Colyer-Fergusson welcomed donors, supporters and friends to the University Music Department yesterday, as they gathered on Day Three of Summer Music Week for the annual Music Scholars’ Lunchtime Recital.
A wonderfully exploratory programme opened with second-year Jonathan Butten giving a lyrical solo cor anglais performance, followed by final-year Anne Engels in two pieces of French flute repertoire by Poulenc and Messiaen. The atmosphere turned sultry with a Piazzollla piano trio, featuring second-year cellist Faith Chan and first-year violinist Lydia Cheng, with Your Loyal Correspondent on piano, before a kitchen-sink finale highlighting diverse repertoire for solo percussion by third-year Cory Adams.
The concert was followed by the annual Music Awards ceremony, recognising the outstanding contribution made by various student musicians over the course of this year, about which more anon, before audience and performers retired to a post-ceremony reception.
Summer Music Week continues today with live jazz at lunchtime, followed this evening by the roof-raising gala from the Concert and Big Bands.
The annual musical celebration of the end of the academic year at the University of Kent, Summer Music Week, is set to burst into life next month.
Featuring many of the University’s ensembles, the week-long festival opens at the seaside on Sunday 5 June with the University Big Band, conducted by Ian Swatman, visiting Deal Bandstand. Events throughout the week include a recital by University Music Scholars, a Wednesday evening gala concert with both the Concert and Big Bands, a feast of Baroque music with the Cecilian Choir and Sinfonia at St Michael’s Church, Harbledown,plus various other lunchtime events, all culminating in the traditional Music for a Summmer’s Day on Saturday 11 June with the Chorus, Orchestra and Minerva Voices, followed by cream teas.
The full line-up of events is now live on our website here, and you can follow all the events on the Summer Music Week Twitter feed here: printed brochures are also available in Colyer-Fergusson and the Gulbenkian. Join us as we bid an action-packed musical adieu to another year at Kent!
Images from some of the various events that took place from Sunday 7 to Saturday 13 June, as the Music department bid farewell to another year at the University of Kent. Photos from the Scholars’ Lunchtime Recital on Day Two; jazz on the foyer-stage on Day Three; the String Sinfonia on Day Four; the Chamber and Cecilian Choirs in rehearsal on Day 6; and the marquee reception on the final day.
Other photos from throughout the week on our Pinterest board here.
The music continues unabated this week as Summer Music Week rings around the building; days Three and Four saw a lunchtime recital by some of the University Music Scholars, followed by the annual awarding of the Music Prizes; performers Jonathan Butten, Anne Engels, Rianna Carr and John Gabriel together with guest Benedict Preece performed two movements from Ravel’s magical Mother Goose Suite; Emily Farrell demonstrated the euphonium’s light-footed side in an arrangements of Mozart’s Rondo alla turca; cellist Faith Chan and mezzo-soprano Charley Tench performed Purcell’s Dido’s Lament; and harpist Emma Murton gave a dazzling rendition of Debussy’s first Arabesque and Salzedo’s shimmering Chanson dans la nuit. The concert was also the first formal outing for the department’s newly-commissioned harpsichord, a stunning instrument built by Andrew Wooderson, and a generous donation by Dr James and Jenny Bird, for which we are immeasurably grateful.
Day Four featured the Sax Ensemble on the foyer-stage at lunchtime, with Hannah Wiffen, Felicity Langford and Patrick Eves joined by Chris Murrell on drums, led by Peter Cook. In the afternoon, the hall rang to the sound of the Concert Band and Big Band in rehearsal under the baton of conductor Ian Swatman, and the evening saw the bands, together with vocalist and alumna Steph Richardson, bring their musical year to a rousing conclusion.
Thanks to Phoebe Hopwood for this splendid panoramic shot of the Big Band preparing to play in the evening!
Events continue until Saturday; find out more here.
Some of the University Music Scholars will be taking a trip to the Studio 3 Gallery in Jarman next week, as the #EarBox series returns on Wednesday 27 May.
Set amidst the backdrop of Studio 3’s current exhibition, ‘Beautifully Obscene,’ the musical programme presents some heady and expressive arias from several operatic heroines, including Delilah’s epic, aching aria ‘Mon coeur s’ouvre à ta voix‘ from Samson & Delilah by Saint-Saens, Eurydice’s lament for her lost love, Orpheus, from Gluck’s Orfeo ed Euridice, the ‘Song for the Moon’ from Dvorak’s Rusalka, and pieces by Mozart and Purcell.
The programme starts at 1.10pm, admission is free. Please note that some of the works in this exhibition contain explicit content – and some of the music is pretty sensual too…
To get you in the mood, here’s the aria by Saint-Saens performed live.
Our annual Summer Music Week festival to celebrate the end of another musical year at the University is now published online, with all the details of what’s coming up.
Running from Sunday 7 to Saturday 13 June, the week kicks off with a seaside visit to the Deal Bandstand with the Big Band; some of the singing Music Scholars will present a programme of Operatic Heroines in Love on Monday 8; the Lunchtime Concert on Tuesday 9 from some of this year’s Music Scholars, followed by the Music Awards ceremony; Wednesday sees the Concert and Big Bands coming together in the evening; Thursday features an informal lunchtime performance from the String Sinfonia; on Friday the Music Theatre Society performs on the foyer-stage at lunchtime, whilst in the evening we present our choral commission from composer Matthew King, poet Patricia Debney with projected photos by Phil Ward, performed by the Chamber and Cecilian Choirs; and the week comes to a festive conclusion with the Chorus, Orchestra and Chamber Choir on the Saturday afternoon, followed by cream teas on the lawn and many fond farewells.
Relive the memories of last year’s festival on our Pinterest board here: full details of all the events are published online here, or you can collect a brochure for the week’s events from Colyer-Fergusson soon.
Don’t forget to follow @UKCSummerMusicon Twitter in the build-up to and throughout the festival. Bring me sunshine…
The Colyer-Fergusson foyer was a bustling hive of activity last Thursday, as the University took a moment to say thank you to many of its local donors, including those who support the Music Scholarships Scheme, in the second Donor Appreciation Day reception.
It’s a wonderful opportunity for us to be able to show our gratutude for all the support which the donors afford the students during their time at Kent; in particular, the Music Scholarship Scheme provides instrumental or singing lessons in recognition of the performing commitments which the students undertake as Scholars. The Music Scholarships allow students, who are all reading subjects other than Music, to pursue their musical development and performing opportunities alongside their studies, enhancing the student experience and helping them continue to hone their musical skills.
Pictured here are some of this year’s Music Scholars: Hannah Williams (Architecture), and Jonathan Butten and Ruth Webster (Biomedical Sciences). On behalf of all the students thriving under the Scholarship scheme: a very big ‘thank you’ to all the donors for all your support.
You know that something rather special is going on when you find yourself having to put out additional seating before a concert to cope with the level of audience which is turning up. Such was the situation yesterday at just before five o’clock, when the storage cupboard was being pillaged for further seating, to accommodate the surprisingly large (yet very welcome!) turn-out for Scenes from Mozart, featuring some of the University Music Scholars accompanied by your loyal correspondent.
An enthusiastic crowd was treated to a selection of moments from three of Mozart’s operas – Clemenza di Tito, Cosi fan tutte and The Marriage of Figaro. With no expense spared on lavish production values, the minimalist approach to staging involved replacing a bed and a chaise-longue with chairs, a cupboard door become – wait for it – a lady’s fan, and Cherubino’s dramatic jumping out of the window involved…well, let’s just say you had to be there…
Ranging from the intimacy of Deh vieni through the high emotions of Dove sono to the feverish drama of Come out, Susana, the programme took in a snapshot of operatic gems, and demonstrated not only Mozart’s wonderful facility for writing the state of the characters and the tone of the moment into the fabric of the music, but the versatility of the singers too.
Well done to everyone that took part. Day Three of Summer Music Week continues today with a Lunchtime Recital from some of the University Music Scholars in the concert-hall at 1.10pm.
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.