Category Archives: Notes on Music

The philosophy of music: or the music of philosophy ?

New music: rehearsing with Russell Hepplewhite

As part of the continuing ten-year anniversary of Colyer-Fergusson, the Music department continues to explore new musical frontiers in commissioning a piece from composer Russell Hepplewhite; an innovative take on the Magnificat, written for the University Cecilian Choir and string orchestra.

Bringing the Song of Mary together with new poetry by Nancy Gaffield, Emeritus Professor in the School of Creative Writing, the choir has been working on the piece in rehearsals, and we were delighted to welcome the composer to the concert-hall this week as the choir worked together with Russell.

It’s always a nervous experience to rehearse a piece with the composer present, but there was a tremendous rapport between the choir of students and staff and Russell, as the group continued to develop the piece with direct Composer Input.  Heroically, Russell volunteered to be the repetiteur for the rehearsal, and choir, composer and poet spent a lively session bringing the piece to life.

Before the rehearsal, Russell and Your Loyal Correspondent filmed a conversation about the commission, about the process of writing a piece that combines a well-known sacred text with contemporary poetry, and techniques of writing for voices and strings – the interview will appear soon!

Pictured are Russell and Nancy with the Cecilian Choir; the piece receives its premiere performance in Colyer-Fergusson on Friday 31 March; tickets here.

Minerva Voices singing at Canterbury Cathedral: watch on demand

Congratulations to Minerva Voices and organist John Wyatt, who yesterday sang Choral Evensong at Canterbury Cathedral. Conducted by Your Loyal Correspondent, the choir presented contemporary settings by Jeremy Woodside and Justin Breame as part of the music sung during the service.

The service was livestreamed on the Cathedral’s YouTube channel, and can be viewed below:

(The choir begins processing in just after the four-minute mark)

Well done to all the students involved; the Choir will be in action again at the start of June, singing as part of the choral concert in the Cathedral Crypt on Friday 2 June as part of Summer Music Week.

Minerva Voices to sing Choral Evensong at Canterbury Cathedral

Our upper-voices chamber choir, Minerva Voices, makes the pilgrimage to Canterbury Cathedral on Weds 15 February to sing the service of Choral Evensong.

Minerva Voices with harpist Harriet Adie

Comprising students from across the University community and Kent and Medway Medical School, Minerva Voices will sing some gloriously colourful contemporary settings as part of the service, including pieces by Jeremy Woodside and Justin Breame; details are in the Music Listings on the Cathedral website here.

The view of the Cathedral from the University campus

Last heard in action singing part of Britten’s Ceremony of Carols in December, the choir is sounding in excellent form, and the service promises to be a wonderful occasion.

The service begins at 5.30pm, and will also be livestreamed on the Cathedral’s YouTube website below.

(Update: the choir begins processing in just after four minutes in to the broadcast!).

 

Magnificat commission: rehearsal with poet Nancy Gaffield

The University Cecilian Choir has been hard at work rehearsing a brand-new setting of the Magnificat, the Song of Mary, which the Music department commissioned as part of its year-long anniversary celebrations of the Colyer-Fergusson Building’s ten years. Last night, the Choir was delighted to welcome poet Nancy Gaffield to the rehearsal; Nancy has written four new poems which are interspersed with the text of the Magnificat, with music written by Russell Hepplewhite for mixed choir and string orchestra.

Poet Nancy Gaffield (centre) with the University Cecilian Choir
Nancy Gaffield

The new piece is an exciting blend of high energy, driving rhythms, lyrical melody and sumptuous harmonic colours, particularly in the sections setting Nancy’s poetry; each of the four poems is written in response to a famous piece of art representing stages in the life of Christ, including Michelangelo’s The Birth of Adam, Ghirandaio’s The Visitation,  and Piero della Francesca’s The Baptism of Christ. Here, the music revels in the same richly-colourful textures as each of the paintings; last night was an opportunity for Nancy to talk with the choir about her poems, the relationship to the paintings, and to hear some of the piece coming to life in rehearsal.

The first performance takes place in Colyer-Fergusson Hall on Friday 31 March, with a second performance on Friday 9 June as part of this year’s Summer Music Week; details and tickets for the premiere performance online here. It should be quite something…

Emotional and transformative: review of the Chan-Jack Duo at Colyer-Fergusson Hall

First-year  Philosophy, Religion and Ethics student and musician, Sara Davies, reflects on the recent opportunity to work alongside the Chan-Jack Duo on their recent visit to perform in Colyer-Fergusson as part of our Lunchtime Concert series.


On Wednesday, I had the pleasure of watching the superbly talented Chan-Jack Duo play their EP Air as part of the series of lunchtime concerts in Colyer-Fergusson Hall.

Laure Chan and William Jack performing in Colyer-Fergusson Hall as part of the Lunchtime Concert series

This included a 50 minute set of five songs that perfectly blended the east and the west whilst incorporating a multitude of genres from rock, pop, classical, Latin and many more.

I was totally enthralled by the immense talent of both Laure Chan (on violin) and William Jack (on cello and guitar). Their music, a fusion of different cultures, was colourful, emotional and transformative.

After the concert, I had the opportunity to participate in an improvisation workshop with the duo, where we created a fusion that revolved around the pentatonic scale. We explored the different ways in which our instruments could make non-melodic sounds, and I was able to use the body of my guitar to create amazing percussive lines alongside the other instruments.

Towards the end of the workshop, I  had the honour of performing one of my original songs to the duo which was amazing! The support and feedback from both of them was particularly help as well!!

Sara Davies in the workshop

All in all, I have to say the Chan-Jack Duo have definitely been my favourite concert here at the university and the opportunity to work alongside them is something I will remember forever.

Sara Davies

Exciting new choral commission to mark ten-year anniversary

As part of the anniversary celebrations to mark the ten-year anniversary of the opening of the Colyer-Fergusson Building on the University of Kent’s Canterbury campus, we’re delighted to have commissioned a new piece by the composer Russell Hepplewhite.

The piece, written for mixed-voice choir and string orchestra, is a setting of the Magnificat interspersed with four new poems written by Nancy Gaffield in the School of Creative Writing. Each poem, inspired by an historic painting, responds to the canticle, the ‘Song of Mary,’ in which Mary rejoices that she will give birth to the Christ-child and the positive changes which will be wrought in the world.

Recently named one of the Evening Standard’s 1000 Most Influential People in London, Russell Hepplewhite has won critical acclaim for his ground-breaking operas for children including Shackleton’s Cat, Silver Electra and Laika the Spacedog, written for English Touring Opera. His music appears on CD releases for labels including Regent Records and has been featured on BBC Television and Radio, as well as being performed at venues including the Royal Albert Hall, the Wigmore Hall, the Library Theatre Luton, the Purcell Room and the Queen Elizabeth Hall. Most recently, his collaboration with the poet Michael Rosen, a set of children’s songs entitled Everything, is included in the Friday Afternoons song bank project, inspired by Britten’s song-cycle of the same name.

Nancy Gaffield is Reader Emeritus in Creative Writing at the University of Kent and an award-winning poet with six poetry publications. Her first collection of poetry, Tokaido Road (CB editions 2011) was nominated for the Forward Best First Collection Prize and was awarded the Aldeburgh First Collection Prize that year. Other poetry publications include Continental Drift (Shearsman 2014), Meridian (Longbarrow 2019) and Wealden (Longbarrow 2021), which is a collaboration with the musical group The Drift. She was commissioned to write a libretto for the opera, Tokaido Road: A Journey after Hiroshige, composed by Nicola LeFanu. It premiered at the Cheltenham Music Festival in 2014 and subsequently toured nationally. She regularly gives workshops, lectures and readings, including festival appearances such as the Aldeburgh and Ledbury Poetry Festivals, the Canterbury Festival, and the Words and Music Festival, Rolvenden, Kent.

Russell’s music is richly colourful, highly expressive and also immediately accessible, and it’s very exciting to have commissioned a brand new work to mark the opening of Colyer-Fergusson, the building which forms the centrepiece for extra-curricular music at Kent. By bringing Russell’s translucent musical language together with Nancy’s brilliantly evocative poetry, it will be a fantastic opportunity for students and staff at the University to give the premiere as part of the year-long anniversary celebrations, and a unique take on a traditional moment in the liturgy.

The University of Kent Cecilian Choir singing Choral Evensong at Canterbury Cathedral

The new setting will be premiered in Colyer-Fergusson Hall by the University of Kent Cecilian Choir and String Sinfonia on Friday 31 March 2023, with a further performance later in June as part of the department’s summer music festival.