Category Archives: Notes on Music

The philosophy of music: or the music of philosophy ?

Life in colour: launching the Prism Ensemble

And we have lift-off for the department’s new ensemble, Prism, which met earlier today for the first time.

Focusing on contemporary and / or unusual music, the group has come together to realise Terry Riley’s seminal, challenging and provocative In C, arguably one of the most influential pieces of the twentieth century.

We are developing the piece for a performance at a lunchtime concert next term; several of the performers had lecture and deadline commitments and were unable to come, but those that did took to the piece with vibrant enthusiasm; the suggestion of putting it on in a concert in the summer was greeted with great excitement.

Watch This Space…

New in town: Prism Ensemble
New in town: Prism Ensemble

Life for Rent: interview with Steph Richardson

When not involved in Chamber Choir, conducting Sing! or gigging with the University Big Bands and vocal trio ‘The Canterberries,’ third-year Drama student and Music Scholar Steph Richardson is also working on this year’s production of ‘Rent’ with the Music Theatre Society. In a break from her hectic schedule, I caught up with Steph and asked her what it’s all about…

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DH: What’s your involvement with the show this year ? And what does that mean ?

RichardsonSR: I’m vocal director, which means I teach the music and harmonies to the cast and cover the musical side of the show until the band comes in a few weeks before the show goes on stage (at which point Jake, our musical director, comes into the mix).

DH: What are the challenges of working on this show ?

SR: As it’s sung-through, there is so much music to get into your head before blocking and staging can even happen. Although the score is brilliant, it is only brilliant because of Jonathan Larson’s ruthless changes of time signatures, rhythms and keys, which keep the cast on their toes. Saying that, a week before the tech run, these difficulties are being ironed out nicely and the cast are on top form!

DH: What have you most enjoyed working on ?

SR: Specifically, although Seasons of Love is the most well-known song, La Vie Boheme has been the most fun to work on. Everyone is so enthusiastic and they really bring the stage to life! I love working with the creative team too. Alick is a great director and works really well with the team. He knows exactly what he wants from the show, which is fantastic, and it looks like the cast, crew and band are going to do him justice.

DH: And you’re in the Gulbenkian Theatre this year, for the first time ?

SR: That’s right: and we’re very happy about it! It gives all Kent Uni students the chance to experience this lively musical as it’s right on their doorstep this year. The Whistable Playhouse is a great space, but it’s nice to bring it onto campus.

DH: Can you give us a hint as to what we’re in for on the night ?

SR: n the night, though you should be prepared for your heartstrings to be tugged a little, you’re alo in for an evening of rockin music, super acting, and a witty and very raunchy look at bohemian life in the 1990s.

The production runs next week, from Wednesday to Friday. at the Gulbenkian Theatre: details and tickets online here.

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Cooking up a storm: see Emily play!

Often to be found playing saxophone with the University Concert and Big Bands, and spotted playing with the University Sax Ensemble at a recent ‘Watch This Space’ gig, second-year Emily Cook has just featured in the Faversham Times in a different guise – talking about her charity, Khushi Feet.

Click to read online
Click to read online

In her second year studying English Language and Linguistics here at Kent, Emily set up the charity after working with schools for street-children in India; her current fund-raising involves a world-record-breaking attempt at the largest Bollywood Dance, which will be taking place in June this year.

Read the full article here.

Celebrating Mozart

Next week sees the opening concert in this term’s Lunchtime Concert series, a celebration of the music of Mozart with the Camerata, the Sirocco Ensemble, and pianists Sharon Yam and Susan Li.

The Sirocco Ensemble has been busy rehearsing Mozart’s Serenade no.12 in C minor, while the Camerata is preparing the ‘Andantino’ from the Concerto for Flute and Harp. Last night, the two soloists, Music Scholars Emma Murton and Kathryn Redgers, were warming up in the Hall beforehand…

In rehearsal: Emma Murton (l) and Kathryn Redgers
In rehearsal: Emma Murton (l) and Kathryn Redgers

Also in the concert is a work for piano duet, the Adagio and Allegro in F minor, which will be played by Sharon and Susan, who also played a Mozart duet in the Scholars concert last term. This time, however, they’ll be playing on the Steinway…!

The concert starts at 1.10pm, and admission is free; come along and enjoy a feast of Mozart’s music; details online here.

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Sponsors of the Lunchtime Concert series