Our upper-voices chamber choir, Minerva Voices, makes the pilgrimage to Canterbury Cathedral on Weds 15 February to sing the service of Choral Evensong.
Comprising students from across the University community and Kent and Medway Medical School, Minerva Voices will sing some gloriously colourful contemporary settings as part of the service, including pieces by Jeremy Woodside and Justin Breame; details are in the Music Listings on the Cathedral website here.
Last heard in action singing part of Britten’s Ceremony of Carols in December, the choir is sounding in excellent form, and the service promises to be a wonderful occasion.
The service begins at 5.30pm, and will also be livestreamed on the Cathedral’s YouTube website below.
(Update: the choir begins processing in just after four minutes in to the broadcast!).
The University Cecilian Choir has been hard at work rehearsing a brand-new setting of the Magnificat, the Song of Mary, which the Music department commissioned as part of its year-long anniversary celebrations of the Colyer-Fergusson Building’s ten years. Last night, the Choir was delighted to welcome poet Nancy Gaffield to the rehearsal; Nancy has written four new poems which are interspersed with the text of the Magnificat, with music written by Russell Hepplewhite for mixed choir and string orchestra.
The new piece is an exciting blend of high energy, driving rhythms, lyrical melody and sumptuous harmonic colours, particularly in the sections setting Nancy’s poetry; each of the four poems is written in response to a famous piece of art representing stages in the life of Christ, including Michelangelo’s The Birth of Adam, Ghirandaio’s The Visitation, and Piero della Francesca’s The Baptism of Christ. Here, the music revels in the same richly-colourful textures as each of the paintings; last night was an opportunity for Nancy to talk with the choir about her poems, the relationship to the paintings, and to hear some of the piece coming to life in rehearsal.
The first performance takes place in Colyer-Fergusson Hall on Friday 31 March, with a second performance on Friday 9 June as part of this year’s Summer Music Week; details and tickets for the premiere performance online here. It should be quite something…
More photos from the Anniversary Weekend last month, from the opening event featuring the String Sinfonia and Concert Band, welcoming back alumni performers and the selfie frame in action.
Congratulations to the members of the University Chorus and Symphony Orchestra, on a splendidly seasonal concert last month. Part of the Anniversary Weekend celebrating ten years since Colyer-Fergusson first opened its doors,A Christmas Cornucopiabrought the choir and orchestra together (including many musical alumni) in music by Tchaikovsky, Handel, Buxtehude and Malcolm Arnold.
Pictured are the musicians in rehearsal and performance, including the post-concert reception in the foyer afterwards with guests, Music donors and alumni.
It’s been a busy period for third-year Music Performance Scholar and drummer, Nathan Sharp. Alongside studying Music and Audio Production, Nathan has been in action gigging in London recently, including an EP release with Adam Kelly, and two gigs with singer/songwriter Nate Francis.
Nathan plays on Adam Kelly’s ‘The Way That I See You’ EP, which is now out on Spotify here.
The Music department hosted players from the Glyndebourne Touring Orchestra and Pit Perfect Scheme for an afternoon performance and workshop, before we took a group of student musicians to see the production of La Bohème at the Marlowe that evening. Here, final-year Forensic Science student and cellist, Lois Cocker, looks back on her experience throughout the day.
Last Wednesday I had a fun day, full of music, which I was able to be a part of thanks to being part of the University String Sinfonia. The Glyndebourne touring orchestra visited Canterbury and put on a lunchtime concert in the Colyer-Fergusson hall which was incredible to watch. After the concert I was then part of the workshop where some musicians from the orchestra coached the String Sinfonia as part of their Pit Perfect scheme. I play the cello and so was lucky enough to sit next to one of the pro cellists who was so lovely and friendly! The professionals from Glyndebourne gave us great advice which we all took on board and will definitely use in our playing in the future.
After the workshop, some of us went into town to get some pizza before heading out to watch the Glyndebourne opera – La Bohème at the Marlowe Theatre, which we were lucky enough to attend thanks to being treated by the music department here at Kent. This was my second ever opera I had seen. (Last year I was able to see my first ever opera with the String Sinfonia, The Rake’s Progress which was also a Glyndebourne production). La Bohème was such a beautiful opera which I enjoyed so much- it even made me cry! The music from the orchestra was incredible, I almost forgot that it was all being performed live as it was immaculate! I’m so glad I was able to experience this.
Before I had ever watched an opera, I always assumed it wasn’t really my cup of tea, but after now seeing two operas I can’t wait to see more! I was so engrossed watching La Bohème, it was comedic and also emotional. The voices of the opera singers were so beautiful. After the performance we had the opportunity of speaking to some of the musicians again. I was able to learn about their musical upbringings and their musical careers which I found so interesting and inspiring.
All-in-all it was an amazing day and I feel so lucky to have been part of the experience. It’s a massive part of my university experience that I will cherish forever!
Lois Cocker
With thanks to Chris Stones (Head of Tour Development), Jonathan Tunnell (Tour Orchestra Manager) and all the visiting Glyndebourne staff and players.
First-year Philosophy, Religion and Ethics student and musician, Sara Davies, reflects on the recent opportunity to work alongside the Chan-Jack Duo on their recent visit to perform in Colyer-Fergusson as part of our Lunchtime Concert series.
On Wednesday, I had the pleasure of watching the superbly talented Chan-Jack Duo play their EP Air as part of the series of lunchtime concerts in Colyer-Fergusson Hall.
This included a 50 minute set of five songs that perfectly blended the east and the west whilst incorporating a multitude of genres from rock, pop, classical, Latin and many more.
I was totally enthralled by the immense talent of both Laure Chan (on violin) and William Jack (on cello and guitar). Their music, a fusion of different cultures, was colourful, emotional and transformative.
After the concert, I had the opportunity to participate in an improvisation workshop with the duo, where we created a fusion that revolved around the pentatonic scale. We explored the different ways in which our instruments could make non-melodic sounds, and I was able to use the body of my guitar to create amazing percussive lines alongside the other instruments.
Towards the end of the workshop, I had the honour of performing one of my original songs to the duo which was amazing! The support and feedback from both of them was particularly help as well!!
All in all, I have to say the Chan-Jack Duo have definitely been my favourite concert here at the university and the opportunity to work alongside them is something I will remember forever.
As part of the anniversary celebrations to mark the ten-year anniversary of the opening of the Colyer-Fergusson Building on the University of Kent’s Canterbury campus, we’re delighted to have commissioned a new piece by the composer Russell Hepplewhite.
The piece, written for mixed-voice choir and string orchestra, is a setting of the Magnificat interspersed with four new poems written by Nancy Gaffield in the School of Creative Writing. Each poem, inspired by an historic painting, responds to the canticle, the ‘Song of Mary,’ in which Mary rejoices that she will give birth to the Christ-child and the positive changes which will be wrought in the world.
Recently named one of the Evening Standard’s 1000 Most Influential People in London, Russell Hepplewhite has won critical acclaim for his ground-breaking operas for children including Shackleton’s Cat, Silver Electra and Laika the Spacedog, written for English Touring Opera. His music appears on CD releases for labels including Regent Records and has been featured on BBC Television and Radio, as well as being performed at venues including the Royal Albert Hall, the Wigmore Hall, the Library Theatre Luton, the Purcell Room and the Queen Elizabeth Hall. Most recently, his collaboration with the poet Michael Rosen, a set of children’s songs entitled Everything, is included in the Friday Afternoons song bank project, inspired by Britten’s song-cycle of the same name.
Nancy Gaffield is Reader Emeritus in Creative Writing at the University of Kent and an award-winning poet with six poetry publications. Her first collection of poetry, Tokaido Road (CB editions 2011) was nominated for the Forward Best First Collection Prize and was awarded the Aldeburgh First Collection Prize that year. Other poetry publications include Continental Drift (Shearsman 2014), Meridian (Longbarrow 2019) and Wealden (Longbarrow 2021), which is a collaboration with the musical group The Drift. She was commissioned to write a libretto for the opera, Tokaido Road: A Journey after Hiroshige, composed by Nicola LeFanu. It premiered at the Cheltenham Music Festival in 2014 and subsequently toured nationally. She regularly gives workshops, lectures and readings, including festival appearances such as the Aldeburgh and Ledbury Poetry Festivals, the Canterbury Festival, and the Words and Music Festival, Rolvenden, Kent.
Russell’s music is richly colourful, highly expressive and also immediately accessible, and it’s very exciting to have commissioned a brand new work to mark the opening of Colyer-Fergusson, the building which forms the centrepiece for extra-curricular music at Kent. By bringing Russell’s translucent musical language together with Nancy’s brilliantly evocative poetry, it will be a fantastic opportunity for students and staff at the University to give the premiere as part of the year-long anniversary celebrations, and a unique take on a traditional moment in the liturgy.
The new setting will be premiered in Colyer-Fergusson Hall by the University of Kent Cecilian Choir and String Sinfonia on Friday 31 March 2023, with a further performance later in June as part of the department’s summer music festival.
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.