Well done to the new Music Society team for their hard work both yesterday and today; today the society stall was awash with people signing up amidst a thronging hubbub in the Eliot marquee.
Last year’s President, Emma, cheerfully serenaded passers-by with her accordion – one expected to see spontaneous Morris dancing break out or riotous shanty-ing – whilst the string-players were out in force, with Amy gainfully sporting the sandwich-board whilst Chantelle and Leilan press-ganged – sorry, encouraged – potential Camerata and Orchestra players to sign up.
Elsewhere, the rest of the society team were manning – and womaning! – the society stall amongst the surging hoardes. Well done, team; it all starts next week…!
Live music on the foyer-stage began yesterday, as members of the University Music Theatre Society treated a lunchtime audience to songs from the shows.
After a brief welcome from this year’s Music Theatre Society President, Chloe Newton, the society launched into an array of solo and ensemble pieces, including Let The Sun Shine and The Colour Purple.
The new Music Society executive were also on hand to welcome freshers throughout the afternoon; they’ll all be at the Freshers’ Fair today (Friday), so make sure you go along and find out how to get involved in music-making at Kent this year.
Well, ok, it’s not directly about music on this, the music blog, but it’s pretty exciting, so I’m going to write about it anyway!
The Kent Wheel opened this afternoon on the University campus, a talisman to draw the gaze from afar as it will stand tall on the greensward between Eliot and Rutherford Colleges over the next three weeks. The ferris-wheel is here as part of the beginning of a year-long celebration of the University’s fiftieth year, which will celebrate the University’s history, its ever-growing alumni community, the achievements of its staff and students, as well as its place as a part of the local community.
Deputy Vice-Chancellor Keith Mander gave a short speech reflecting on the many changes in the political and cultural landscape over the past fifty years, before wielding the scissors to cut the ribbon and declare the Kent Wheel open.
A team of specially-invited guests then took the opportunity for the first ride. The views across the region promise to be quite spectacular.
We’re planning a music team trip on the Kent Whel very soon; pictures will follow…
See the concert-hall differently; Masters student Kiki Lin makes marvellous things happen virtually in the Colyer-Fergusson Building
Digital FX whizz: Kiki Lin
My name is Yingqi Lin, a Digital Visual Effects MSc student in 2014, and I’ve just finished my year.
This showreel is the best work of mine when studying in Kent this year. I chose the concert-hall and staircase because I love the warm orange lighting in the music building and the wooden texture is perfectly meet what I need for the flower-growing scene.
A long time ago I wished I could do the plant growing, and the staircase was just the right place and when I saw flowers growing, it did give me a vibrant feeling!
I love vfx, and love this university. Thanks for everything and everyone that I met in the UK this year.
Hold onto your hats: the new What’s On for September to December has now been published online.
Embracing everything from ancient instruments to contemporary chamber opera, the Colyer-Fergusson Hall will be abuzz this Autumn, bringing some of the very best music across the next four months.
Strange and Ancient Instruments
The Lunchtime Concert series begins with Rags to Riches, as pianist Helen Crawford brings her period-costume-bedecked performance of ragtime music on Weds 8 October; we’re delighted to be launching the new ensemble-in-residence, CantiaQuorum, who open their residency with Bach and Copland on Weds 5 November, as a curtain-raiser to their first formal concert later in the month with Stravinsky and Walton. December’s lunchtime concert involves the Society of Strange and Ancient Instruments exploring the common ground between Renaissance, Baroque and traditional Norwegian music.
We’re also participating in the University’s fiftieth-year celebration through 2014-15, including featuring alumni and Honorary Doctorate recipients; and as the latter, we are delighted to welcome acclaimed harpsichordist and conductor, Trevor Pinnock, in October in a recital of music by Bach.
Chorus and Orchestra perform music by Mozart and Beethoven, and the term concludes with the usual Big Band seasonal cracker in December (see what I did there…).
A warm welcome, too, to all those visiting performers coming to the Colyer-Fergusson Hall, including Nova Music Ensemble who come in October as part of the Canterbury Festival, bringing contemporary chamber operas by Cecilia McDowall and Stephen McNeff.
There’s plenty to look forward to: check all that’s coming up online here.
Exciting to have had harpsichordist and conductor Trevor Pinnock recording in the Colyer-Fergusson Hall this week. The founder of the English Concert and exponent of works for harpsichord has been in the building to record his forthcoming disc.
We’re delighted that Trevor will be giving a recital here in October, details of which will be published soon when our concert diary goes live online next week – a sure sign that term cannot be far away…
Excitement courses through the corridors of the Gulbenkian Theatre at the moment, in anticipation of the bOing! festival happening at the end of the month. I tripped down the corridor to talk with the dizzying whirlwind of creativity that is the Director of the Gulbenkian, Liz Moran, to find out what’s in store.
Tell me about the festival.
bOing! is a new international festival for children to share with their families. This year, it’s over a weekend and over the next few years it will grow to be an even bigger event.
Family events lie close to the heart of Gulbenkian programming; why is that ?
I believe there is an imbalance in the quality and investment in work for younger audiences in the UK and I believe that is unfair. Children and young people should be considered as audiences now, not as future audiences with access to inspiring, imaginative work.
There don’t seem to be many other events, particularly locally, quite like it; what’s unique about bOing ?
I think what’s unique about bOing! is that although we are targeting younger audiences, the programme is not all ‘children’s’ work. I think it important children and their parents share seeing amazing artists together, so we have included a range of work and workshops that can be shared and enjoyed by all ages We are also taking bOing! off campus with a fantastic dance piece to be performed in the playground on the sea front in Herne Bay; that will become an important part of bOing! In the future, taking it all over Kent in unexpected places !
Familes valued: Liz Moran
Children and young people should be considered as audiences now, not as future audiences, with access to inspiring, imaginative work
What were the challenges of programming the festival ?
A new festival is a challenge in persuading world-class companies to come and present their work. Having companies such as TPO from Italy who are coming with Bleu! is a major coup; they’re in demand all over the world, and that is exactly the kind of inspirational, awe-inspiring work we want to share with our audiences. Money and resources are always an issue; big ambitions often need major investment, but we have been fortunate this year to have secure additional financial support from Arts Council England and Kent County Council.
Sharp lookout…
Family Concert: A Wonderland is an interesting project; tell me more…
A Wonderland is a family concert put together by cellist, singer and producer Matthew Sharp; it forms the centrepiece of the opening day. Everyone who comes to the concert will be invited to stay at the end and learn a new piece of music that they themselves will perform later in the day. The choir is for all ages, not just children, and the idea is to give families the opportunity to sing and perform together in a magical musical wonderland that Matthew is creating.
Is there anything that you are looking forward to especially ?
I can honestly say there is no one thing; all of the companies and artists involved are inspirational
And you’ve made the festival appealing and family-friendly in terms of cost, too.
Yes. Many of the events are free (details here) but I would urge people to book now for the paid events which have been priced very low, between £4 and £5 for the festival; it’s a unique opportunity to see international work such as Bleu! and award-winning Paperbelle, but please book as soon as possible to avoid disappointment on the day!
Thanks to Liz for her time. bOing! takes place Saturday 30th – Sunday 31st August; more information about the festival here, and see full listings here.
It’s Open Day today, and we’re here in the Colyer-Fergusson Building until 3pm; if you want to come and look around the concert-hall and practice facilities, find out about all the music-making that takes place at the University, or want to know more about our Music Scholarships – come and say hi!
In-spiring future students…
11am; we’ve seen visitors from Canterbury, Buckinghamshire, Vienna and Munich so far this morning, testament to both the local and international appeal of the University!
12pm; midday, and there’s been a flurry of visitors to the music building; bassoon, string-players, pianists, singers, a drummer, a flautist – not to mention oud and sitar! 2015 is shaping up to be an eclectic musical year if they all come to the University next year…exciting…
12.30pm ; the record for the Visitor-from-the-Farthest-Flung-Shore award appears to be going to the most recent visitor to the music building, who has come from Singapore: welcome!
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.
