Many congratulations to everyone in the University Chorus and Orchestra, who received a standing ovation at the end of Saturday’s epic performance in Canterbury Cathedral.
This year’s annual Colyer-Fergusson concert, in honour of Sir James Colyer-Fergusson, saw the combined ranks of students, staff, alumni and members of the local community coming together to present Brahms’ inventive Symphony no.4, alongside Fauré’s Requiem, performed to the mark the centenary this year of the composer’s death.

Conducted by Your Local Correspondent, and joined by soprano soloist Julie Bale and baritone soloist Ben Bevan, the concert was a resounding success, greeted with an enthusiastic ovation from the audience who stood and applauded as the final notes of the Requiem receded down the Nave.

Plenty of happy faces in the Chapter House, which functioned as the dressing-room on the night, as evidenced in these images of some of the choir and orchestra.

Formal photographs to follow; thank you to everyone who took part.
Her exam included repertoire by Telemann, Enesco and Chopin, and took pace at St Peter’s Methodist Church in Canterbury, accompanied by first-year Music Performance Scholar, Ronja Haller.
Charlotte will be playing in Concert Band next week in the spring gala concert – many congratulations to her on her success.
A morning devoted to Faure’s sublime Requiem was followed by an afternoon working on Brahms’ epic Symphony no.4 with the orchestra alone.
It was a pleasure to welcome back a few familiar faces as some alumni who will be joining us for Saturday’s concert came back to Colyer-Fergusson to take part in the rehearsal.
Directed by Floriane Peycelon, the ensemble delivered a programme focusing primarily on women composers, with a scintillating Suite for Strings by Libby Croad; a movement from the wonderfully colourful Piano Quintet by Louise Farrenc, for which the ensemble was joined by first-year pianist, Ronja Haller; an enigmatic compositional response to Tallis’ If Ye Love Me by local composer Juliet Lewis (who also conducted the piece); before the programme closed with a full-blooded string orchestral ‘reimagining’ of music from Purcell’s Dido and Aeneas, with the closing Lament featuring final-year student, Jack Chan, on solo viola.
A great programme and an enthusiastic audience; many thanks to the church’s Coffee Concert series for welcoming us.

I would like to thank Sophie Meikle and Dan Harding, as well as the members of the university’s music department, without whom the pursuit of my passion would not have been possible.






and the term came to a rousing conclusion with the Big Band’s annual Christmas Swingalong, conducted again by the evergreen Ian Swatman sporting a Christmas Hull City jumper.
And making her debut with the big band was first-year singer, Tayo Fanifosi, whi delivered several crowd-pleasing festive numbers.

I’m hoping to enter the legal field, but apart from that, I’ve love to be a donor for the Music Performance Scholarship in the future, to continue this kind act. People really benefit from the scholarship, and I do think the scholarship improves the uni as a whole.


