Second-year Music Performance Scholar reading Sport and Exercise Sciences, flautist Heather Moss, runs the new FolkShop group, an extra-curricular ensemble exploring folk music, her area of speciality. Here, Heather reflects on what sounds like an exhaustively busy summer…!
Heather Moss (second from right) leading FolkShop in a lunchtime concert in Colyer-Fergusson Hall back in June as part of Summer Music Week.
My crazy, folk-infused summer began with attending a tutor training weekend for Sidmouth Folk Festival which involved learning lots of new tunes and learning the best ways to teach tunes/ folk music to children.
I then stewarded, working at the box office at Ely Folk festival. Sidmouth Folk Festival then followed this, at this festival I was a core Tutor running a daily music workshop for 1.5 hours with the help from some other tutors. At the end of the week-long festival we concluded with the participants performing the tunes that we had taught them on-stage at the Manor Pavilion in Sidmouth.
This was then followed by another festival, called Folk East, where I stewarded at the Youth Tent. This involved my running a mixture of activities throughout the days and attending all the music sessions for youth people as a helper.
I then attended the Halsway Manor Advanced Youth Summer School, with many other likeminded individuals for a week. Where we were taught tunes and techniques, including how to set up our own PA system, how to teach children folk music and how to write our own folk tunes. This was run by Archie-Churchill Moss, Kate Griffin and Ford Collinson, all amazing musicians in the folk industry.
I then attended Towersey Folk Festival, where I ran my own youth workshop every day. This involved me teaching tunes and arrangements to a mixed-ability youth participant’s. This also concluded with a performance to the public.
I then ran a folk summer school for two days with Finn Collinson, for Bungay Folk Festival. This included running two full days of activities from 9am-5pm with 10 youth attendees who had never played folk music before. This was an amazing opportunity that I thoroughly enjoyed and would love to do again!
Many congratulations to second-year Wildlife Conservation student in the School of Anthropology and Conservation, and Music Performance Scholar, Charlotte Farmer, who this week achieved Distinction in her grade 8 examination on the flute with the ABRSM.
Her exam included repertoire by Telemann, Enesco and Chopin, and took pace at St Peter’s Methodist Church in Canterbury, accompanied by first-year Music Performance Scholar, Ronja Haller.
“I really enjoyed playing and St Peter’s church was lovely, especially in the sunshine,” reflects Charlotte. “A lot of hard work went into it, which I’m especially grateful to Ronja for. It turns out that the ‘Presto’ of the Enesco wasn’t actually necessary but apparently a ‘welcome bonus’ which the examiner kindly told me about at the end! All in all it was over in a flash and I had no idea what the result would be, so it was a lovely surprise this morning.”
Charlotte will be playing in Concert Band next week in the spring gala concert – many congratulations to her on her success.
It’s been a busy period for third-year Music Performance Scholar and drummer, Nathan Sharp. Alongside studying Music and Audio Production, Nathan has been in action gigging in London recently, including an EP release with Adam Kelly, and two gigs with singer/songwriter Nate Francis.
Nathan plays on Adam Kelly’s ‘The Way That I See You’ EP, which is now out on Spotify here.
One of the highlights of Summer Music Week is the Music Prizes ceremony, an occasion to recognise the outstanding contributions made by some of those taking part in extra-curricular music over the course of the academic year. This year, we were especially delighted to return to the in-person ceremony, which follows the annual Music Scholars’ Lunchtime Recital, and to welcome supporters, benefactors and guests for the first time since 2019.
Charlotte Cane receives her prize from Rosie Turner, Director of the Canterbury Festival
Director of the Canterbury Festival, Rosie Turner, was present to award the Canterbury Festival Prize, awarded annually to a final-year student who has made an outstanding contribution to music at the University. This year’s winner was second-year postgraduate Architecture student, Charlotte Cane; a Music Performance Scholar, leading the second violin section in the Symphony Orchestra as well as playing viola in the autumn term, and a viola player in the String Sinfonia, Charlotte also performed the solo viola part in Ulysses Awakes by John Woolrich in the Composer in Focus event with both the composer and her teacher present.
Professor Keith Mander presents the Colyer-Fergusson Prize to third-year Holly Porton
Former Pro Vice Chancellor and current Chair of the Board of Canterbury Festival, Professor Keith Mander, presented the Colyer-Fergusson Music Prize: awarded to a student who has made a major contribution to the organisation of music at the University. This year’s winner was second-year Architecture student, Holly Porton; Secretary to the Music Society, Holly has been particularly helpful in dealing with administrative connections between the Music department and the Music Society. Holly also played clarinet in the Symphony Orchestra and Concert Band, violin in the String Sinfonia, and played piano in the pit band for the spring production by the Musical Theatre Society.
Second-year postgraduate Biomedical Science student, Kammy Pike, receives her prize from Head of Music Performance, Dan Harding
The John Craven Music Prize: awarded to a returning student who has made a major contribution to music at the University, and this year was awarded jointly to Kammy Pike and Michael Lam. Second-year postgraduate in Biosciences and a Music Performance Scholar, Kammy Pike has led the Symphony Orchestra this year including in the annual Cathedral Concert, and also plays in the String Sinfonia, with whom she played the final solo movement of Vivaldi’s Spring in a recent performance.
KMMS Music Performance Scholar, Michael Lam, performing in Colyer-Fergusson Hall in April 2022
Second-year undergraduate and a Music Performance Scholar in the Kent and Medway Medical School, Michael Lam gave an outstanding recital as part of the spring term’s Lunchtime Concert series, the first student to be invited to do so, delivering a highly-accomplished programme entirely from memory. He also played the celeste part in the December concert in Tchaikovsky’s The Nutcracker Suite. The John Craven prizes were presented by Head of Music Performance, Dan Harding (awarded to Michael in absentia, as Michael was on placement throughout the week).
Joanna Adaran (l) and Felicity Bourdillon and Nathan Sharp (r) with David Humphreys’ daughters
The David Humphreys Music Prize is warded to a student who has made a particularly special contribution to music-making; this year, it was awarded jointly to Joanna Adaran, Felicity Bourdillon and Nathan Sharp , and presented by David’s daughters, Belinda and Jo, who spoke briefly about their father’s enjoyment of, and support for, music.
Final-year Comparative Literature and Drama student, Joanna Adaran is a Music Performance Scholar and has been a major participant in this year’s activities by the Musical Theatre Society in showcases and events, and also had a principal role in the society’s production of The Hunchback of Notre-Dame performed in the Great Hall of Kent College in March. She also sings with the Cecilian Choir.
Final-year Drama and Comparative Literature student, Joanna Adaran, receiving her prize
Final-year Psychology student Felicity Bourdillon holds a Music Performance Award; she has really grown in her abilities this year, taking a lead role in the Chamber Choir, Cecilian Choir and Chorus; she sang the opening solo verse in the University Carol Service at the Cathedral in December, and will be singing the solo Pie Jesu movement of Faure’s Requiem in the chamber choir Crypt concert in June. Her singing has really developed this year, and she has led the soprano section in chamber choir particularly with authority.
Final-year Psychology student, Felicity Bourdillon (r), receives her prize
Second-year Music and Audio Production student and Music Performance Scholar, drummer Nathan Sharp has been a major force behind the weekly live music nights and Open Mic nights at the Deep End venue in Medway with the Medway Music Society, playing in numerous bands and also being partly responsible for organising the events. He also performed in the Pop Platform event in the Gulbenkian Café in December.
Second-year Music and Audio Technology student, Nathan Sharp, collects his prize
The final prize, presented by the Director of Engagement, Philip Pothen, was the University of Kent First-Year Music Prize, which is occasionally awarded to a student who has made a major contribution to music in their first year , and which was awarded to to Yuyu Hosokawa. Yuyu is a highly accomplished flautist, a Music Performance Scholar and a vital member of the woodwind section in the Symphony Orchestra, playing with poise in both the December and the March Cathedral concerts, as well as taking part in a Music Scholars’ masterclass with the London Conchord Ensemble in March.
Together with the Music Scholars’ Lunchtime Recital which precedes the award ceremony, the two events are an excellent opportunity to highlight some of our outstanding performers and participants who have made such a vital contribution through participating in extra-curricular music alongside their studies, taking the opportunity to engage in rehearsals and performances as part of their cultural life whilst at Kent.
Some of the recital performers, prize winners and prize-givers together after the event
Congratulations to all the prize-winners, and our thanks to all the guests, supporters, and those presenting the prizes, as well as to the performers and all those who came along to support the event.
Here’s a short video clip of four of this year’s Music Performance Scholars in action, as they performed at thePop Platform event on the Gulbenkian Cafe stage.
Here are Nathan and Emily also in action at the Deep End, in Medway. Images thanks to the Deep End’s official photographer!
The lunchtime concert on Weds 16th March is the second in our Scholar’s Spotlight series, and features international student and Hindustani singer, Ridima Sur.
As well as welcoming a live audience, the event will be livestreamed and may be watched for free on our YT channel here:
In her third year reading Astrophysics, Ridima is joined by sitarist and composer Jonathan Mayer, with tabla-player Denis Kucherov. The livestream opens at 1pm, and the concert begins at 1.10pm.
We[re delighted to present the film of Sure on this Shining Night, a recital given back in June in the Quire of Canterbury Cathedral by some of last year’s Music Performance Scholars during Summer Music Week.
Given under COVID-compliant restrictions to a small audience as part of a much-condensed series of events marking the end of the musical year at the University, the recital is now available to view online; ranging from Scottish bagpipe music to works by Samuel Barber, Fauré, Mendelssohn and finishing with two contemplative pieces for piano quintet by Olafur Arnalds, the performance was a testament to the commitment of the musical community at Kent last year to continue rehearsing and performing where possible during such challenging times.
The Music department is grateful to Chris Wenham for creating the film, and to all the performers who took part.
The Music Department is delighted to reveal that composer and sitarist, Jonathan Mayer, will be mentoring one of the University’s Music Award Holders during the coming academic year.
Image: (c) Matt Wilson / University of Kent
An active composer exploring connections between traditional Indian music and Western instruments, Jonathan’s Sitar Concerto No.2 was recorded with the BBC National Orchestra of Wales last year, as part of his continuing synthesis of east-west musical idioms.
Ridima Sur singing in Colyer-Fergusson Hall
Following his recent concert in Colyer-Fergusson to launch the new season of Lunchtime Concerts, Jonathan will be working with Ridima Sur, (pictured above), a third-year student at the University reading Astrophysics. Hailing from the Hoogly district, West Bengal, Ridima holds a Music Award at Kent, and last year was filmed as part of the Scholar’s Spotlight series of short performances in Colyer-Fergusson Hall given by some of the students.
“I’m really grateful for the opportunity, and to have met with Jonathan,” enthused Ridima, “we talked about my vocal range and all the ragas I’m currently doing. He’s going to support me in my music-making this year, and we will also plan a few performances. My mum’s sister was a classical singer, she professionally pursued Hindustani classical music and was my motivation to keep following music myself; partially a reason I am trying to continue my music is a tribute to her.”
Third-year Physics student, Ridma Sur, with Jonathan Mayer (r) and tabla-player., Denis Kucherov (l)
The extra-curricular Music department provides opportunities for its Music Performance Scholars and Award Holders to develop their musicianship alongside their academic studies, and runs a vibrant provision for all students and staff, as well as members of the local community, to be involved in University music-making. Thanks to the generosity of the donors who support the Music Scholarship Scheme, it promises to be an exciting mentorship, and a unique opportunity for one of the University’s students to learn with an established figure on the British musical landscape.
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.
I then stewarded, working at the box office at Ely Folk festival. Sidmouth Folk Festival then followed this, at this festival I was a core Tutor running a daily music workshop for 1.5 hours with the help from some other tutors. At the end of the week-long festival we concluded with the participants performing the tunes that we had taught them on-stage at the Manor Pavilion in Sidmouth.
This was then followed by another festival, called Folk East, where I stewarded at the Youth Tent. This involved my running a mixture of activities throughout the days and attending all the music sessions for youth people as a helper.
I then attended Towersey Folk Festival, where I ran my own youth workshop every day. This involved me teaching tunes and arrangements to a mixed-ability youth participant’s. This also concluded with a performance to the public.
Her exam included repertoire by Telemann, Enesco and Chopin, and took pace at St Peter’s Methodist Church in Canterbury, accompanied by first-year Music Performance Scholar, Ronja Haller.
Charlotte will be playing in Concert Band next week in the spring gala concert – many congratulations to her on her success.
Former Pro Vice Chancellor and current Chair of the Board of Canterbury Festival, Professor Keith Mander, presented the 
Together with the Music Scholars’ Lunchtime Recital which precedes the award ceremony, the two events are an excellent opportunity to highlight some of our outstanding performers and participants who have made such a vital contribution through participating in extra-curricular music alongside their studies, taking the opportunity to engage in rehearsals and performances as part of their cultural life whilst at Kent.
