Tag Archives: Orchestra

Scholar’s Spotlight: Jonny Easton

February 17, 2020 Daniel Harding Leave a comment

Continuing the series profiling this year’s new Music Performance Scholars and Award Holders. This week, first-year trumpeter reading Italian, Jonny Easton,

I began playing when I was very young, as both my father and grandfather are brass players. I started trumpet lessons in Year 2 and was in the school band by Year 3. At that point there were about 18 of us in it (with an extraordinarily heavy trumpet section… the word cacophonous springs to mind…) By the time I left the school in Year 13, however, the junior school band that I was helping run had about 45 kids in it, and the senior one also had around 40 players.
My school had an excellent music department, and I was hugely lucky to get the opportunity to perform with Black Dyke Mills Brass Band, the Royal Marines Band, The London Mozart Players (for a remembrance concert in which I provided a solo accompaniment to a massed choir; an incredible experience), London City Big Band, and Jason Robello and his Trio.

Although I predominantly play the Trumpet, I was the Soprano Cornet in my school brass band for the entirety of my time in secondary school and sixth form, which I enjoyed tremendously as the Soprano part tended to be a little more interesting than the solo cornet’s.

I have been extremely fortunate to have had the opportunity to go on tour with my school brass band several times, to Paris, Italy, Austria, Barcelona and Prague, all of which were awesome trips (especially as I had a good group of friends there too!)
From the age of 11, I have spent many an hour each Christmas carolling with Salvation Army musicians, often playing leading parts but also at times playing second or third melodies.

Since finishing school, I kept up my playing, albeit to a lesser extent, while working at a Prep School in my gap year. I was helping out in ensemble rehearsals, providing a little extra tuition for a few of the boys before their music exams, and also standing in (very suddenly and without much notice!) to accompany their end of year shows. Admittedly, a lot of this job consisted of chasing down boys who had forgotten to come and see me when we’d agreed on a break time – they were always, however, exceedingly apologetic.

Since starting at the university, I’ve been involving myself in a number of groups: Symphony Orchestra; the Big Band; General Harding’s Tomfoolery (a 1940’s style swing band); the Concert Band; and at times dropping into a brass ensemble. Concert preparation was underway by Week Two, and before Christmas the Orchestra, Big Band and Tomfoolery group each had a concert – it was demonstrated to me quite how nice it is to perform in a space like the new(ish) concert hall.

Coming up before then end of this term is an Orchestral concert in the Cathedral (we’re playing Saint-Saens’ Organ Symphony and Durufle’s Requiem – both massive pieces which will be awesome to play in such a venue), a joint Big Band-Concert Band concert in the Colyer-Ferguson hall, and a Tomfoolery lunchtime concert – with dancers! I will also be playing in a chamber orchestra children’s concert of Peter and the Wolf; which I rather hope they’ll be resurrecting David Bowie to narrate…

Notes on Music

Find out more: Weds 18 September

September 12, 2019 Daniel Harding Leave a comment

With Welcome Week about to burst into vibrant activity here at the University, make sure you come along to Colyer-Fergusson on Wednesday 18 September to find out about getting involved in extra-curricular music, whatever you are studying.

Between 11am and 3pm, members of the music staff and the various Music Societies will be on hand to enthuse about the many opportunities to get involved in music as part of student life at Kent. Visitors can look round the award-winning Colyer-Ferguson concert hall, practice rooms and band room, as well as learn about the differing ways in which to become a part of music: whether it’s singing with Chorus, Chamber Choir, Cecilian Choir or the upper-voice choir, Minerva Voices; instrumentalists can join the Symphony Orchestra, Concert Band or Big Band, and there are other music societies active during the year including the Musical Theatre Society.

Plans for the Wednesday event include live music on the foyer-stage throughout the day, and there’s the possibility of a Scratch Orchestra play-through of popular film scores, and even choruses from Messiah.

We look forward to welcoming you through the doors of Colyer-Fergusson during Welcome Week, and especially next Wednesday – come and find out how to make rehearsing and performing a part of your university experience, whatever course you may be studying!

Notes on Music, Summer Music

Summer Music Week: Saturday Gala concert

June 13, 2019 Daniel Harding Leave a comment

Congratulations to everyone involved in Saturday’s annual Music for a Summer’s Day Gala concert, the crowning event as part of Summer Music Week.

The University Chorus, Orchestra and Chamber Choir each gave a final, valedictory appearance in seasonal, summery music, whilst the members of the Limoncellos filled the foyer before the concert with stirring film tunes and pop music arrangements.

Assistant conductor Hannah Ost rehearsing the Chamber Choir ahead of the concert

The Limoncellos performing in the foyer ahead of the Gala concert

Final-year sopranos Helen Sotillo and Fleur Sumption brought a packed hall to tears with a rendition of You’ll Never Walk Alone on the final occasion of their singing with the Music department in what has proved to be a memorable year for both ladies.

The incoming President of the Music Society, second-year Owen Kerry, provided some scene-stealing moments as he deftly wielded name-cards (and at one point a mobile phone for a couple of selfies…) as part of An Illustrated Guide to the History of the Symphony.

And final-year flautist Robert Loveless was handed the baton to conduct the traditional encore which brought the concert to a rousing conclusion.

Following the concert, audience, performers and guests spilled out into the marquee for the annual cream tea, for which the sun shone and blue skies bloomed overhead.

What becomes apparent at the end of the Gala concert is what a wonderful sense of community has been built up during the academic year by everyone involved in extra-curricular music-making at the University. It’s a real tribute to how committed everyone is, and how involved they have become, to see so many of those graduating so moved by the occasion of their final appearance; parents, friends and family all coming along to support throughout the series of events often remark on how much being a part of music at Kent has meant to the students involved throughout their time. There’s a lovely feeling of camaraderie throughout the entire week, as the various ensembles gather for a final musical hurrah before the academic year ends.

Our thanks to everyone who has been a part of the Music department across the year; undergraduate and post-graduate students, staff, members of the community and all the alumni who have returned at various points either to participate or to be part of the audience. To all those who are leaving this year: thanks for all your contribution – hail and farewell!

International Impact, Music and Wellbeing

Leaving your comfort zone: Corinna Jung on her musical year at Kent

June 13, 2019 Daniel Harding Leave a comment

Corinna Jung came to the University in September from Germany to study International Criminal Justice as a postgraduate. Here, she reflects on her musical time at Kent and the importance of music to her life alongside her legal studies.

When I was considering universities to apply for my postgraduate studies, not only was I trying to find one, which mirrors my academic interests best, but also it has been equally important for me to choose a place, where I can make music and play the violin in an orchestra again.

During the six years of my undergraduate degree in Germany, I was a member of the University Symphony Orchestra, and as I look back, many of my best memories of my study time in Germany have a musical background: I enjoyed making music with people, who share the same passion for music as I do and I met wonderful colleagues who have become my best friends over the years. In addition to that, I am sure I wouldn´t have managed to deal with all my exams and assignments without that kind of support and balance. Therefore, I was more than happy to realise that the University of Kent not only has a fantastic law school, but also a strong music department with plenty of opportunities for students to get involved in. Regardless of
whether you play the violin, the trumpet or sing – there are so many different student ensembles to join!

Corinna (fourth from left) with members of the String Sinfonia after performing Vivaldi’s ‘Gloria’

After last week’s wonderful Summer Music Week, I reflect upon
my time at Kent and can say: what an incredible year full of music it has been! When I joined the first rehearsal of the Symphony Orchestra in September, I was excited to see how they would rehearse and what kind of pieces would be played. The concert in December has been my first one with this orchestra and I enjoyed performing in the wonderful Colyer-Fergusson hall as well as playing a wide range of pieces, both with and without chorus.

Strings attached: Melody, Zaneta (leader), Corinna, Millie, Molly and Rosie after the Cathedral Concert

After the concert, the director of the String Sinfonia, Floriane Peycelon, asked me if I would like to join the Sinfonia from the next term on and all I can say is it turned out to be one of the greatest musical opportunities I have had so far! As a string ensemble, we have been involved in many different concerts over the year, including lunchtime concerts, the Dido and Aeneas performance in February in which we performed Purcell’s opera with the University Cecilian Choir, the premiere of Between Worlds with the amazingly talented violinist Anna Phoebe last week and – last but not least! – our ‘own’ Sinfonia concerts in which we played wonderful – and quite challenging – compositions for strings, such as Tchaikovsky’s Serenade and Britten’s Simple Symphony.

Bows at the end of the production of ‘Dido and Aeneas’ in Colyer-Fergusson Hall, Feb 2019.

The String Sinfonia rehearsing in Colyer-Fergusson Hall

One of the highlights of the academic year for me has definitely been the concert in Canterbury Cathedral in March and performing in this unique location was a special experience for me. Beyond that, the Summer Music Week, comprising of a series of concerts with different themes, from an easy-going summery concert with McMozart and ‘Dance of the Comedians’ to a more serious and formal Between Worlds concert. And finally, the Gala concert, featuring Symphony Orchestra and University of Kent Chorus and Chamber Choir. It was a fantastic way to end my musical year at Kent.

I would like to say a huge thank you to Susan Wanless, Daniel Harding and Flo Peycelon – you’ve always made me feel very welcome and appreciated as part of the ‘team’ and you put tremendous effort and energy in creating all these opportunities
for students who want to make music to a high standard and who want to find an important balance alongside their studies. The same applies to my Sinfonia colleagues; you have been so lovely and open-minded!

You can just glimpse Corinna in the crook of Anna’s arm…

Therefore I encourage every (overseas) student to get involved in the musical life at Kent, no matter how awkward it will be at the beginning to leave one´s own comfort zone. And even if it might just be for a year, make the most of your time here and do what you enjoy. I have had a wonderful year with the music department, and I am sure that whenever I will look back at my time in Canterbury, these happy memories will be a huge part of it.

Scholars Spotlight

Scholars’ Spotlight: Florence Nightingale Obote

May 9, 2019 Daniel Harding 2 Comments

Continuing the series profiling University Music Performance Scholars and Music Award Holders at the University of Kent. This week, third-year Biosciences student and violinist, Florence Nightingale Obote reflects on a less than auspicious start to her violin-playing career…

I have been playing the violin for 15 years. I started at the age of seven and have no memory of my first ever violin lesson or the first time I held a violin underneath my chin. My violin teacher, however, remembers it fondly and never ceases to tell me. She’d always say to me, “I remember you when you walked through the door. Your shirt and trousers were way too big for you because you were so tiny, and the moment you held your violin under your chin: you had the biggest smile on your face.”

Even though I do not remember this, I remember my very first violin concert very well. I was playing the French folk song with three other violinists. We practised ample times for the concert, and all seemed fine. But the day of the concert was a whole other issue. So, we walked onto the stage, and bowed at the applause. Then our violin teacher counted us in. As soon as I heard four, I knew I had to start playing, but I didn’t. Instead I was stood there frozen with my bow on the violin while the others were playing the right notes in all the right places. I looked to my parents on the second row who were trying their best to not laugh which started to make me giggle. Then I distinctively remember dropping my bow, and in the process of picking it up I almost whacked one of the other players. After picking up my bow, I tried to find my place, but at that moment, I forgot how to read music, so I just started playing random notes hoping no one would notice. And after the concert, my violin teacher said to my parents at the that I had potential. So, the violin and I did not get off to a great start.

I did improve as the years went passed. Year 7 was when my violin journey started to accelerate. In secondary school, MHCHS, I played in all the possible orchestras I could join. This consisted of chamber orchestra, symphony orchestra, Vivaldi strings, string group, and so on. In year 9, MHCHS did a project with the Royal Philharmonic Orchestra, and I was given the opportunity to play the Vivaldi concerto for four violins accompanied by them. A year later, I got the opportunity again to play the Corelli Christmas concerto accompanied by them again. Both were conducted by Benjamin Pope.

Whilst doing all these things in school, I also joined music groups externally. I was part of the Finchley Music strings for a couple of years where I joined Jazz strings as well. I wasn’t very fond of it because I was of being classically trained on the violin, but like my 7-year-old self I decided to persevere with playing Jazz on the violin (it did not last very long). Towards the end of year 9, I played in the Barbican Youth Orchestra where we got to play a several orchestral works, including the famous Romeo and Juliet overture by Tchaikovsky, and works by Glinka and Mozart.

Going back to year 7, I joined a chamber group until year 12. I got to play in trios, quartets, sextets, septets, and octets. We played a plethora of music, with my favourites being: Death and the Maiden by Schubert, Mendelssohn’s Octet, and Dvorak’s American quartet. We also entered music competitions and participated in music festivals. Because of this period in my life, I will always love playing chamber music more than anything else.

During my year-in-industry, I went to Thailand where I joined the Thammasat University Symphony Orchestra (TUSO). I got to meet so many lovely people and had the opportunity to play gigs around Thailand and travel with them to Laos to play at Laos university. The orchestra was quite different to orchestras previously I’ve played in, in the UK. They played more music that appealed to students to get more recognition and they also arranged music from famous TV dramas and K-pop songs. It was very relaxed, and I had a great time playing with them.

I’m coming up to the end of my final year studying Bioscience at the University of Kent, and the music opportunities in the university has been incredible. I’ve played in the Symphony orchestra, String Sinfonia, and have played chamber music with several people. After Kent, I hope my music journey will continue.

I’d like to give a special thanks to my father who is the reason why I started playing the violin.

Notes on Music, Summer Music

Summer Music Week details now online

May 1, 2019 Daniel Harding Leave a comment

We’re very pleased to reveal the full line-up of events for this year’s Summer Music Week live online this morning!

Launching on Friday 31 May with a sonorous concert by the Chamber Choir and Consort in Canterbury Cathedral Crypt, our musical farewell to the academic year unfolds over the next eight days to include a trip to the seaside with the University Big Band at Deal Bandstand, a recital by University Music Scholars, a Gala concert with the Concert and Big Bands, the String Sinfonia and Chamber Choir in the premiere of Between Worlds exploring music and science by Anna Phoebe, all culminating in the annual Music for a Summer’s Day with the Chorus and Orchestra bidding a tearful farewell to this year’s music-making.

See all that’s to come, grab your tickets and help us celebrate another musical year in the life of the University as it draws to a festive close. The brochure will be available shortly…

International Impact, Keeping It Real: reviews.

In pictures: Colyer-Fergusson Cathedral Concert

April 1, 2019 Daniel Harding Leave a comment

Congratulations to everyone involved in last Saturday’s annual Colyer-Fergusson Cathedral Concert; to all the performers in the University Chorus and Symphony Orchestra, the stewards, those working behind the scenes, conductor Susan Wanless and soprano soloist, Rachel Nicholls.

The early shift: Alice, Fleur, Tom, technician Marc and Estates member, Mark.

Members of the Music Society Committee confer during the morning set-up at the Cathedral

The view from the top tier of the soprano section of the University Chorus

Drummer boy: alumnus Cory, back to play percussion

The violin section, led by third-year Music Scholar, Zaneta Balsevic

Soprano soloist Rachel Nicholls rehearsing Poulenc’s ‘Gloria’

The view from behind the Orchestra as it rehearses Mendelssohn’s ‘Italian’ Symphony

Conductor Susan Wanless rehearsing Butterworth’s ‘A Shropshire Lad’

The evening stewards: Alex, Kiyan, Euan, Eloise and Tom

Some familiar faces back to take part: Alice H, Charlotte, Ben, Ruth, Alice B, Cory and Alice Sh!

A soprano selfie: but only if your name is Alice…

Chorus members Carmen, Maddie, Helen, Nicholas, Fleur (President of the Music Society), and Joseph

Strings attached: Melody, Zaneta (leader), Corinna, Millie, Molly and Rosie

Leader of the Symphony Orchestra, third-year Music Scholar Zaneta Balsevic

Scholars Spotlight

Scholar’s Spotlight: Megan Daniel

February 25, 2019 Daniel Harding Leave a comment

Continuing the series profiling new Music Performance Scholars and Award Holders. This week, first-year Law student, flautist and saxophonist, Megan Daniel.

When I was 8 years old, I found my Auntie’s old flute in the attic and I was determined to be able to make a sound out of it. So, I began lessons and immediately discovered my passion for music. Soon after, I started piano and alto saxophone lessons and, 10 years later, I can say I have achieved grade 8 distinctions in both flute and jazz saxophone.

Throughout my school years, I was an enthusiastic music student, finding myself to be involved in almost every ensemble possible, such as concert bands, big bands and choirs. I was a member of my local student wind ensemble for 9 years and my county-wide ensemble in Hampshire for 5 years, taking on the responsibilities of principle saxophonist in each. In these ensembles, I was able to tour around Europe, playing in Berlin, Prague and the Black Forest, as well as many others! These were amazing opportunities which allowed me to visit places I may not otherwise have been able to see.

When I was 15, my school big band were lucky enough to be invited to play at the Montreux Jazz Festival in Switzerland – we played two shows to an audience of around 600 people, and it was the best experience of my life! Consequently, we were invited back again for two consecutive years. The same year, our big band and wind band won the regional Music for Youth competition and made it through to perform in the finals, held at Birmingham Symphony Hall, one of the country’s most incredible concert halls.

As I got older and joined college, more opportunities arose for me. I began to learn the clarinet, which allowed to me perform in pit bands for various musicals, such as‘Anything Goes and Guys and Dolls. I soon realised my immense love for playing in pit bands for musicals, because the vibe is really exciting and the music itself is so much fun to play! It was here that I truly began to appreciate the community that playing music allows you to be a part of.

Last year, I was a founding member of a student led wind ensemble which was assembled by a close friend of mine. What began as just a wind ensemble grew into an orchestra, big band and string ensemble that still put on concerts today, including a jazz evening this Easter! We play a mixed range of repertoire, from Holst’s First Suite in Eb to Malcom Arnold’s Four Scottish Dances.

In my final year of college, I played alongside the Scots Guard at Buckingham Palace with Hampshire County Youth Wind Ensemble, performing the Lord of the Rings symphony. To play amongst such talented musicians was amazing! Also, in April 2018, the same ensemble was invited to perform at the Royal Albert Hall and participate in the ‘Hampshire at the Hall’ event that had been organised by Hampshire Music Service. Our group played A Jazz Funeral by Christopher Coleman, which features two complicated alto saxophone solos which I was lucky enough to play. This was a truly nerve-wracking but extraordinary experience which I will never forget.

As a law student at Kent, I continue to enjoy music as an extra-curricular activity and as a way to relax after lectures and seminars. I am part of the University’s Concert Band, Big Band, Chorus, Cecilian Choir and Symphony Orchestra and Flute Choir.