Notes on Music

Image Gallery part II; Chorus and Orchestra by Molly Hollman

2 Comments

Huge gratitude to percussionist and award-winning photographer Molly Hollman, who, went not diligently playing percussion in the orchestra on Saturday, took time during the rehearsal at Canterbury Cathedral to capture the atmosphere of the moment in these fabulous photographs.

Pictured here are University Chorus and Orchestra in action, rehearsing Requiem for the Living by Dan Forrest, ahead of a marvellous performance later that night.

Our thanks to Molly for permission to share these fantastic shots; all this and playing percussion too…!

Notes on Music

Image Gallery: Chorus and Orchestra at the Cathedral

Leave a comment

Last weekend saw the University Chorus and Orchestra come together for a blazing concert of Shostakovich’s Ninth Symphony and Dan Forrest’s epic Requiem for the Living, for the annual Colyer-Fergusson Cathedral Concert.

Here are photos of the combined forces in action rehearsing on the morning of the concert.

Images © Chris Wenham / University of Kent

Notes on Music

You know someone great has gone: in memoriam Wayne Shorter

Leave a comment

Tremendously sad to hear of the passing of Jazz Giant, legendary saxophonist Wayne Shorter, at the age of 89. whether as side-man in the Second Great Miles Davis Quintet, co-founder of  fusion giants Weather Report, working with Joni Mitchell, or forging his own solo albums such as Speak No Evil and Maiden Voyage, Shorter’s unique sound has been creating new paths in jazz since the 60s. Songs like ‘Footprints’ have become popular jazz standards, or another Shorter original,  the achingly lyrical ‘Infant Eyes’ from Speak No Evil;

Here’s Shorter weaving his unique magic alongside Joni Mitchell on the latter’s Mingus in Mingus’ own ‘Goodbye Pork Pie Hat:’

Listen to his heart-breakingly beautiful, lyrical playing on Miles’ timeless album In a Silent Way:

or his fiercely inventive sound on ‘Havona’ from Heavy Weather this weekend to commemorate a true Jazz Giant.

As Joni said, ‘You know someone great has gone…’

 

Composer in Focus, Keeping It Real: reviews.

String Sinfonia at Faversham with John Woolrich

Leave a comment

Congratulations to the University String Sinfonia, who on Saturday headed to the Market Town of Kings, to perform at St Mary’s, Faversham, as part of the Coffee Concert series.

Directed by Floriane Peycelon, the players gave a spirited reading of Arensky’s Variations on a Theme by Tchaikovsky (a theme most often heard in the carol ‘A Crown of Roses’), followed by a performance of John Woolrich’s evocative Ulysses Wakes, featuring postgraduate Music Performance Scholar reading Chemistry, Kira Hilton, as soloist.

Music PErformance Scholar and Chemistry postgraduate, Kira Hilton, and composer John Woolrich after the concert

Woolrich’s hushed, agile responses to Monteverdi cast a shimmering spell as it lifted into the church’s generous acoustic, and the composer, who was present for the performance, talked before the piece about his music and the spirit behind his reimagining music of the past.

The String Sinfonia is back in action on Friday 31 March in Colyer-Fergusson Hall; more details here.

Notes on Music

New music: rehearsing with Russell Hepplewhite

Leave a comment

As part of the continuing ten-year anniversary of Colyer-Fergusson, the Music department continues to explore new musical frontiers in commissioning a piece from composer Russell Hepplewhite; an innovative take on the Magnificat, written for the University Cecilian Choir and string orchestra.

Bringing the Song of Mary together with new poetry by Nancy Gaffield, Emeritus Professor in the School of Creative Writing, the choir has been working on the piece in rehearsals, and we were delighted to welcome the composer to the concert-hall this week as the choir worked together with Russell.

It’s always a nervous experience to rehearse a piece with the composer present, but there was a tremendous rapport between the choir of students and staff and Russell, as the group continued to develop the piece with direct Composer Input.  Heroically, Russell volunteered to be the repetiteur for the rehearsal, and choir, composer and poet spent a lively session bringing the piece to life.

Before the rehearsal, Russell and Your Loyal Correspondent filmed a conversation about the commission, about the process of writing a piece that combines a well-known sacred text with contemporary poetry, and techniques of writing for voices and strings – the interview will appear soon!

Pictured are Russell and Nancy with the Cecilian Choir; the piece receives its premiere performance in Colyer-Fergusson on Friday 31 March; tickets here.

Keeping It Real: reviews., Notes on Music, Now Hear This!

Minerva Voices singing at Canterbury Cathedral: watch on demand

Leave a comment

Congratulations to Minerva Voices and organist John Wyatt, who yesterday sang Choral Evensong at Canterbury Cathedral. Conducted by Your Loyal Correspondent, the choir presented contemporary settings by Jeremy Woodside and Justin Breame as part of the music sung during the service.

The service was livestreamed on the Cathedral’s YouTube channel, and can be viewed below:

(The choir begins processing in just after the four-minute mark)

Well done to all the students involved; the Choir will be in action again at the start of June, singing as part of the choral concert in the Cathedral Crypt on Friday 2 June as part of Summer Music Week.

Gallery Space

On the face of it: new portraiture exhibition in Colyer-Fergusson Gallery

Leave a comment

Our latest exhibition in the gallery space here in Colyer-Fergusson is a mesmerising exploration of portraiture by Canterbury artist, Adam De Ville.

When out one day presents a series of ten images reflecting Adam’s interest in exploring the human condition, brought vividly to the canvas in an array of arresting paintings that pushes through the space between viewer and subject, looking to capture the essence of the moment.

My work is the result of how I see the things around me. As well as portraiture, I paint landscapes and cityscapes. Recurring themes of displacement and belonging colour my portrait work especially. I always aim to capture a moment and something of the inner life of the subject. I don’t have any conscious theme for painting as I paint; themes are only attributed afterwards. it’s very much an unconscious process; I paint what I want at the time, the things around me. But the work can therefore be said to be reflexive in that my inner life is the guide. In the case of portraiture, I am painting my state at the time.

Based in Canterbury, Adam De Ville is a self-taught artist exhibiting both nationally and internationally, most recently with the Royal Cambrian Academy of Arts (Award Winner), Royal Birmingham Society of Artists (Award Winner), Wales Contemporary (Award Winner), Royal Institute of Painters in Watercolours (Award Winner), Pastel Society, ING Discerning Eye as well as galleries in London, Dublin, and Paris.

Adam’s work can also be found on Instagram at adamleedeville.  His work is currently being shown at the Lilford Gallery in Canterbury, The Doorway Gallery, London Contemporary Art Gallery, Art5 Brighton and Queen Street Gallery, Neath. One of Adam’s portraits will also feature as the cover of the programme for the concert by the University Cecilian Choir and Consort at the end of March.

The exhibition is free to view, open during the day until 9pm; there is wheelchair access, and the images are on display until May.

www.adamdeville.com