Congratulations to all the performers involved in last Friday’s performance of Dido and Aeneas. Students and staff in the University Cecilian Choir and String Sinfonia were joined by some of the Music Performance Scholarship singers in a production of Purcell’s timeless story of love and loss, conducted by Your Loyal Correspondent.
Costumed courtiers promenading the foyer greeted audience members arriving for the performance, whilst a string trio performed trio sonatas on the foyer-stage. Below are some of the photos from the dress rehearsal that afternoon.
Special mention to postgraduate Law student and Music Scholar, Helen Sotillo, as the doomed Queen of Carthage, and third-year Scholar, Fleur Sumption, as Belinda, and second-year Drama student and Scholar, Carmen Mackey, as the evil Sorceress.
And here is the cast and performers taking their bows after the performance:
Rehearsals are well underway for the performance of Purcell’s Dido and Aeneas by the University Cecilian Choir, String Sinfonia and soloists in two weeks’ time; here are some shots from recent rehearsals, including Music Scholar, soprano Helen Sotillo, rehearsing Dido’s heart-breaking lament, the Cecilian Choir as palace courtiers in Act I, and some of the String Sinfonia rehearsing Act II.
The tragic story of the doomed love of the Queen of Carthage for the Trojan prince unfurls in Colyer-Fergusson Hall on Friday 1 February at 7pm; more details online here.
Rehearsals are underway for a performance in February of Purcell’s ground-breaking Dido and Aeneas by the University Cecilian Choir,String Sinfonia and soloists.
Driven by characterful choruses, the Chorus has a significant role to play throughout each of the acts. Whether courtiers to the Queen, a coven of witches or lusty and infidelious sailors, the Choir will have a major part to play in the gradual unfolding of the witches’ nefarious scheming to come between the Queen of Carthage and the Trojan prince…
The Choir has been working hard in rehearsals each week, and is here captured getting into character as palace courtiers for the start of Act I.
Soloists in the opera are drawn from the Choir, including third-year Music Scholar, Fleur Sumption and first-year Felicity Bourdillon, seen here in an earlier rehearsal for Acts I and II.
Banish sorrow, banish care…
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.