All posts by Daniel Harding

Head of Music Performance, University of Kent: pianist, accompanist and conductor: jazz enthusiast.

Can you dig it ? Work starts on new music building

Brass students
Top brass: University Brass Ensemble heralds building launch: image credit Mick Norman

To the heraldic sound of a brass fanfare from some of the University’s musicians, the first hole was symbolically dug for the new Colyer-Fergusson centre for Music Performance on May 27th, and last week work began on this exciting new venture.

After the process of planning, things are finally (if you’ll pardon the pun) taking concrete form, and the wheels are turning to bring the dedicated performance and rehearsal space from off the page and into reality.  The ceremonial digging of the first hole marked the first real moment where the project begins to develop a tangible reality: from here onwards, there will be visible signs of the new building’s ascent as it becomes a landmark on the University campus.

Present at the ceremony were the Honourable Jonathan Monckton, Chairman of the Colyer-Fergusson Charitable Trust, seen here wielding the spade, as well as supporters of the project including members of R Durtnell and Son, the construction company, fresh from their recent success in building the new Turner Contemporary Gallery at Margate.

Digging the first hole
The Honourable Jonathan Monckton and Director of Music, Susan Wanless: image credit Mick Norman

The building will be completed in the summer of 2012, and will house the ever-growing range of music-making opportunities for students, staff and the local community and beyond.

More details on the event can be found on-line here.

The last photo here (taken earlier this week), captures the very first excavations: for all those who have wallowed in the soupy acoustics of Eliot College Hall, or traversed the Stygian depths of the main colleges to find the College practice rooms, this is a sign of better things to come!

Building begins
Concrete evidence: work starts on the new building

New building: exciting news ahead…

After a lull of nearly a year whilst all the project details and infrastructure were put in place, finally there’s some exciting news about the new Colyer-Fergusson centre for Music Performance from over the past two weeks: keep an eye on this column early next week for news about the start of the project, and pictures of various people wielding a silver spade and some brass players performing (those two details are not directly connected, you understand…!).

Anything goes at the end of year Music Theatre show

As a finale to the events at ArtsFest than run from today until Sunday, the Music Theatre Society present their end of year production, ‘Anything Goes’ at the Gulbenkian Theatre this Sunday at 7.45pm.

An action-packed musical spectacular will feature songs from the Society’s shows past and present, and a brand-new selection of shows from Broadway and the West End.

Event poster
Music Theatre Society presents...

Popular favourites will includes songs from Les Miserables, Miss Saigon and others.

This talented bumch of singers, dancers, actors, musicians, designers,. directors et al are still reeling from the success of their run of ‘Carousel’ at the Whitstable Playhouse earlier this year, and look set to storm back to the Gulbenkian with a suitable lively finale to their hugely successful year.

Tickets are flying fast from the Gulbenkian booking office: get yours before Anything else has Gone!

ArtsFest: it all starts tomorrow!

Keep an eye out for all the events on the Canterbury campus between Wednesday 8 to Friday 10 June, as ArtsFest kicks off tomorrow.

Stages on the Registry Garden and the Jarman Piazza will play host to a plethora of live music, improvised comedy, drama, creative writing and more between 5 – 7pm each day.

Wednesday afternoon gets off to a great start with student folk-band ‘Triskele’ on the piazza, whilst the Capoeira Society will treat audiences to a dazzling display of music and movement on the Registry stage. Later on, there will be choirs, live jazz, barbershop singing, and comedy from ‘Play It By Ear.’

Lots more events happen on Thursday and Friday, including a recital by University Music Scholars and poetry performance from the Centre for Creative Writing: click here for more details!

All these informal events are free and open to everyone: just turn up!

University Music Prize Winners announced

One of the highlights of each year is being able to recognise the contribution that some of the students have made to the year’s music-making at the University. At a ceremony last week, seven outstanding students were awarded prizes, in recognition of their significant contributions to the year’s musical calendar.

l-r: Andrew Kitchin, Kate Lumley, Alice Godwin, Alanya Holder, Anna Shinkfield, Kathryn Redgers; front, Chris Gray

This year’s Canterbury Festival Music Prize, awarded by Director of the Canterbury Festival, Rosie Turner, to a final-year student who has made an outstanding contribution to music at the University, was given jointly to Alice Godwin (Politics and International Relations) and Kate Lumley (English and Comparative Literature). Both Alice and Kate have shone in the woodwind section of the Symphony Orchestra in their time at Kent, as well as in Concert Band; they have both also performed in the Scholars’ Festival Concert as part of the Canterbury Festival.

The Colyer-Fergusson Music Prize, presented by chairman of the Colyer-Fergusson Charitable Trust,  Jonathan Monckton, which is awarded to a student who has made a major contribution to organising music at the University, was awarded jointly to Alanya Holder (Law) and Anna Shinkfield (English and American Literature). Alanya was President of the Music Society this year, as well as participating in choirs and singing jazz; Anna was Acting Secretary of the Music Society, and has performed on the recorder as well as singing with the Chorus and playing sax with the Concert and Big Bands – though not all at the same time…

Chris Gray (Architecture) was awarded the University Music Prize, having made a major contribution to music at the University this year, including (as well as his instrumental playing), the shifting of timpani and other assorted heavy orchestral gear!

The Awards Committee made a final two awards; Andrew Kitchin (Mathematics), who has been a stalwart of the ‘Jazz @ 5 ‘series and has performed at every one since its inception in 2008, and Kathryn Redgers (History), who has made a tremendous impact on music in her first year as a flautist at Kent.

Of course, there are a thronging mass of students who play a part in all the concerts and musical events in the University’s calendar, and the Music Awards Committee has a difficult role to play in singling out particular individuals; the decision-making process is long and arduous, but an important one to allow the University to thank an especial few for their major role in everything musical over the year.

Congratulations to all of them!

Happening around the grounds: ArtsFest next week!

Keep an eye out for a wealth of events between Wednesday 8 to Friday 10 June, as ArtsFest comes to the Canterbury campus next week.

Starting at 5pm each day, the Jarman Piazza and Registry Stage will each host a variety of entertainment, including improvised comedy from the ever-popular ‘Play It By Ear,’ live jazz, capoeira, belly-dancing, a mini ‘Two Choirs Festival,’ folk music, barbershop, poetry, live theatre performance and more.

All these informal events are free and open to everyone: just turn up!

And don’t forget the Big Band Gala concert on Wednesday evening, as the University Big Band and guests storm back to the Gulbenkian: tickets and details here.

Keep an eye out for details on-line from next week on the ArtsFest homepage here.

 

Was It Good For You: Siobhan Harper

Continuing the series profiling musical alumni of the University of Kent. This week, Siobhan Harper.

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Siobhan Harper
Skempton fan: Siobhan Harper

When were you at Kent?

I was at Kent from September 2006 until July 2009.

What subject did you study?

English Literature and Film Studies.

What occupation are you now engaged in?

I’m doing a Masters degree in English at the University of Exeter.

If music is not your profession, do you participate in any musical experiences now?

I’m not sure I’d cope if I wasn’t doing something musical! After I graduated I was in the City of Birmingham Symphony Chorus for a year, which was fantastic; we did loads of amazing pieces with some renowned conductors, and went on tour to Kuala Lumpur! Currently I’m in the Exeter University Singers, which is basically like a larger chamber choir. In fact, we’ve done a few of the same pieces that we did at Kent!

How were you involved in music whilst at Kent?

I was in the Chamber Choir and Chorus for the whole of my three years, in the society committee for the last two, and I had a singing scholarship and a music lesson scholarship. I also performed at Jazz @ 5, and at ArtsFest as part of Three Divas and a Piano. I think I had more contact hours with the music department than with my course!

What did you gain from your University music experience, and has this helped you in any way since leaving Kent?

Definitely most importantly, I made some of my best friends through the music society, friends that I still can’t seem to get rid of! Every crypt concert we’re reunited as a big group and it’s always one of the best nights of the year.

Knowing that I can handle doing a university course and being an active part of a society is fantastic. Both required so much organisation and time management, and it’s great to know that I am capable of handling those two disparate things. The knowledge that I wanted to be doing all things musical alongside all my work was also fantastic; music has always been such a big part of my life and I loved being able to continue with it at university.

And, of course, my balloon-blowing skills have come along in leaps and bounds, thanks to ArtsFest.    

What was your most memorable musical experience at Kent?

One particularly wonderful memory is of Jacob Barnes, Chamber Choir’s accompanist for my first two years of university. In our first crypt concert in 2007, Jacob performed, and it was the highlight of the concert; he was an extraordinary musician and we were all blown away by his performance. I wasn’t lucky enough to know him as well as others did, but I have the deepest sympathy for his friends and family. Rest in peace, Jacob.

My musical experience at Kent was so rich, it’s far too difficult to pick just one memory. So I won’t:

Every Chamber Choir crypt concert, and every post-concert trip to the Buttermarket. Paris Tour 2008. African drums in the cathedral crypt. All of Sue’s quotes that we noted down gleefully in every Chorus rehearsal. Sop Central. Tippett Spirituals. Every committee handover meal. Chili con Carne. Sneaking into the VIP tent at ArtsFest. Every chamber choir rehearsal in the OTE. Eric Whitacre’s Sleep. When my party popper didn’t go off during the ‘Champagne Polka’. Here Come The Girls. Having the chorus sing me ‘Happy Birthday’ on my 21st. Howard Skempton, and the signed photographs. Boozy Ss. Staying up to watch the sunrise after ArtsFest 2008.

What an unforgettable experience.

Worried about the future of British jazz ? Then listen to this…

Anyone who might be apprehensive at the future of jazz in Britain need only listen to last night’s broadcast of the ‘BBC Presents’ stage at this year’s Cheltenham Jazz Festival on Radio 3 to be reassured that the future looks bright.

The show presents two hours of live sets from earlier this year, and features the emerging talents Trish Clowes, Rachel Musson’s Skein, Saltwater Samurai, and Edinburgh-based The Discordian Trio.

Music ranges from the dextrous sax-playing of Trish Clowes, with her wonderfully agile group (including a cellist) – special mention to drummer James Maddren for his vibrant yet subtle drumming – to the deft, bright-sounding improvisations of Rachel Musson, the elctro-dance-infused Saltwater Samurai from South London, and the free-ranging explorations of The Discordian Trio.

The programme also includes interviews with some of the young players of today, who may well be the stars of tomorrow, if the quality of their music-making is anything to go by. Trish Clowes talks in particular about the benefits of studying at the Royal Academy, including working with luminary of the British saxophone world, Iain Ballamy, and about the challenge of being a working jazz artist. All the groups demonstrate an assurety and confidence in their playing that bodes well.

Check them out on iPlayer, and see photos from the event on the Jazz on 3 Flickr site here: the future of British jazz, in the hands of these young musicians, is very bright indeed.