Ahead of the start of the celebratory Gala weekend of concerts tomorrow, here’s the combined forces of the University Chorus and Symphony Orchestra in rehearsal last night.
See you all tomorrow and Sunday.
Ahead of the start of the celebratory Gala weekend of concerts tomorrow, here’s the combined forces of the University Chorus and Symphony Orchestra in rehearsal last night.
See you all tomorrow and Sunday.
Last night saw the last of the ‘first’ rehearsals in the new Colyer-Fergusson concert-hall, this time the turn of the University Chorus.
There was a general air of wonderment as members came through the entrance lobby into the new hall, waiting to be seated on the new choral risers.
First to be seated were the tenors and basses, ably regimented by ‘Director of Choral Seating,’ Steve;
Followed by the ladies of the alto section:
And finally the ladies of the soprano section:
And with everyone seated:
Now the hard part is over, the work can begin! 🙂
It’s been a busy week with All Things Choral – the University Chorus continues its exploration of Orff and Handel, the Chamber Choir engages with Tavener and Finzi, and the first rehearsal for this year’s Cecilian Choir sees them getting to grips with Britten’s Ceremony of Carols.
And cake and biscuits…
Confused ? Check out all that’s been happening on the choral blog, Cantus Firmus, where you can listen to some of the pieces and see photos of cake. And biscuits too…
With rehearsals for the University Concert Band and Big Band having begun last Wednesday, and those for the Symphony Orchestra last Thursday, it’s all choral this week – the University Chorus starts rehearsing this evening, and the Chamber Choir tomorrow night, whilst Sing! starts rehearsing this Thursday.
Tonight, we’ll be getting to grips with Handel’s Coronation Anthem The King Shall Rejoice and Orff’s riotous Carmina Burana with the Chorus – both pieces will feature in the Grand Gala concert which will officially launch the new music building at the inaugural concert in December (details online here).
7.30pm this evening, Grimond Lecture Theatre II; open to staff and students of the University without audition, and auditioned external members as usual – see you then!
And to whet your appetites, here’s Seiji Ozawa and the Berlin Philharmonic in a performance from 1989…
N.B. For those interested in Sing! – it starts on Thursday, Rutherford Music Room, 6pm. Be there…
After an industrious summer of event and programme planning, not to mention the minor task of preparing to move to the new building, I’m delighted to say our new Concert Diary for the Autumn term has now been published online.
The Lunchtime Concert series continues, as we welcome musicians from Total Brass, sitarist Jonathan Mayer, and close-harmony group Sector7 in concerts throughout the term.
University Music Scholars will be giving an informal lunchtime concert in the first week of November – an exciting moment, as it will be the first event in the brand new Colyer-Fergusson music building and its wonderful new concert-hall!
We’ll also be gathering to raise money for Children in Need again this year; come and be part of a whacky world première with a difference, written by yours truly – all you will need is a donation and your mobile-phone, complete with three different ring-tones…
The world-famous Brodsky Quartet continue their fortieth-birthday celebrations in inimitable style, as they bring their ‘Wheel of Four Tunes’ to the Colyer-Fergusson hall. Armed with an array of forty pieces from their hugely eclectic repertoire, the pieces in this concert will be decided by the spin of a wheel in what promises to be a unique event.
Finally, the term comes to a grand finale with the inaugural Gala Concert, with the combined ranks of the Chorus, Symphony Orchestra, Chamber Choir, Concert Band and Big Band, in a spectacular evening celebrating the formal opening of the new Colyer-Fergusson music building, complete with two new works especially written for the occasion.
An exciting term ahead: find out more online here.
The academic year has now come to a close, and last week’s Summer Music celebrations saw the year out in fine style.
Hot on the heels of the traditional battle-of-the-bands competition, Keynestock, the five days of events in Summer Music saw a host of musical activities, each one reflecting a different aspect of music-making at Kent and highlighting musicians from across the University community and beyond, each taking their moment to bid farewell to the end of another year.
The Music Scholars’ Lunchtime Recital on the first day saw flautist Kathryn Redgers playing Bach, harpist Emma Murton in some jazz, marimba-player Carina Evans in some shimmering percussion textures, and soprano Marina Ivanova in dazzling form with some scintillating top-notes and effervescent cascading semi-quavers in Vivaldi’s Nulla in mundo pax sincera, accompanied by the University Camerata.
Later in the evening, the University Big Band under Ian Swatman enthused the Gulbenkian audience in a vibrant programme, that also saw some robust playing from special guests the Simon Bates Quartet and superb singing from Music Scholar and Big Band vocalist, Ruby Mutlow. Traditionally, there’s a moment when Ian invites all those performing for the last time to take a bow: only two players rose to their feet, leading to the suggestion that, with the influx of new players again next year, it might have to be re-christened the University Very Big Band!
St Mildred’s Church in Canterbury city hosted the Chamber and Cecilian Choirs, who combined in a programme of works for solo and double choirs; the church was packed, and an enthusiastic audience treated to works by Schütz and Van Morrison from the massed combined ranks of singers; there was also Lauridsen, Victoria and Hassler from the Cecilian Choir in the first half, and Barnum, Brahms, Rachmaninov, Lassus and Billy Joel from the Chamber Choir in the second half. String players from the University Orchestra welcomed the audience with some pre-concert quartet music, while the irrepressible tenor section of the Chamber Choir burst into spontaneous barbershop singing during the post-concert refreshments.
Saturday saw the Music Theatre Society topping a highly successful year with There’s No Business Like Show Business! in the Gulbenkian Theatre, a showcase bursting with music from West End shows, Broadway musicals and popular music theatre favourites.
Sunday afternoon saw the culmination of the week and the musical year as a whole, in the annual Music Society Summer Concert, with valedictory performances from the Concert Band, Symphony Orchestra, Chamber Choir and the University Chorus. The Concert Band paid a tongue-in-cheek tribute to the fact that it was the last concert in Eliot Hall – next year, we move to our exciting new music building – with a rendition of The Great Escape, whilst the Orchestra paid its own tribute with the last section of Haydn’s Farewell Symphony, which sees members of the orchestra slowly leaving the stage, leaving only two violins remaining to bring the piece, and the afternoon’s concert, to a close.
The whole series of events across Summer Music really encapsulates what making music at the University is all about. Embracing students, staff, alumni, members of the local community, family and friends, all of whom combine to rehearse and perform on top of their course- or work commitments, the dynamic of music at Kent is all about the community experience. It’s a terrific opportunity for students to pursue their musical interests as an extra-curricular activity alongside their studies, and for staff to find opportunities to step away from the stresses of their professional duties and participate in creative projects throughout the year. Members of the local community also perform in Concert Band, Big Band, Chorus, Cecilian Choir and Orchestra, from all walks of life; from teachers and lawyers to doctors and dentists, all find a warm welcome and a musical outlet at the University.
The tears flowed on Sunday, as students who are graduating from the University this summer saw their last concert coming to a close. But there’s a healthy camaraderie fostered amongst the University’s musical community that often sees graduates returning as alumni, both to attend concerts and also to come back and perform.
With thanks to everyone who has participated in music at Kent throughout this academic year, and good luck and best wishes to all who are graduating. We look forward to catching up with you all again next year, when the Colyer-Fergusson centre for Music Performance will welcome the resumption of music-making in the autumn. Watch this space…
The annual Music Society concert, Music for a Summer’s Day, is now just ten days away, and it promises to be the usual roof-raising summation of both Summer Music next week, as well as of another fine year of music-making at the University.
Bringing together the University Concert Band, Chorus, Symphony Orchestra and Chamber Choir, the programme includes the finale of Mozart’s popular Clarinet Concerto, with Music Scholar Sarah Davies as soloist; there’ll be film music from the Concert Band, a choral medley from My Fair Lady from the Chorus, pieces from the Chamber Choir (we’re sworn to secrecy about one of them!), Brahms’ Academic Festival Overture from the Orchestra, plus some popular favourites from Johann Strauss and Elgar – and a few surprises as well. There’ll even be balloons…
The occasion will be capped by cream teas (included in the price of tickets) in a marquee overlooking the slopes towards the city, with commanding views of the Cathedral on what we hope will be a fine summer afternoon.
Details about all the events in Summer Music online here, plus details of tickets for the Sunday concert.
To whet your appetites, here’s the spritely Mozart: perfect for a summer’s day.
The whole of the Creation process, from the gradual emergence out of Chaos through first Light to Man and Woman, will take place in Canterbury Cathedral tomorrow in considerably less time than the original Seven Days the Lord took.
The University Chorus, Orchestra and soloists will render the whole series of events for you at one sitting (well, two, if you count the Interval) on Saturday at 7.30pm in the Nave.
Tickets and details here: think of us all early tomorrow morning, as the logistical process gets underway at 9am as we move instruments and stands down into Canterbury in preparation for the morning rehearsal…