I’ve done three Scholars’ Festival Lunchtime Concerts in the Canterbury Festival since my time at Kent began, and I’ve never seen the Festival Club as packed as it was on Friday.  The audience were crammed into every available space, with extra seating having to be put out along the sides, and the view from the stage was rather intimidating.

Not intimidating enough, however, to dismay the array of Music Scholars, who performed a diverse and entertaining programme that clearly delighted a packed house.

Politics student and flautist with the University Orchestra, Alice Godwin, opened the concert with a pair of charming pieces by Benjamin Godard, and was followed by Anna Beth Saffery, reading Drama, who sang Mozart’s breathless Voi che sapete and gave a lulling rendition of A Nightingale Sang in Berkeley Square.

Architecture student Chris Gray performed the first movement of Gregson’s Tuba Concerto, and demonstrated that, whilst it may be the largest of the instruments in the orchestra, it can also be one of the most light-footed – he gave a deft performance, full of agility and lyricism.

Clarinet tutor and Big Band conductor Ian Swatman led a clarinet trio in an arrangement of music by Bach, with Kate Lumley (English Language) and Sarah Davies (English Literature), who are stalwarts of both the University Orchestra’s clarinet section and the Concert Band.

The mood then shifted to jazz, as guitarist Andrew Kitchin (Maths) and saxophonist Will Rathbone (Drama) played two standards, The Nearness of You and Blue Bossa, with Ian Swatman sitting in. Both Will and Andrew have been bastions of the ‘Jazz @ 5’ series in the Gulbenkian each month, and here showed the same relaxed attitude to playing that has made them so indispensable to the series.

Bringing the concert to a sparkling conclusion (and not simply because of her shoes) was soprano Lena Younes (History and Drama), who sang Lullaby of Birdland before giving a crowd-pleasing and characterful performance of Flanders and Swann’s The Warthog.

Accompanied throughout by Deputy Director of Music, Dan Harding, the concert proved once again that the University’s music department is rich in young, talented musicians, even though there is no formal music degree on the Canterbury campus. Congratulations to everyone who performed.

Thank you to Ian Swatman, and to Sarah Passfield who hosted the event and assisted us in setting up, and who made us feel very welcome.

This year, the University presented another eclectic range of music in its annual Lunchtime Concert series, with enthusiastic audiences averaging around two hundred for each performance in the Gulbenkian Theatre.    

Mambo Jambo  – October   

The series was launched in style by Mambo Jambo, a two-piece group who between them played more instruments that you would have thought possible. Using all acoustic instruments and drawing on musical styles from around the world, their repertoire included music from Latin America, Africa, Brazil and bluegrass.   

The English Muse – November  

In contrast, the second concert explored Baroque music from Purcell to Handel with a trio of renowned early music performers: Terence Charleston (harpsichord), Anna Crookes (soprano) and Penelope Spencer (violin). The programme included Purcell’s Sound The Trumpet and a Handel cantata of outrageous musical inventiveness.  

Carnival of the Animals – November   

The influence of the Darwin centenary celebrations was apparent in the last lunchtime concert of the Autumn term, a performance of Saint-Saens’ enduringly popular Carnival of the Animals by the University Camerata. Playing to a packed theatre, the ensemble featured musical staff of the University, ranging from a Deputy Vice-Chancellor to the Director of the Unit for the Enhancement of Teaching and Learning, as well as various visiting music teachers. The concert was a part of the University-wide Darwin celebrations, and even featured a guest appearance by Darwin himself, who bore a rather uncanny resemblence to the Drama department’s Dr. Olly Double…    

which included several of the visiting Music Department staff. An enthusiastic audience were treated to a vivacious mixture of songs from the 1940’s to combat ‘Blue Monday’s’ blues. Saxophonist and singer Peter Cook didn’t allow himself to be incovenienced by a cold, as he had handily brought a megaphone for that authentic sound. Some solid support from sousaphone player Steve Wassall was matched by some light-footed improvisation from Ian Swatman. 

Gofannon Brass – March   

The concert series was brought to a close in heraldic fashion by Gofannon Brass,  founded by trumpeter and visiting teacher Alex Caldon. The five-piece ensemble comprises players from major London orchestras and West End theatre productions. The group is named after the ancient Celtic god of metal-workers who, with all the fine brass instruments on display, must surely have been delighted.  

As ever, our thanks to the firm of Furley Page Solicitors, who generously continue to sponsor the Lunchtime Concert series and allow the University to bring such an array of professional talent into the community.  

For further information about Furley Page Solicitors, visit their website here.