidence to really sing through the colourful harmony and our ‘choir sound’ began to identify itself. A real excitement also came as we sang through all of Barnum’s Dawn a capella for the first time.
We are incredibly excited to be officially launching the choir at our inaugural concert in March. The opportunity to return to Canterbury and sing in the fantastic Colyer-Fergusson will be a very special occasion for all those involved. Including those who fundraised for the hall in the early stages but are yet to see the new building. With a wide range of repertoire to explore before then, the hard work can now commence.
Continuing the commemoration of the centenary of World War I, the Music Theatre and T:24 Drama Societies come together for a production of Oh, What A Lovely War! from 19th-21st November.
Click to viewKat Edmonds
‘I’m particularly looking forward to seeing the new spin that UKC MTS and T24 Drama Society will bring to this classic production!’ enthuses Katharine Edmonds, Publicity Officer for the Music Theatre Society, almost beside herself with excitement about the project. ‘The collaboration between the two societies is very exciting in itself and I can’t wait for the song and dance numbers! People should come and see the show simply because it’s going to be a lot of fun, and if that’s not enough reason then it’s also extremely topical right now, it being the centenary of WW1. It’s a great opportunity to reconsider our history and get to experience a show that will make the audience feel just as involved in the action!’
The production comes to the Gulbenkian Theatre, tickets and further details can be found online here, and you can follow the production on Twitter @OWALW.
Join up quick: it’ll be all over by Christmas…
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.