Many thanks to the illustrious Delta Saxophone Quartet, who gave the first of this term’s Lunchtime Concerts in the concert-hall yesterday, and who then stayed on to work with some of the students exploring music both on and off the printed page…
First-year Philosophy, Religion and Ethics student and musician, Sara Davies, reflects on the recent opportunity to work alongside the Chan-Jack Duo on their recent visit to perform in Colyer-Fergusson as part of our Lunchtime Concert series.
On Wednesday, I had the pleasure of watching the superbly talented Chan-Jack Duo play their EP Air as part of the series of lunchtime concerts in Colyer-Fergusson Hall.
This included a 50 minute set of five songs that perfectly blended the east and the west whilst incorporating a multitude of genres from rock, pop, classical, Latin and many more.
I was totally enthralled by the immense talent of both Laure Chan (on violin) and William Jack (on cello and guitar). Their music, a fusion of different cultures, was colourful, emotional and transformative.
After the concert, I had the opportunity to participate in an improvisation workshop with the duo, where we created a fusion that revolved around the pentatonic scale. We explored the different ways in which our instruments could make non-melodic sounds, and I was able to use the body of my guitar to create amazing percussive lines alongside the other instruments.
Towards the end of the workshop, I had the honour of performing one of my original songs to the duo which was amazing! The support and feedback from both of them was particularly help as well!!
All in all, I have to say the Chan-Jack Duo have definitely been my favourite concert here at the university and the opportunity to work alongside them is something I will remember forever.
Last week, the award-winning folk group, Fara, came to perform in Colyer-Fergusson Hall; before the gig, they held a workshop which several string-playing students attended, including third-year Law student and Music Scholarship violinist, Lydia Cheng. Here, Lydia reflects on the day…
When we were first invited to participate in an Orkney folk music workshop, I think it’s safe to say we were all more than a little bit skeptical. It certainly didn’t help that when we showed up, being a group of classically-trained violinists, we were told that we wouldn’t be getting any sort of sheet music and that we would be learning it all by ear.
Once the workshop began though, I began to fully appreciate the art that is folk music. The members of Fara took us through four eight-counts of a jig and while it was no easy feat to remember it all, I’d like to think we did it at least some justice. I loved that we were able to move past the routine of reading sheet music and playing whatever was put in front of you and become more creative with our music-making, from just swinging rhythms to adding ornamentation. Never in a million years did I think something I learned in a folk workshop could be applied to classical playing. But yet I found myself making notes of how to improve my playing using folk techniques.
All too soon, the workshop was over and while we still couldn’t play with Fara up to speed, I think we all enjoyed the process immensely. Many Sinfonia members and I talked about the possibility of learning the jig and getting it concert-ready (stay tuned for that!).
We then got to enjoy (after our typical string-players evening meal, of course!) a full two-hour set from Fara. We got the full experience as they played, sang, and talked us through their own compositions as well as tunes they’d picked up over the years. I think I speak for all of us when I say that I have a newfound appreciation for Orkney folk and more than a couple of us have had Fara’s album looping on Spotify in the days since.
To be able to learn from and then enjoy a delightful concert from Fara was truly inspiring and something I would jump at the chance to do again.
Thanks to Fara for leading the workshop with the students, and for a terrific gig afterwards! Our best wishes as you continue on your 2018 tour…
After a mesmerising lunchtime concert from the Martin Speake Trio on Wednesday, some of the University students had the opportunity to work with the musicians in the workshop that followed.
Led by saxophonist Martin Speake, the students shared insights into aspects of jazz and improvisation with guitarist Mike Outram and drummer Jeff Williams, exploring in particular Secret Woods, one of the pieces the trio had played in the lunchtime concert. The musicians examined what working together as a group involves, the role of different instruments and aspects of space and silence in music; as Mike Outram put it, “I think of space [in music] as active, rather than passive. You’re actively putting it out there.”
A terrific opportunity for some of our musicians to learn from three of the finest musicians working in the world of jazz. Our thanks to the trio.
After their mesmerising lunchtime concert last week, sitarist and composer Jonathan Mayer and tabla-player Mitel Purohit stayed on to lead a workshop with some of the University students, exploring aspects of Indian classical music.
Our thanks to two stellar musicians for sharing their insights with our students.