Gallery Space

On the face of it: new portraiture exhibition in Colyer-Fergusson Gallery

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Our latest exhibition in the gallery space here in Colyer-Fergusson is a mesmerising exploration of portraiture by Canterbury artist, Adam De Ville.

When out one day presents a series of ten images reflecting Adam’s interest in exploring the human condition, brought vividly to the canvas in an array of arresting paintings that pushes through the space between viewer and subject, looking to capture the essence of the moment.

My work is the result of how I see the things around me. As well as portraiture, I paint landscapes and cityscapes. Recurring themes of displacement and belonging colour my portrait work especially. I always aim to capture a moment and something of the inner life of the subject. I don’t have any conscious theme for painting as I paint; themes are only attributed afterwards. it’s very much an unconscious process; I paint what I want at the time, the things around me. But the work can therefore be said to be reflexive in that my inner life is the guide. In the case of portraiture, I am painting my state at the time.

Based in Canterbury, Adam De Ville is a self-taught artist exhibiting both nationally and internationally, most recently with the Royal Cambrian Academy of Arts (Award Winner), Royal Birmingham Society of Artists (Award Winner), Wales Contemporary (Award Winner), Royal Institute of Painters in Watercolours (Award Winner), Pastel Society, ING Discerning Eye as well as galleries in London, Dublin, and Paris.

Adam’s work can also be found on Instagram at adamleedeville.  His work is currently being shown at the Lilford Gallery in Canterbury, The Doorway Gallery, London Contemporary Art Gallery, Art5 Brighton and Queen Street Gallery, Neath. One of Adam’s portraits will also feature as the cover of the programme for the concert by the University Cecilian Choir and Consort at the end of March.

The exhibition is free to view, open during the day until 9pm; there is wheelchair access, and the images are on display until May.

www.adamdeville.com

Notes on Music

Minerva Voices to sing Choral Evensong at Canterbury Cathedral

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Our upper-voices chamber choir, Minerva Voices, makes the pilgrimage to Canterbury Cathedral on Weds 15 February to sing the service of Choral Evensong.

Minerva Voices with harpist Harriet Adie

Comprising students from across the University community and Kent and Medway Medical School, Minerva Voices will sing some gloriously colourful contemporary settings as part of the service, including pieces by Jeremy Woodside and Justin Breame; details are in the Music Listings on the Cathedral website here.

The view of the Cathedral from the University campus

Last heard in action singing part of Britten’s Ceremony of Carols in December, the choir is sounding in excellent form, and the service promises to be a wonderful occasion.

The service begins at 5.30pm, and will also be livestreamed on the Cathedral’s YouTube website below.

(Update: the choir begins processing in just after four minutes in to the broadcast!).

 

Notes on Music, Now Hear This!

Magnificat commission: rehearsal with poet Nancy Gaffield

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The University Cecilian Choir has been hard at work rehearsing a brand-new setting of the Magnificat, the Song of Mary, which the Music department commissioned as part of its year-long anniversary celebrations of the Colyer-Fergusson Building’s ten years. Last night, the Choir was delighted to welcome poet Nancy Gaffield to the rehearsal; Nancy has written four new poems which are interspersed with the text of the Magnificat, with music written by Russell Hepplewhite for mixed choir and string orchestra.

Poet Nancy Gaffield (centre) with the University Cecilian Choir
Nancy Gaffield

The new piece is an exciting blend of high energy, driving rhythms, lyrical melody and sumptuous harmonic colours, particularly in the sections setting Nancy’s poetry; each of the four poems is written in response to a famous piece of art representing stages in the life of Christ, including Michelangelo’s The Birth of Adam, Ghirandaio’s The Visitation,  and Piero della Francesca’s The Baptism of Christ. Here, the music revels in the same richly-colourful textures as each of the paintings; last night was an opportunity for Nancy to talk with the choir about her poems, the relationship to the paintings, and to hear some of the piece coming to life in rehearsal.

The first performance takes place in Colyer-Fergusson Hall on Friday 31 March, with a second performance on Friday 9 June as part of this year’s Summer Music Week; details and tickets for the premiere performance online here. It should be quite something…

Keeping It Real: reviews.

Image Gallery: A Christmas Cornucopia

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Congratulations to the members of the University Chorus and Symphony Orchestra, on a splendidly seasonal concert last month. Part of the Anniversary Weekend celebrating ten years since Colyer-Fergusson first opened its doors, A Christmas Cornucopia brought the choir and orchestra together (including many musical alumni) in music by Tchaikovsky,  Handel, Buxtehude and Malcolm Arnold.

Pictured are the musicians in rehearsal and performance, including the post-concert reception in the foyer afterwards with guests, Music donors and alumni.

Photos © University of Kent / Nathan Eaton-Baudains

Now Hear This!, Scholars Spotlight

Drumming up business: third-year Music Performance Scholar Nathan Sharp

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It’s been a busy period for third-year Music Performance Scholar and drummer, Nathan Sharp.  Alongside studying Music and Audio Production, Nathan has been in action gigging in London recently, including an EP release with Adam Kelly, and two gigs with singer/songwriter Nate Francis.

Nathan plays on Adam Kelly’s ‘The Way That I See You’ EP, which is now out on Spotify here.

Be My Guest, Keeping It Real: reviews.

A night (and afternoon) at the opera: Lois Cocker reviews the Glyndebourne visit to Colyer-Fergusson and beyond

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The Music department hosted players from the Glyndebourne Touring Orchestra and Pit Perfect Scheme for an afternoon performance and workshop, before we took a group of student musicians to see the production of La Bohème at the Marlowe that evening. Here, final-year Forensic Science student and cellist, Lois Cocker, looks back on her experience throughout the day.

Last Wednesday I had a fun day, full of music, which I was able to be a part of thanks to being part of the University String Sinfonia. The Glyndebourne touring orchestra visited Canterbury and put on a lunchtime concert in the Colyer-Fergusson hall which was incredible to watch. After the concert I was then part of the workshop where some musicians from the orchestra coached the String Sinfonia as part of their Pit Perfect scheme. I play the cello and so was lucky enough to sit next to one of the pro cellists who was so lovely and friendly! The professionals from Glyndebourne gave us great advice which we all took on board and will definitely use in our playing in the future.

Glyndebourne Pit Perfect players performing in Colyer-Fergusson Hall
String Sinfonia and Glyndebourne players at the workshop in the afternoon

After the workshop, some of us went into town to get some pizza before heading out to watch the Glyndebourne opera – La Bohème at the Marlowe Theatre, which we were lucky enough to attend thanks to being treated by the music department here at Kent. This was my second ever opera I had seen. (Last year I was able to see my first ever opera with the String Sinfonia, The Rake’s Progress which was also a Glyndebourne production). La Bohème was such a beautiful opera which I enjoyed so much- it even made me cry! The music from the orchestra was incredible, I almost forgot that it was all being performed live as it was immaculate! I’m so glad I was able to experience this.

Members of the String Sinfonia and director Flo Peycelon, with some of the Glyndebourne players at the Marlowe Theatre

Before I had ever watched an opera, I always assumed it wasn’t really my cup of tea, but after now seeing two operas I can’t wait to see more! I was so engrossed watching La Bohème, it was comedic and also emotional. The voices of the opera singers were so beautiful. After the performance we had the opportunity of speaking to some of the musicians again. I was able to learn about their musical upbringings and their musical careers which I found so interesting and inspiring.

A forensic approach: final-year student and cellist, Lois Cocker

All-in-all it was an amazing day and I feel so lucky to have been part of the experience. It’s a massive part of my university experience that I will cherish forever!

Lois Cocker

With thanks to Chris Stones (Head of Tour Development), Jonathan Tunnell (Tour Orchestra Manager) and all the visiting Glyndebourne staff and players.

Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.