Chamber Choir take part in centuries-old tradition of Choral Evensong

Congratulations to the University Chamber Choir, which on Tuesday sang Choral Evensong at Canterbury Cathedral.

The event was the first time in the history of the University that the Chamber Choir has taken part in the centuries-old tradition of choral evensong, and an auspicious occasion held in the very cradle of the Anglican church itself.

Directed by Deputy Director of Music, Dan Harding, the choir sang music by Stanford, Smith and Fauré, to a packed congregation, comprising regular attenders and parents, as well as overseas visitors, in the Cathedral Quire.

The Chamber Choir is back in action on Friday 1 June, and indeed back in the Cathedral, when it launches this year’s Summer Music Week festival with a performance in the Cathedral Crypt at 7.30pm; see all that’s coming up as part of the annual music festival celebrating the end of the University year here.

Classical Connections: String Sinfonia to perform at the Varley Art Gallery in Toronto

The #EarBox series of events combining live music with visual art takes on an international flavour next month, as the University of Kent String Sinfonia will perform at the Varley Art Gallery in Toronto as part of a five-day visit to Canada.

The performance on Thursday 14 June is one of two concerts in which the group will be playing, and takes place against the backdrop of the gallery’s new exhibition, which explores the physical and psychological effect of nature for humans and animals, and the intersection of human and arboreal timelines. The exhibition includes two- and three-dimensional works and installations; Refuge by Karen Miranda Abel, Anna Williams’ Canada House and Mother Trees of Future Forests by Lisa Hirmer.

Source Pool (Riverine) by Karen Miranda Abel (2018)

Classical Connections will illuminate the exhibition’s central themes of water, surface, liminal spaces and spatial relationships, and the passage from nature to culture with a pastorally-themed musical programme, complete with birdsong, including works by Elgar, Holst, Warlock, Dvořák and John Williams. The programme, like the players, crosses continents to animate the gallery and resonate amongst the various media on display, setting them amidst an aural backdrop that invites the audience to experience both the art-work and the music in a new way.

The Director of the ensemble, Floriane Peycelon (pictured) – a freelance violinist, performer and teacher who also leads the Folkestone Symphony Orchestra – is particularly looking forward to the event; “It’s a terrific thing for the students,” she enthuses, “giving them the wonderful opportunity to take their music-making abroad and showcase the prolific talent amongst the string-players at Kent – and they are not even reading Music as a degree! The chance to play at an art gallery is very exciting – I love finding unusual spaces in which to perform.’’

The ten players will perform in the evening concert in the gallery followed by a reception and a tour of the exhibition; the group then travels to Scarborough Citadel on the Saturday to play as part of the closing Gala Concert of the Chinese Artists of the Society of Toronto, alongside the CAST Philomusica Orchestra and soloists.

The String Sinfonia performing with the Cecilian Choir in Colyer-Fergusson Hall, March 2018

The String Sinfonia is part of the vibrant extra-curricular musical life of the University of Kent, and brings together students from a range of degree programmes including Law, Psychology, Mathematics, Politics and International Relations and Economics to rehearse and perform throughout the year. The ensemble regularly performs in Colyer-Fergusson Hall, in Studio 3 Gallery and in concerts off-campus.

Performing in Studio 3 Gallery on the University campus, December 2017
The ensemble giving a lunchtime concert in Colyer-Fergusson Hall, March 2018

The Varley Art Gallery opened in 1997, and welcomes around 45,000 visitors annually, a preeminent cultural institution reaching audiences both nationally and internationally. This is the first time that the University Music department will travel to perform in Canada, and we’re very much looking forward to beginning our trip with a special event at the gallery. We are also very grateful to the gallery’s Public Programs Coordinator, Rachel D’Oliveira Fell, for the invitation to perform.

The Frederick Horsman Varley Art Gallery. Image: Gisling / Wikimedia Commons

Find out more about the Classical Connections event online here – and if you’re in the area, book yourself a ticket!

#EarBox goes electroacoustic: Night Liminal on Thursday 24 May

In a first for the ever-developing #EarBox series that brings together music and visual art, the next event on Thursday 24 May features the hypnotic soundscape of Night Liminal, an electroacoustic piece by Simon Cummings inspired by the transitional period of Compline, which will be unveiled in the sepulchral environs of Studio 3 Gallery.

Released in 2012, the piece is an enthralling sound-odyssey, a slow-moving exploration of the mystery of the ever-changing moment. Like drifting clouds, sounds blossom gradually, changing as they grow in a way that reflects the creeping changing of shadows as daylight fades and dusk draws on. The overall effect is evocative, hypnotic, creating an equivocal space in which the listener is invited to dwell, but not making it clear whether they should be wholly comfortable. That’s not to suggest that the aural experience is unpleasant; in fact, like a bitter sweetness, it’s a welcoming one that hovers lightly between both sensations. Somehow, it taps into an almost medieval fear of encroaching darkness whilst making the process of change an enchanting one.

Composer Simon Cummings talks about how ‘being in a sacred space at dusk is a profound and paradoxical experience, comforting yet unsettling. One is caught between light and darkness … The night can be a dangerous and uncharted place.’

The glacial grandeur to the soundscape of Night Liminal captures this paradox perfectly. The piece exists in that ambivalent space between tranquil serenity and quiet fear as it maps the process of perceptual change. As an electroacoustic piece, it both harks back to that hard-wired historic fear whilst opening up an undeniably modern space for secure reflection. And make no mistake: the surface soundscape of this piece is beautiful; lulling, warm and utterly, well, bewitching, as you can hear for yourself here.

Dedicated to the memory of organist and composer Jehan Alain, the piece lasts just under forty minutes and will unfold against the backdrop of Studio 3 Gallery’s new exhibition, Enhancing the Frame, which opened last week.

Whether as an aid to active meditation or passive relaxation, my hope is that this music can become an integral part of the gloaming, teasing out and resonating with both its delights and its uncertainties in a gentle act of quiet provocation and peace.

Admission to #EarBox is free, and the event begins at 1.10pm. Prepare for an  immersive experience of contemplative listening; more details online here.

Lunchtime Concert explores South Indian music on 30 May

We’re delighted to have been able to reschedule our postponed Lunchtime Concert from February, to bring music from South India on Wednesday 30 May at 1.10pm.Postgraduate University Music Performance Scholar, Ramnath Venkat Bhagavath is studying for a Masters in Applied Actuarial Science at the University of Kent, and brings a strong performing tradition to the campus. In 2016, Ramnath performed in the renowned ‘Swathi Sangeethotsav’ at the royal palace of Trivandrum, an event which attracts musicians from across the globe.

The Lunchtime Concert, taking place in Colyer-Fergusson Hall, will feature a selection of different ragas and thalas in the Carnatic music tradition, accompanied by violin, mridangam and ghatam.

Admission is free, with suggested donation £3.

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Sponsors of the Lunchtime Concert series