Tag Archives: Chamber Choir

Around the blogs this week

Over on the choral blog, Cantus Firmus, there’s a look back at the University Carol Service that took place on Monday night at Canterbury Cathedral, at which the University Chamber performed, processed, and managed not to set light to anything flammable…

There’s also a look at some of the contemporary repertoire facing the University Cecilian Choir, ahead of its concert next term.

Writing
Mightier than the sword…

And in case you missed it, conductor of the University Big Band, Ian Swatman, ponders the inevitability of next week’s Swing-along-a-Santa over on On The Beat.

Meanwhile, we’re all preparing for tomorrow night’s concert with the University Chorus and Symphony Orchestra in the usual end-of-term extravaganza. See you on Monday…

In Pictures: University Chamber Choir; Music for Advent

The University Chamber Choir began its performance series last Friday, with a sequence of music and readings for Advent at the church of St Damian & St Cosmus, in Blean.

Our thanks to the team at Blean church for making us so welcome, and helping us to launch the beginning of the Advent season. Next stop for the Choir: the University Carol Service in Canterbury Cathedral…

Images © Matt Wilson / University of Kent

Britten, Brodskys and Bethlehem Down: music this week

A busy week this week for the department.

Wednesday’s lunchtime concert sees the continuing #Britten100 celebrations from the award-winning Kent College Choristers, as they bring his Friday Afternoons for voices and piano to the Colyer-Fergusson Hall at 1.10pm.

Kent College Choristers
Kent College Choristers
The Brodsky Quartet
The Brodsky Quartet

Then, on Friday evening at 7.45pm, the Colyer-Fergusson Hall hosts a return visit from the Brodsky Quartet with its contribution to our tripartite centenary observance with music by Britten, Verdi and Wagner; there’s also music by Frank Bridge, Britten’s teacher, on the programme.

Finally, also on Friday evening, the University Chamber Choir will be marking the beginning of the Advent season with a sequence of carols and readings at the Church of St Damian and St Cosmus, Blean, in what seems to be becoming an annual tradition! Woven around the great Advent antiphons is a collection of carols old and new, poems and prose exploring the meaning of the Advent season.

Advent_flyer

Plenty to celebrate this week. More details on our online events diary here.

New Autumn events now online

Drum-roll please….our new Autumn music events details are now online!

Marici Saxes
Marici Saxes

Kicking off in October with the Marici Saxes, the Lunchtime Concert series also sees music from Covent Garden Voices and the KD Jazz and Dance Orchestra. The Brodsky Quartet returns with a concert celebrating the musical anniversaries of Wagner, Verdi and Britten, and there’s also Britten from the award-winning Kent College Choristers in Friday Afternoons. We are very excited that the Doyenne of Wagner, Dame Anne Evans, will be giving a singing masterclass and also appearing ‘In Conversation’ to talk about her career on the stage in November.

KD Jazz
KD Jazz & Dance

The University Chamber Choir will celebrate the beginning of the Advent season at Blean Church, and the December concert with the Chorus and Orchestra includes Vivaldi’s ever-popular Gloria alongside Respighi , Verdi and Cimarosa.

Our informal series of foyer-gigs, Watch This Space, will burst into life again on the foyer-stage, starting with live jazz in October, and the University Big Band will be providing some seasonal entertainment to round off what promises to be a very busy term.

The Brodsky Quartet
The Brodsky Quartet

We’re pleased to welcome the Canterbury Festival, who will be bringing the English première of a new opera by Sally Beamish in a double-bill with Britten’s Curlew River, and pianist Mikhail Rudy exploring Mussorgsky’s Pictures at an Exhibition. Other visitors to the Colyer-Fergusson concert-hall include John Harle and the Festival Chamber Orchestra, Ashford Choral Society, Simon Langton Girls’ Choir and Caritas Chamber Choir.

See for yourself online here; you can also download the new brochure (PDF) here.

 

Be My Guest: recent graduate and singer Dan Pargeter on choral life after Kent

Recent Classics graduate, Dan Pargeter, on musical life at Kent, and continuing choral life afterwards in a new barbershop group named after a former well-known rehearsal venue on the campus…

 

I have often wondered, just when exactly would it be my time to contribute to this space? And what would it be that I contribute? I have read the pieces that precede this one, many written by talented musicians who I am fortunate enough to call friends. Friends with whom I have spent countless happy hours, over the course of my university career, making music. One more time then still, allow me to join you. Fitting is it that the occasion I write about now began at the University of Kent.

First Music Social – I arrive a little late, who would’ve thought, me!? Better late than never. For me before, not ever has the phrase rung so true. Told to join something, anything, at university; a music society was better than I had hoped. Monday night Chorus rehearsals? Yeah, why not, a great way to start the week. Hmmm Tuesday evening Chamber Choir practice, sign up for auditions here. A little soon after Monday, but well, nothing to lose right! Apart from my voice almost, before my audition, but that’s the state it’s in at the end of Freshers’ week and immediately after football trials. Just give it your all. 110% even! Evidently I was still in football trial mode.

What a wonderful four years it was. University Chorus, Chamber Choir, Cecilian Choir, even a spot of barbershopping. Rehearsals, concerts, soirees, champagne receptions. Of course I’d do it all again, exactly like that, in a heartbeat. But unfortunately it cannot be.

So what now?

Keep singing. And so I did.

I received an email about a choir that was based not too far away from me, which rehearsed on a Monday night 7.15-9.30pm. ‘Hmmm,’ I thought, ‘I’ve done that before.’ A little earlier a start than I am used to perhaps, but I’ll most likely be late every week of course so actually it is quite perfect.

Rehearsing for my first concert with the choir. Early days but how it felt good to be singing again. Life after Kent.

An opportunity arises. There’s a vacant spot in the concert. They are interested in the barbershop group I’d briefly mentioned at some point. ‘Wow, yes, that would be great.’ So I ask the boys, send over a recording, and we are in the programme as guest performers. Our first gig on pastures new.

Interested in the barbershop. Naturally. Look at us. Interesting bunch to say the least…
Interested in the barbershop. Naturally. Look at us. Interesting bunch to say the least…

A wonderful reason to get together with the old gang. With a month to prepare, we will give it our all and hope for the best.

June 29th, 2013 – Royal Opera House Fused Festival

The beginning of a long day. The boys stayed at mine the night before. A quick sing-through our programme but little more than that. We arrive at the venue, the London Cruise Terminal, shortly before midday. Not quite sure what to expect, we receive a warm welcome from the events team. We are swiftly guided through to the performance space, where we await our scheduled sound check.

First glimpse of the venue
First glimpse of the venue

Ah, an encouraging sign. I notice a smile on the face of a member of the sound team when we finish our first line. Hopefully not the last smile of the day! We sing through our set, careful not to do too much, and once everyone is satisfied we thank the crew and depart the performance area. However this doesn’t mean that today’s preparations stop here. I still have a rehearsal with the Chorus. And then there are the two workshops that the barbershop has signed up to. An action-packed day ahead!

At 2pm, finished with Chorus rehearsal, I head over with the other chaps to take part in the Male Voices workshop. Involving professional musicians, this one is led by a particularly charismatic chap whose energetic style is evident from the beginning. This is just what we need to motivate ourselves for tonight. We explore the male voice through a series of sing-backs and rounds, taking us from the bottom of our “chest voice” through to the top of the falsetto. Something for everyone!

3pm sees us begin the Vocal Warm-ups class. Having done 3 hours of singing today, voices feel warmed-up already. In fact, rather tired is more accurate! Regardless we power through.

The basics reiterated, current knowledge refined, and new techniques to further explore, the workshop leaves us all feeling thoroughly warmed-up and singing in best voices. I personally feel somewhat rejuvenated and fresher than before I went in. The barbershop vow to perform a thorough warm-up before every rehearsal in the future! Good intentions.

And now a couple of hours rest before the evening concert. Or so we thought… We ask one of the event organisers if they could perhaps take a photo of the four of us together. ‘We have a professional photographer for this sort of thing,’ cometh the reply. Well, how lovely!

An hour later, and a hundred or so shots, we have just completed the group’s first photo shoot! Did not see that one coming. Feeling like stars (see below), we sit down, relax, and wait.

“Gentlemen. Introducing… Gentlemen!”  L-R: Charles Green, Dan Pargeter, Steve Graney, Adam Abo Henriksen
“Gentlemen. Introducing… Gentlemen!”
l-r: Kent graduates Charles Green, Dan Pargeter, Steve Graney, Adam Abo Henriksen

Buttons buttoned, laces laced, cuffs linked. We’ve even found time to sit and enjoy the first half of the concert! But now we are backstage waiting to hear our name.

‘Old. Telephone. Exchange!’

‘Old Telephone Exchange,’ I repeat to myself. I smile. We exchange nods. That’s us. We are ready. I walk out to take the stage, stop and turn. We face an audience of four hundred, our biggest yet, and bow in response to a very warm welcome. Experiencing a cocktail of emotion, I compose myself and give an Ab. Immediately the note blossoms in my head into the first chord. Excited, I take a deep breath…

At the end of our performance. We felt it went okay...
At the end of our performance. We felt it went okay…

And yes, even though this music-making wasn’t on familiar ground, as our voices began to fill and resonate in a new space, I think I can safely say that our feet were still very much firmly planted on the floor of the room that we knew as The OTE.

Clearly with feet not firmly planted, and not on the floor of The OTE, this one is undeniably for you, Mr Dan Harding...
Clearly with feet not firmly planted, and not on the floor of The OTE,
this one is undeniably for you, Mr Dan Harding…

Dan Pargeter

To keep up-to-date with the Old Telephone Exchange, follow them on Twitter. For further details on the group, visit the group’s website www.t-o-t-e.co.uk. Hopefully, we’ll be hearing a lot more from them in the future…

 

Review: Chamber and Cecilian Choir concert

Second-year Matt Bamford reviews last week’s choral concert during Summer Music Week.

The Church of St Paul’s Without was the setting for Music for a Summer’s Evening, where the University of Kent Chamber and Cecilian Choirs, conducted by Dan Harding and Emma Murton, joined forces to provide an evening of fantastic entertainment.

The Cecilian Choir
The Cecilian Choir

With proceeds in aid of Soldiers, Sailors, Airmen and Families Association (SSAFA) Forces Help, the audience quickly filled the church and eagerly awaited A Ceremony of Carols composed by Benjamin Britten. Whilst the audience entered, they were treated to a selection of pieces by a string quartet consisting of pieces from Queen to Vivaldi.

A Ceremony of Carols begins with a solemn plainchant before going into ‘Wolcum Yole!’ where Emma Murton began to accompany the Cecilian Choir on the harp. The audience were then treated to a solo by Hannah Johns which was very well executed. Another solo from Aisha Bové followed and the balance between Aisha and the supporting choir was perfect. Ann-Kathrin Kirschbaum and Montana Slattery both excelled in solos in ‘In Freezing Winter Night.’

My highlight from the work, however, was ‘Deo Gracias’ which was sung with enthusiasm and fantastic diction. It was very easy to understand the words of the 15th Century Text ‘Adam Lay Ybounden’. Carina Evans then cleverly accompanied the Cecilian choir in two modern pieces which were a real contrast to Britten work.

Carina Evans
Carina Evans

After the interval, the University of Kent Chamber Choir took to the stage and opened the second half of the concert with Dawn by Eric Barnum. This is a personal favourite of mine and it really created a very peaceful atmosphere. Tanzen und Springen then gave a fantastic contrast as it is a jolly madrigal by Hans Leo Hassler.

The Chamber Choir
The Chamber Choir

Credit is due to Emma Murton, who after playing the harp and singing in the Chamber Choir then conducted the choir in a brilliant rendition of A Nightingale Sang in Berkeley Square. It was brilliant to see the audience enjoying Nice Work If You Can Get It by Gershwin, I don’t think that there was a single foot that wasn’t tapping in the whole church!

The choir then sang Forgotten Children’s Songs composed by Dan Harding, a very clever set of pieces that was very well sung by the choir. I couldn’t help but think of Schumann’s Kinderszenen whilst listening to these pieces.

We were treated to an encore of My Spirit Sang All Day which was a fitting end to a very professional and enjoyable concert. Thanks must go to members of SSAFA who kindly provided the musicians with refreshments after the concert.

Overall, a very enjoyable evening which was well received by the audience.

Matt Bamford

Photos: Matt Wilson

Scholars’ Spotlight: Olivia Potter

Continuing the series profiling this year’s Music Scholars. This week, mezzo-sopano Olivia Potter.

 

Olivia Potter
Mezzo’s forte: Olivia Potter

I have always loved singing; apparently, when I was very little, I would make up songs on long car journeys that lasted for hours (sorry mum!). Yet, when the time came for me to chose an instrument to learn at the age of ten, I chose the drum kit, having been inspired by my dad, who was a keen drummer himself.

It was only when I moved to secondary school that my passion for singing really took off. St Aidan’s Church of England High School in Harrogate, North Yorkshire, has a rich musical life and the number of music ensembles was extensive. At the school, I was involved in three choirs and three wind bands, performing in local venues such as the Royal Hall and Leeds Town Hall. I was also lucky enough to sing a solo in Ripon Cathedral. I started singing lessons in year 8, achieving grade 7 singing by the end of sixth-form (and somehow managing to pass grade 5 theory along the way, albeit with much help from my sister’s flute teacher who, with a great deal of patience, taught transposition, intervals and cadences to a girl who couldn’t really read music).

It was the school’s sixth-form Chamber Choir that allowed me to reach new heights in my singing abilities. It was an auditioned choir, made up of around 60 year 12 and 13 students. It had won the Songs of Praise School Choir of the Year award in 2006 and had been in the final of that competition another three times. It was a privilege being in a choir that produced such a high standard of singing. Perhaps the highlights of my time there was singing Eric Whitacre’s Sleep at the Music For Youth School’s Prom in the Royal Albert Hall and performing in Westminster Abbey, singing an arrangement of King of Kings, Majesty. Our repertoire was challenging, but it allowed me to grow in confidence, so when the time came for me to decide where I would like to go to university, I was drawn to the music opportunities here at Kent.

Getting into the Chamber Choir was an honor. I really enjoy being a part of Chorus and the Cecilian Choir as well. I love singing with such lovely and talented people. The Music Department is so supportive and passionate, and the new music building is fantastic. It’s wonderful that so much music making is encouraged at a university with no music degree course, making it accessible to anyone who just loves music. For this reason, I feel incredibly privileged to be a part of it.

Olivia Potter

See all the other features in this series here.