Musical nostalgia from Brazil in today’s #MinervanMiniatures piece rediscovering forgotten piano repertoire written by women composers.
Today, it’s ‘Souvenirs du Passé‘ by Emilia P Dormund, published around 1904; the piece appeared in O Malho, a satirical weekly publication in Rio de Janeiro between 1902 and 1954; until 1926, the magazine regularly published a piano composition as part of its content.
Enjoy this lyrical, slightly melancholic waltz, a musical memory of the past…
Listen to more in the series’ playlist here.
It’s time to don your dancing-shoes for today’s episode of Minervan Miniatures, our series dedicated to exploring forgotten piano repertoire by women composers: ‘Odilia’ (tango) from ‘Mis pequeños amigos’ by Maria Lluisa Ponsa (1879-1919), published around 1918.
Watch the unfolding series in the Playlist here.
The series exploring forgotten piano repertoire by women composers, #MinervanMiniatures, unearths this finely-wrought gem by Otillie Heinke (1823-1888), the Sonatine in F major, published around 1876. Enjoy the almost Valkyrie-in-miniature passage in the development, as a gently heroic theme in thirds echoes between the left- and right-hand.
See the developing playlist here.
Today marks the 150th anniversary of the birth of the American composer, concert-pianist and educator, Amy Beach. She achieved widespread recognition not only for her compositions but also for her career as a concert-pianist, performing in both America and Europe. Known as the ‘Dean of American Composers’ after the premiere of her Gaelic Symphony in 1896, she became a major figure representing women working in the arts at a time when – as still – it was dominated by men, and establishing an identity for herself was a struggle. On concert-stages throughout Europe, she flourished as a performer of both her own works as well as the usual bastions of piano repertoire. Her legacy includes a wealth of choral and orchestral music, songs, a piano concerto (written to demonstrate her own capabilities) and chamber music.
To celebrate her anniversary, here are two pieces from her delightful Children’s Album, Op.36 – a collection which displays her lyrical creativity, a boisterous sense of fun matched with a highly expressive harmonic ear, and also, in the ‘Waltz,’ a wonderful melodic sense tinged ever so slightly with a hint of melancholy. Both pieces are played in the concert-hall by Your Loyal Correspondent.
Amy Beach: Waltz
Amy Beach: March
And here is the charming Columbine from her Op.25 set, Children’s Carnival.