Wednesday’s lunchtime concert sees the continuing #Britten100 celebrations from the award-winning Kent College Choristers, as they bring his Friday Afternoons for voices and piano to the Colyer-Fergusson Hall at 1.10pm.
Kent College ChoristersThe Brodsky Quartet
Then, on Friday evening at 7.45pm, the Colyer-Fergusson Hall hosts a return visit from the Brodsky Quartet with its contribution to our tripartite centenary observance with music by Britten, Verdi and Wagner; there’s also music by Frank Bridge, Britten’s teacher, on the programme.
Finally, also on Friday evening, the University Chamber Choir will be marking the beginning of the Advent season with a sequence of carols and readings at the Church of St Damian and St Cosmus, Blean, in what seems to be becoming an annual tradition! Woven around the great Advent antiphons is a collection of carols old and new, poems and prose exploring the meaning of the Advent season.
Plenty to celebrate this week. More details on our online events diary here.
We’re delighted to announce that the Colyer-Fergusson Building was a winner at yesterday’s Wood Awards.
Wood you believe it…Image: Tim Ronalds Architects
The building won the “Commercial and Public Access” category at the Wood Awards yesterday evening, for its deployment of wood in construction, particularly the use of Douglas Fir. As Tim Ronalds Architects, designers of the building, state:
The walls and ceiling are completely lined in Douglas Fir Plywood, supported on a steel frame, and braced with solid Douglas Fir rails which stiffen the linings to avoid any unwanted resonance at musical frequencies, and provide acoustic diffusion. The acoustics can be modulated to suit music-making of all kinds with curtains that transform the interior into a soft, fabric-lined space, and retract behind the timber wall linings when not in use.
The design provides an unusual degree of flexibility for a hall with world-class acoustics…The retractable seating is finished with Douglas Fir fascias, continuing the material and rhythm of the hall lining panels.
The new Colyer-Fergusson concert hall
Read more about the building on the Wood Award website here.
Several of the University’s singing Music Scholars had the opportunity to learn from one of the country’s leading singers last week, in a masterclass with Dame Anne Evans.
Dame Anne put several singers through their paces, in arias by Mozart and Handel and a piece by Cole Porter, sharing tricks of the trade in front of the audience in the Colyer-Fergusson Hall; as she said, later that evening when appearing In Conversation, ”If you can sing Mozart, you can sing anything.”
Later on, she talked about her career on the national and international stage, looking in particular at her performances at Bayreuth under the baton of Daniel Barenboim, taking the audience from her first professional engagements through the various stages of her career, accompanied by some extremely rare recordings and footage of her in the role of Brunnhilde in scenes from Götterdämmerung.
When asked what her secret was to preparing herself before performances of the epic Wagnerian role, she answered candidly: ”A large bowl of pasta two hours before the performance, and bananas in the interval.” Asked about advice for young singers starting out: ”Start with Mozart,” and ”In auditions, always sing pieces that you are really comfortable with.”
Performers, in order: Kathryn Cox, Philippa Hardimann, Olivia Potter, Vicky Newell, Paris Noble, Marina Ivanova and Steph Richardson, accompanied by Deputy Director of Music, Dan Harding:
Kathryn Cox
Kathryn Cox rehearses with Dame Anne Evans
Dame Anne Evans rehearsing with soprano Kathryn Cox
Dame Anne Evans works with soprano Philippa Hardimann
Vicky Newell (soprano) and Olivia Potter (mezzo) in Mozart
Dame Anne Evans in masterclass with University scholars
Dame Anne Evans works with soprano Paris Noble
Paris Noble confers with Dame Anne Evans
Marina Ivanova sings Mozart
Soprano Marina Ivanova
Marina Ivanova and Dame Anne Evans
Steph Richardson sings Cole Porter
Dame Anne Evans rehearses with Steph Richardson in the masterclass
A sad loss to the world of contemporary music, the death of Sir John Tavener yesterday at the age of 69.
Sir John Tavener: 1944-2013
It’s become something of cliché to write Tavener’s music off as a sort of ‘holy minimalism,’ yet this is to glibly dismiss a music that tapped into a unique corner of the British musical landscape, and one in which the composer’s profound religious faith found articulation in a music that combined striking simplicity with chromatic colours and soaring lines. His music touched the heart of millions round the world when his serene Song for Athene was sung at the funeral of Diana, Princess of Wales; his rhapsodic, ecstatic, spine-tingling The Protecting Veil achieved widespread popularity under the bow of Stephen Isserlis; his musical language – accessible, yet richly colourful – made him that wondrous thing, a contemporary composer who spoke to many, and gainsayed the argument that modern music appeals only to a tiny elite.
Listen to pieces such as The Lamb, or Today The Virgin, and hear the workings of Tavener’s unique language operating beneath the surface colours – proof, if any were needed, that modern music can touch the heart.
He leaves behind a body of work that affirmed his profoud faith, and affords a glimpse, for his willing listeners, into a realm of reflection and takes them perhaps one step closer to God.
Sad to learn of the death of Lou Reed, who has died at the age of 71.
Reed was the frontman for the Velvet Underground, a group famed less for their success at the time than for their subsequent influence; as Brian Eno famously said, whilst their debut album only sold 30,000 copies and reached 197 on the Billboard chart before disappearing, “everyone who bought one of those 30,000 copies started a band.” Reed’s instantly-recognisable gravelly tones on the opening Vicious are a slap in the face to the contemporaneous trippy, psychedelic rock of The Doors and Jefferson Airplane. The group took part in multi-media events with Andy Warhol between 1966-67, Exploding Plastic Inevitable, which took place in cities throughout America (Warhol himself having part-financed the band’s debut album).
After the group disbanded in 1970, Reed continued as a solo artist, achieving critical breakthrough with Transformer (co-produced with David Bowie and Mick Ronson), which included Walk on the Wild Side in 1973.
Listen to ‘Hangin’ Round’ at just after ten minutes. Terrific.
We’re very excited to say that internationally-renowned singer, Dame Anne Evans, will be coming to the Colyer-Fergusson Hall in two weeks’ time.
Meistersinger…
Dame Anne will be giving a masterclass and appear ‘In Conversation’ at the Colyer-Fergusson Hall on Friday 8th November. As one of Britain’s most internationally successful singers, she sang a number of roles ranging from J.C. Bach and Mozart to Wagner, and performed the role of Brünnhilde at the Bayreuth Festival under the baton of Daniel Barenboim from 1989 to 1992.
At 6pm she will be In Conversation with University Director of Music, Susan Wanless, about her career in opera and her experience of performing and recording Wagner in this his bicentenary year, with film excerpts of her roles and some rare recordings. Earlier in the day, at 3pm, Dame Anne will give a masterclass with some of the student Music Scholars, who’ll be singing pieces by Mozart, Handel and Cole Porter (accompanied by your Loyal Correspondent), in which she will no doubt pass on some of her wisdom and professional experience.
Entry is free by ticket, available from the Gulbenkian Booking Office; see online details here. And, to whet your appetite, here she is in the Immolation Scene from Götterdämmerung.
Congratulations to the Music Society, which has won the ‘Stand that Most Embraced the Spirit of Freshers 2013’ award! (That’ll be easy to engrave on the gem-encrusted goblet no doubt coming its way…)
It’s a tribute to the hard work of all the Society, and in particular its forward-looking executive trio of Emma, Matt and Rebecca, who have worked tirelessly to invigorate the musical life of the campus at the beginning of the academic year, and to the members of the committee who’ve established a vibrant presence since bursting into life in the marquee during Freshers Week.
Third-year student and sax-playing member of the University Big Band, Emily Cook, is featured in the Faversham Times with more of her fund-raising efforts for her charity, Khushi Feet. Well done, Emily!
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Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.