Next Tuesday, the concert-hall will host an informal lunchtime concert given by the Radiance Trio, led by first-year Music Scholar and violinist, Lydia Cheng.
The Radiance Trio was formed in the summer of 2013 by violinist, Lydia Cheng (University of Kent), cellist, Angel Ji (University of Toronto), and pianist, Marcus Chiam (University of Toronto) after their trio debut of Butterfly Lovers at the Central Conservatory of Music in Beijing, China. The name is taken from the debut composition with the same title by the trio’s pianist and composer, Marcus Chiam.
During their music tour to China in 2014, they volunteered and performed at the Tsinghua University Hospital as well as a local Beijing orphanage in China, and gave performances in various venues including the Central Conservatory of Music in Beijing. In 2014, the ensemble entered its first ever competition under the tutelage of Mr. Ding Huang and received scholarship from the Ontario Provincial CMC Committee for their performance as national finalists in the Canadian Music Competition. Radiance Trio currently continues to work with the expert coaching of Mr. Ding Huang in Toronto.
The concert is on Tuesday 16 February at 1.10pm, and features Mendelssohn’s Piano Trio and Butterfly Lovers; admission free, find out more on the group’s Facebook Event page here.
At my secondary school I was given the opportunity to perform the Davide Trombone Concertino with the orchestra which was exhilarating.
The festival also offers site-specific sound-installations, spoken word performances and live music; the Quarterhouse will also welcome a Panel Discussion addressing the future of DIY spaces and how they can foster new creative ideas. Folkestone will be buzzing. Probably quite literally.
Fleeing the country and re-locating to England, the Bauhaus-trained Grete Marks had to sacrifice her successful pottery factory – all her pottery and paintings that were left behind were either lost or destroyed. Kurt Schwitters, a leading figure of the German avant-garde, fled to Norway prior to being interviewed by the Gestapo, eventually also travelling to England where, selling small paintings for small fees, he eventually died in obscurity in London in 1948.
The works on display in the gallery, predominantly pictures and some surviving pottery by Marks, include stark portraiture of friends made in England, as well as landscape views created in the Lake District and Spain. The images speak of loss, the post-emigration portraits looking out at the viewer with a sense of isolation. The floating colours of Two Boys from 1930 have a life and movement absent from stark portraits made after her arrival in England, whilst the landscapes seem to show a desire to engage with and to find a new home – they speak of new efforts to build a connection, a need to continue to create.
Amidst the mute testimony the exhibition provides, there is a particular poignancy about some of the music in the programme which Minerva Voices will perform at the #EarBox event next week. Gounod’s intimate motet, Da Pacem Domine, ‘Give peace, Lord,’ acquires a greater profundity in the context of the upheaval and terror implicit in the paintings. The medieval Kyrie setting, written by Hildegard von Bingen, sees two creative women looking at one another across the intervening centuries. There is also something especially moving about Brahms’ famous lullaby, Wiegenlied, which bids a moving, poignant farewell;’ Lullaby, good night…Tomorrow morning, if God wills, you will wake once again.’
The new exhibition reawakens the importance of Marks and Schwitters; come and experience the dialogue between art and music for yourself on Friday 12 February; admission free, more details 
I have been very lucky in terms of my musical experiences before I arrived at the University of Kent. I have been playing the flute now for 12 years and during these years I have been playing in many ensembles, bands and orchestras at both my Secondary School, Bullers Wood School for Girls and my music school The Bromley Youth Music Trust (BYMT). BYMT played a significant role in my life before leaving for University. Once I had started secondary school I played in the wind bands on a Saturday morning, starting in Training Band and working my way up to Symphonic Winds and the Concert Orchestra playing both the flute and piccolo. Prior to this I had played in the Junior Band when I first started playing the flute. Playing in these wind bands gave me wonderful opportunities such as playing at the Fairfield Halls in the Bromley Schools Proms. In my final year at BYMT I played with the touring Youth Band (Bromley Youth Concert Band), and we toured to the South of Spain playing 6 concerts, two of which were a part of the Granada Music Festival. As well as the Wind Bands and Orchestras, I was lucky enough to play with the award winning group ‘40 Flutes’. As a part of Music for Youth, we played at the Royal Albert Hall, twice, which were extremely memorable and rewarding experiences.